SIX CHAIRS BOOKS – art & theory bookstore

Real Review #8

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Is the strategy of the Trojan Horse viable? We interview CHELSEA MANNING on identity and autonomy, while VIRGIL ABLOH and JACK SELF review how to dissolve power structures. Meanwhile, WOLFGANG TILLMANS presents a 16-page special insert reviewing contemporary life. Comedian ELF LYONS reviews austerity Britain (with readymades by NICOLE MCLAUGHLIN), and JACOB DREYER reviews the current state of globalisation from the border of China and North Korea (with DPRK photography by YUYANG LIU). In two poems, SVETLANA MARICH reviews her desire for a doctor.

Also in the issue: JOHANN HARRI reviews depression and SHUMON BASAR reviews our obsession with fame. JACK SELF reviews 'low batt' while EFE reviews the NYC blackout. PIER VITTORIO AURELI reviews the Italian radical Marxist autonomia movement, and SOPHIA ALAMI reviews the hijab. The rise and rise of streetwear is reviewed by JOHN-PAUL TRANG, meanwhile COLBY VEXLER and JUSTIN CLEMENS review the millennial obsession with houseplants. HOLLAND DRURY and DAMIAN FOPP review the power politics of the chaise longue.

11.00 EUR

eeK 2014-2018

Authors: Robertas Narkus, Nerijus Rimkus (eds.)
Title: eeK 2014-2018. Eksperimentinės inžinerijos stovykla eeKūlgrinda
Publisher: Six Chairs Books 
Subject: Artists' Books
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Within the management of circumstances career that the artist Robertas Narkus has created for himself, the role of Eek - a yearly two week break with a daily fluctuating number of artists - has received little attention yet it has played an important role. In fact Kartena, an archetypical Lithuanian village just a few-hours drive from Vilnius, located on the banks of the river Minija, surrounded by hills and lush forests areas, with its one-main-square, one-restaurant, one-shop, one-bus-stop, one-candle-factory and one-cemetary-at-the-edge-of-town was the perfect set to see Narkus’ hazy practice in its clearest form. 

For five consecutive years Eek functioned as a focus point for good food, good drinks, lots of smoking, telling stories, jokes and experiment. Aside from a super fast internet connection, not much more was provided to guests and the bare staging of the surroundings served as a reminder of the artificiality of this group of people being there. The attendees of Eek weren’t asked to create or show any work, they were just asked to show up and spend time together. Yet a potent mixture of pragmatics, time and enthusiasm shared between the attendees instigated that over the course of the days spent there things would start to take shape. And, as the photographs of the several editions of Eek featured in this book allow us to see, what a gathering place Eek was.  - YANA FOQUE

with texts by Auridas Gajauskas, Jokūbas Čižikas, Valentinas Klimašauskas, Yana Foque, Monika Kalinauskaitė, Žygimantas Kudirka and with thanks to everyone who joined the roads. 

SPOILER ! The book is in Lithuanian! 

10.00 EUR

Over There. A Queer Anthology of Joy

Author: Richard Porter (ed.)
Title: Over Threre. A Queer Anthology of Rage
Publisher: Pilot Press
Subject: Artists' Writings, Zines
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Anthology number two asks what is joy? Is joy possible in the world today? If so, how do queer people imagine or experience it? Over 30 writers, artists and performers consider queer joy with contributors including Eileen Myles, Wayne Koestenbaum, Hilton Als, AA Bronson, Timothy Thornton, Sophie Robinson, Eley Williams and Honey Dijon.

16.00 EUR

I Seem to Live. The New York Diaries. vol. 1, 1950-1969

Authors: Jonas Mekas, Anne Konig (ed.)
Title: I Seem to Live. The New York Diaries. vol. 1, 1950-1969
Publisher: Spector Books
Subject: Artists' Books, Essays & Non-fiction
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I Seem to Live. The New York Diaries, 1950–2011 is Jonas Mekas’s key literary work. The first volume of this magnum opus, covering the period from 1950-69, appears posthumously one year after his death. It stands on an equal footing with his cinematic oeuvre, which he initially developed together with his brother Adolfas after their arrival in New York. In 1954, the two brothers founded Film Culture magazine, and in 1958 Jonas began writing a weekly column for The Village Voice. It was in this period that his writing, films, and unflagging commitment to art began to establish him as a pioneer of American avant-garde cinema and the barometer of the New York art scene.

'Jonas Mekas was a force of nature – an untiring artistic energy field. He disregarded genres and broke all the rules, always favoring pure expression and experimentation over formulas and expectations. He was / is one of the most inspiring artists I’ve ever encountered – the poets’ version of a Kung Fu Master. Long live Jonas Mekas!' –Jim Jarmusch

38.00 EUR

radiniai, sidabro dulkės ir kitos gėlės

Author: Rokas Pralgauskas
Title: radiniai, sidabro dulkės ir kitos gėlės
Publisher: Lietuvos fotomenininkų sąjunga
Subject: Artists' Books
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Roko Pralgausko kūrybą apibūdinti išties sudėtinga: viena vertus, naujoje menininko serijoje 'Radiniai, sidabro dulkės ir kitos gėlės' kuriamos savotiškos kasdienybės mizanscenos, kita vertus, šį ciklą 'pertraukiantys' eilėraščiai atriboja nuo buities ir verčia fotografijose ieškoti mylimosios pėdsakų. Vis dėlto ilgiau žvelgiant į seriją susidaro jausmas, kad menininkas pateikia netobulą mūsų tikrovę, tokią tolimą šiandieniame estetikos pasaulyje, kur kone kiekvienas blykstės išdegintas kadras atliepia paskutines dizaino madas.

Pats menininkas teigia: 'Ši vaizdinių serija daugeliu atvejų yra studijoje skenuoti ar perfotografuoti pamesti žmonių daiktai, rastos šiukšlės, pamiršti seni eskizai, juodraščių liekanos, dūlančios kūrybos archyvuose, atvirukų nuoplėšos, negatyvai, kiti pavieniai objektai – tiek fiktyviai sukonstruoti, tiek rasti buityje, gamtoje – sąmoningai atrinkti ir atrūšiuoti jie virsta gyva, kalbančia fotografija. Nors tokia vizuali tarpusavyje nesusijusių objektų dokumentacija gali pasirodyti apie nieką, visgi savo estetine išraiška, kuriama nuotaika, absurdo humoru ir vaizdiniais sąmojais emocionaliai paveiki fotografija paliečia žiūrovą savo metaforomis tarp eilučių – kaip gera poezija.'

Pralgausko fotografijų knyga – tarsi menininko dienoraštis, kurį, ko gero, taikliausiai apibūdino Agnė Narušytė, savo įvadinį tekstą užbaigdama šia mintimi: 'Tegyvuoja neideali ir visada vienintelė tikrovė, kurioje viskas ne taip, kaip turėtų būti.'

SPOILER ! THE BOOK IS IN LITHUANIAN

18.00 EUR

Tacit Knowledge. Post Studio/Feminism – CalArts 1970-1977

Author: Annette Jael Lehmann (ed.)
Title: Tacit Knowledge. Post Studio / Feminism - CalArts 1970-1977
Publisher: Spector Books
Subject: Essays & Non-Fiction, Art History
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Tacit Knowledge provides an insight into the complex artistic and educational practices that characterized the first decade of the California Institute of the Arts (CalArts). There is a special focus on the conceptual and feminist strategies developed in and from John Baldessari’s Post Studio class as well as Judy Chicago and Miriam Schapiro’s Feminist Art Program, which was initiated in 1970 and brought to the newly founded art school in 1971. As Post Studio and feminist practices at CalArts are often characterized by the specific entanglement of cognitive and (habitual) bodily forms of knowledge, the idea of tacit knowledge, and thus learning through social and performative contexts of action, functions as an overarching principle linking all the contributions in the book. Combining short introductions with in-depth case studies and a broad range of documental and photographic material, the experimental publication takes the form of a magazine, allowing a diverse and lively approach to the ideas shaping the early years of CalArts. 

Authors: Kim Albrecht, Lea Becker, Katharina Brandt, Léïla Douliba, Carla Gabriel, Jennifer Gaschler, Pauline Gründing, Verena Kittel, Friederike Krause, Vivien Lambert, Annette Jael Lehmann, Alice Rugai, Jeffrey Schnapp, Anna Sønderup 

28.00 EUR

A Queer Anthology of Rage

Author: Richard Porter (ed.)
Title: A Queer Anthology of Rage
Publisher: Pilot Press
Subject: Artists' Writings, Zines
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The final anthology in the trilogy looks at rage with contributors including AA Bronson, Christeene, Sarah Schulman, Olivia Laing, Paul Lee, Chris Kraus, Paul P. and G.B. Jones, John Maybury, David Rattray, FAG MOB, and many more.

18.00 EUR

Seven Years. The Rematerialization of Art from 2011 to 2017

Author: Maria Lind
Title: Seven Years. The Rematerialization of Art from 2011 to 2017
Publisher: Sternberg Press
Subject: Theory & Philosophy, Art History, Essays & Non-fiction
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This is a subjective chronicle of contemporary art from 2011 to 2017. During this period, the curator, writer, and educator Maria Lind regularly wrote a column for the print edition of ArtReview. The writings focused on individual art works and exhibitions, extending to conversations and debates that were developing in the art world and beyond during these seven years. Works by Haegue Yang, Hassan Khan, Uglycute, Tania Perez-Cordova, and Walid Raad, among others, are thought through, alongside exhibitions such as dOCUMENTA (13), the 2014 Sharjah Biennial, the 2015 Ural Industrial Biennial, as well as several editions of the Venice Biennale.

In Seven Years, Lind’s writings are complemented with an introduction by artists Goldin+Senneby, who discuss Lind’s materialist approach through the use of the word 'hand' and how it applies to art. The writings are further complemented by the book’s design produced by long-term collaborators Metahaven. Three additional essays then filter her writing: Sofía Hernandez Chong Cuy reflects on how writing can affect curatorial work, and the other way around, both for Lind and for herself. Artist Ahmet Ogut conducts an imagined interview with Maria Lind, and Philippe Parreno weaves a summary of the years between 2010 and 2018, highlighting the notion of potentiality. The book closes with a postscript by Joanna Warsza, fellow curator, in which she compiles a glossary of the book’s key ideas and terms.

22.00 EUR

Labas, vaizduote

Author: Ieva Stankutė
Title: Labas, vaizduote
Publisher: self-published
Subject: Artists' Books, Kids 
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Menininkės Ievos Stankutės knyga LABAS, VAIZUOTE – tai savotiškas vaizduotės pratimų atlasas, skaitytojus (tiek vaikus, tiek suaugusiuosius) kviečiantis įspėti ir nupiešti įvairias abstrakčias formas puslapiuose. 

Knyga sukurta naudojant mišrias technikas, surišta rankomis. Išleista ribotu 70 egz. tiražu. SPOILER ! The book is in Lithuanian. 

 
20.00 EUR

TV

Author: Algirdas Šeškus, Gintaras Didžiapetris (ed.)
Title: TV
Publisher: Lietuvos nacionalinis radijas ir televizija  / Lithuanian National Radio and Television
Subject: Artists' Books
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What you might take in your hands, is a selection of photographs made by Algirdas Šeškus while at work as a camera operator at the National Television. All of the images were made between 1975 and 1985. The book is published on the occassion of the 60 year anniversary since the first television broadcast in Lithuania

36.00 EUR

Love and Ethnology

Authors: Diedrich Diederichsen, Anselm Franke (eds.)
Title: Love and Ethnology. The Colonial Dialectic of Sensitivity (after Hubert Fichte)
Publisher: Sternberg Press, Haus der Kulturen der Welt (HKW)
Subject: Theory & Philosophy, Essays & Non-fiction, Artists' Writings
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Can the ethnological observations and feelings on Afro-diasporic cultures of a German writer be 'restituted'? What are the possibilities and limits of using self-reflection and gay sexuality as research tools?

Since 2017, the exhibition and publication project Hubert Fichte: Love and Ethnology has followed these questions through Hubert Fichte’s cycle of novels Die Geschichte der Empfindlichkeit (The History of Sensitivity). Fascinated by Afro-diasporic arts and religions, Fichte (1935–1986) traveled to cities such as Salvador da Bahia, Santiago de Chile, Dakar, New York, and Lisbon. For the project, translations from his Geschichte der Empfindlichkeit became the basis for critical local receptions and new artistic works in these cities. The final exhibition Love and Ethnology – The Colonial Dialectic of  Sensitivity (after Hubert Fichte) at Haus der Kulturen der Welt in Berlin presents these reflections against the background of the relationship between ethnology and the aesthetic avant-garde in post-war West Germany.

w/ contributions by Dulcie Abrahams Altass, Kader Attia, Jan-Frederik Bandel, Jürgen Bock, Max Jorge Hinderer Cruz, Lisa Deml, Diedrich Diederichsen, Rosa Eidelpes, Erhard Eppler, Anselm Franke, Renee Green, Ayrson Heraclito, Koyo Kouoh, Dirck Linck, Tiona Nekkia Mcclodden, Mario Navarro, Amilcar Packer, Marleen Schroder, Denise Ferreira da Silva, David Simo, Kerstin Stakemeier, Yesomi Umolu. 

28.00 EUR

Kaip vogti knygas

Author: David Horvitz
Title: Kaip vogti knygas
Publisher: Six Chairs Books, Edition Taube 
Subject: Artists' Books
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The artists’ book 'How to shoplift books' by David Horvitz is a guide on how to steal books. It details 80 ways in which one can steal a book, from the very practical, to the witty, imaginative, and romantic.

'Hide the book inside a fake rock.'

This textbook is readable, but also shamelessly draws attention to its existence as an object, a conversation starter, a thing that can be acquired by fair means or foul. This is a book that turns a point of sale display into an intellectual and ethical adventure. 

The work is romantic and anachronistic: as our primary source for buying books becomes impersonal online shops (that pretend to deliver a personal experience) it is almost impossible to spontaneously steal anything, and the act of disobedience becomes a story of the past. Horvitz’ compendium of delightfully written performance instructions is a collection of modern culture scripts and is, so to speak, writing history.

SPOILER! The book is in Lithuanian 

10.00 EUR

Aesthetics of Standstill

Authors: Barbara Gronau, Reinhold Gorling, Ludger Schwarte     (eds.)
Title: Hospitality. Hosting Relations in Exhibitions
Publisher: Sternberg Press
Subject: Theory & Philosophy
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'Standstill' could be the name for the exact kind of experience that is the hiatus between social expectations and real possibilities of agency. Standstill may also be the name of an aesthetic strategy to instill a non-linear time of resistance and experience into the political protocol of progress. Finally, standstill can be the name for the temporal fissure in the midst of the subject, for the lapse between the subject of the enunciation and the subject of a statement, the limit that is the border between the inside and the outside. It can be the name for the mode of potentiality, for the moment of gesture, or, with Walter Benjamin, the medium of the dialectical image. The essays of this book transverse these dimensions of standstill as an in-between of time. The book includes essays by Georges Didi-Huberman, David Lapoujade, Peter Osborne, Jacques Rancière, Christine Ross, and others as well as conversations with Via Lewandowsky, Aernout Mik and Marcel Odenbach.

22.00 EUR

Night Shifter

Authors: Martin Kohout and Dan Meththananda (eds.)
Title: Night Shifter
Publisher: TLTRPress
Subject: Essays & Non-fiction
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Catalysed by conversations with night-shift workers in London and Milton Keynes, this collection brings together neuroscientists, anthropologists, authors, cab-drivers, and artists to reflect on the conditions of nocturnal labour. Through each contribution, the night shift is interpreted as a displaced, ambivalent space — of disciplined protocol, of calm meditation, of queer autonomy, of hedonistic resistance, or of exhaustion beyond words.

Night Shifter features contributions from: Phanuel Antwi, Ayesha Hameed, Chris James-Harvey, William Kherbek, Sophie Lapalu, Barney Lewer, Jeff Perkins, Jason Pine, Kate Porcheret, Georgina Voss, and Vlad Vyazovskiy

12.00 EUR

Double Lives in Art and Pop Music

Author: Jorg Heiser
Title: Double Lives in Art and Pop Music
Publisher: Sternberg Press
Subject: Theory & Philosophy, Art History, Essays & Non-fiction
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Why did Andy Warhol decide to enter the music business by producing the Velvet Underground, and what did the band expect to gain in return? What made Yoko Ono use the skills she developed in the artistic avant-garde in pop music, and what in turn drew John Lennon to visual art? Why, in 1980s West Germany, did Joseph Beuys record a pop single and artists such as Walter Dahn, Albert and Markus Oehlen, and Michaela Melian form bands? What role does utopia play in the pop music and art of Brian Eno, Laurie Anderson, and Fatima Al Qadiri? And, vice versa, did dystopias of transgressive imagery and noise lead the artist group COUM Transmissions to make music as Throbbing Gristle?

In Double Lives in Art and Pop Music, Jorg Heiser argues that context shifting between art and pop music is an attempt to find solutions for contradictions faced in one field of cultural production. Ever since Duchamp’s readymade und Hugo Ball’s sound poetry, the definition of art has widened and dissolved to a point where nearly anything geared toward an art audience can be considered an artwork. Today it has become convention to praise art as a way of questioning conventions, not least in regard to conventional borders between disciplines, media, and genres. However, heroic claims of dissolving borders have become a way of kicking at doors that are already wide open—in a political and economic environment defined by neoliberal deregulation and flexibilization geared toward new markets, and permeating every social and cultural sphere.

24.00 EUR

Thinking Through Painting

Authors: Daniel Birnbaum, Isabelle Graw, Nikolaus Hirsch (eds.)
Title: Thinking Through Painting. Reflexivity and Agency Beyond the Canvas
Publisher: Sternberg Press
Subject: Theory & Philosophy
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Painting has demonstrated remarkable perseverance in the expanding field of contemporary art and the surrounding ecology of media images. It appears, however, to have dispelled its own once-uncontested material basis: no longer confined to being synonymous with a flat picture plane hung on the wall, today, painting instead tends to emphasize the apparatus of its appearance and the conduits of its circulation. With contributions by Peter Geimer, Isabelle Graw, and André Rottmann, Thinking through Painting investigates painting’s traits and reception in cultural and socioeconomic discourse.

12.00 EUR

The Observer Effect

Author: Barry Schwabsky; Rob Colvin, Sherman Sam (eds.)
Title: The Observer Effect. On Contemporary Painting
Publisher: Sternberg Press
Subject: Theory & Philosophy
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In The Observer Effect: On Contemporary Painting, poet and critic Barry Schwabsky looks at the different directions that painting has taken since the turn of the millennium. He deflates the twentieth-century belief that abstraction and figuration in painting are dichotomous. Instead, Schwabsky argues, they are methods of asking or answering the questions: What is painting? What can painting become in an observer’s encounter with it? This wide-ranging selection of texts emphasizes the coextensive work the viewer brings to painting alongside the artist—the construction of form and meaning.

22.00 EUR

Conflictual Aesthetics

Author: Oliver Marchart
Title: Conflictual Aesthetics. Artistic Activism and the Public Sphere
Publisher: Sternberg Press
Subject: Theory & Philosophy
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A new wave of artistic activism has emerged in recent years in response to the ever-increasing dominance of authoritarian neoliberalism. Activist practices in the art field, however, have been around much longer. As Oliver Marchart claims, there has always been an activist undercurrent in art. In this book he traces trajectories of artistic activism in theater, dance, performance, and public art, and investigates the political potential of urbanism, curating, and 'biennials of resistance.' What emerges is a conflictual aesthetics that does not conform with traditional approaches to the field and that activates the political potential of artistic practice.

Oliver Marchart is a political theorist and philosopher. He is currently professor of political theory at the University of Vienna. His books include Post-foundational Political Thought: Political Difference in Nancy, Lefort, Badiou and Laclau (2007), Thinking Antagonism: Political Ontology after Laclau (2018), and the forthcoming Post-foundational Theories of Democracy: Reclaiming Freedom, Equality, Solidarity.

18.00 EUR

Dedication(s)

Author: Robin Waart
Title: Dedication(s)
Publisher: Self-published
Subject: Artists' Books
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To C.L.S.’, ‘For A.L.M.’, ‘In Memory of J.V.C.’ – Starting from his collection of three-letter dedications, “Dedication(s)” looks at public yet hidden modes of address. While these dedications appear in printed books, they remain private, intimate allusions between author and intended recipient. The project infers the strange position of the reader who encounters these cryptic dedications, which perhaps get in the way of—or better clarify?—the relationship between author and audience. Waart’s project questions the relationship between a work and the reality in which it comes about, and why, and for whom, we make what we make.

37.00 EUR

Enghelab Street, a Revolution through Books: Iran 1979-1983

Author: Hannah Darabi
Title: Enghelab Street, a Revolution through Books: Iran 1979-1983
Publisher: Spector Books
Subject: Artists' Books
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Enghelab Street, Revolution Street, is located in the centre of Tehran—a main artery in the city’s cultural life with a host of bookshops. The publication presents a variety of photographic and propaganda books collected by Iranian artist Hannah Darabi. Drawing on works published between 1979 and 1983—years corresponding to the short period when freedom of speech prevailed at the end of the Shah’s regime and the beginning of the Islamic government—she takes us to the heart of an intense artistic and cultural period in Iranian history. Darabi has developed a visual essay accompanied by a critical apparatus written by Chowra Makaremi. The publication with its extensive landscape of books gives us the opportunity to look at rare printed matter for the first time.


48.00 EUR

Hospitality

Authors: Beatrice von Bismarck, Benjamin Meyer-Krahmer (eds.)
Title: Hospitality. Hosting Relations in Exhibitions
Publisher: Sternberg Press
Subject: Theory & Philosophy
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A curatorial situation is always one of hospitality. It implies invitations to artists, artworks, curators, audiences, and institutions; people and objects are received, welcomed, and temporarily brought together. It offers resources for material and physical support while also responding to a need for recognition, respect, or attention. Finally, and very importantly, a curatorial situation operates in the space between an unconditional acceptance of the other and exclusions legitimized through various rules and regulations.

This publication analyzes, from the perspective of hospitality, the curatorial within the current sociopolitical context through key topics concerning immigration, conditions along borders, and accommodations for refugees. The contributions in this volume, by international curators, artists, critics, and theoreticians, deal with conditions of decontextualization and displacement, encounters between the local and the foreign, as well as the satisfaction of basic human needs. Hospitality: Hosting Relations in Exhibitions is the third volume in the Cultures of the Curatorial book series.

w/ Beatrice von Bismarck, Nanne Buurman, Alice Creischer, Andrea Fraser, Lorenzo Fusi, Wiebke Gronemeyer, Erik Hagoort, Anthony Huberman, Thomas Locher, Benjamin Meyer-Krahmer, Dieter Roelstraete, Stefan Romer, Jorn Schafaff, Andreas Siekmann, Ruth Sonderegger, Maja Ćirić.

19.00 EUR

Curatorial Things

Authors: Beatrice von Bismarck, Benjamin Meyer-Krahmer (eds.)
Title: Curatorial Things
Publisher: Sternberg Press
Subject: Theory & Philosophy
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The meaning, function, and status of things have changed decisively over the past two decades—a development that stems from increasing skepticism about the ability of things to present culture. This questioning of thingness is an integral part of presentation and has shaped the relevance of the field of the curatorial. Immanent to presentation as a mode of being (public) in the world, the curatorial has the potential to address, visualize, and investigate the central effects of the changing status and function of things. The presentational mode has played a generative role, vitally participating in the mobilization of things through its aesthetic, semantic, social, and, not least, economic dimensions. Intertwining transdisciplinary discourses, transcultural perspectives, and methods of practice, the anthology Curatorial Things provides new insight into the analysis of things.

w/ Arjun Appadurai, Annette Bhagwati, Beatrice von Bismarck, Bill Brown, Sabeth Buchmann,  Clementine Deliss, Andre Lepecki, Maria Lind, Sven Lütticken, Florian Malzacher, Benjamin Meyer-Krahmer, Sarah Pierce, Peter J. Schneemann, Jana Scholze, Kavita Singh, Lucy Steeds, Leire Vergara, Katharina Weinstock, Judith Welter. 

19.00 EUR

The Language of Secret Proof. Indigenous Truth and Representation

Authors: Nina Valerie Kolowratnik; Nikolaus Hirsh, Markus Miessen (eds.)
Title: The Language of Secret Proof. Indigenous Truth and Representation
Publisher: Sternberg Press
Subject: Architecture, Theory & Philosophy
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In The Language of Secret Proof, Nina Valerie Kolowratnik challenges the conditions under which Indigenous rights to protect and regain traditional lands are currently negotiated in United States legal frameworks. The tenth volume in the Critical Spatial Practice series responds to the urgent need for alternative modes of evidentiary production by introducing an innovative system of architectural drawing and notation.

Today, most Western legal forums utilized by Indigenous communities for recognition of their rights continue to employ evidentiary rules that do not allow for Native truths to be accepted as 'reliable' evidence. When tribes are asked to provide proof of their traditional connection to the land, what Western legal forums accept as documentation does not truly represent or respect tribal culture and traditional formats of knowledge transfer.

Kolowratnik’s research focuses on the double bind Pueblo communities in the American Southwest confronted with when they become involved in a legal effort to reclaim and protect ancestral lands, since the process of producing evidence runs counter to their structural organization around oral history and cultural secrecy. The spatial notational systems developed by Kolowratnik with the support of Hemish people, members of Jemez Pueblo in northern New Mexico, and presented in this volume are an attempt to produce evidentiary documentation that speaks Native truths while respecting demands on secrecy. These systems also attempt to instigate a dialogue where there currently is none, deconstructing the fixed opposition between secrecy and disclosure within Western legal systems.

15.00 EUR

The Mill

Authors: Jesse Birch, Will Holder (eds.)
Title: The Mill
Publisher: Sternberg Press
Subject: Artists' Writings, Exhibition Catalogue
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The Mill is the second of three projects to engage the resource industries of Vancouver Island (mining, forestry, and fishing) through contemporary art and writing. This publication responds to forestry: a mobile industry of logging camps that follow the trees; prices that rise and fall; mills that open and close; communities that boom and bust. In The Mill, artworks are accompanied by a multiplicity of voices, including forestry workers, plant ecologists, and indigenous land stewards. Together, these perspectives chart the cultural and material shifts brought about when trees become commodities.

Contributions by E. Richard Atleo (Umeek), Celestine Aleck, Marian Penner Bancroft, Myrtle Bergren, Peter Culley, Jason de Haan and Miruna Dragan, Wilmer Gold, Al Bersch and Leslie Grant, Bus Griffiths, Robert Guest, Ursula K. Le Guin, Richard Hebda, Robert Wall Kimmerer, Duane Linklater, Liz Magor, Anne Pask-Wilkinson, George Sawchuk, Carol Sawyer, W. G. Sebald, Kathy Slade, Kate Stefiuk, Kika Thorne, Nancy Turner, Fred Wah, Elias Wakan, Merv Wilkinson, Ashes Whityman. 

20.00 EUR

Radio Revolten

Authors: Corax e.V., Knut Aufermann, Helen Hahmann, Sarah Washington, Ralf Wendt (eds.)
Title: Radio Revolten. 30 Days of Radio Art
Publisher: Spector Books
Subject: Exhibition Catalogue, Essays & Non-fiction
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Leading art institutions such as Tate Modern, the São Paulo Biennial, and Documenta have now recognized that an ongoing artistic use of the airwaves has generated an autonomous genre called radio art. Over the last few decades independent radio stations in North America and Europe have provided crucial support for this art form to develop and flourish. In October 2016 the International Radio Art Festival Radio Revolten, organized by community radio station CORAX, brought together today’s radio artists in Halle (Saale) in Germany. Radio Revolten featured a dedicated radio art station, installations, live performances, conferences, workshops, and public interventions. This book documents the world’s most extensive radio art festival, which presented community radio as an open-access medium for cultural use.

Texts by: Knut Aufermann, Helen Hahmann, Sarah Washington, Ralf Wendt.
With additional contributions by: Xentos Fray Bentos, Anna Friz, Hartmut Geerken, Lucinda Guy, Martin Hartung, Lukas Holfeld, Udo Israel, Tina Klatte, Jan Langhammer, Sophea Lerner, Michael Nicolai, Gabi Schaffner, Helen Thein, Nina Westermann, Gregory Whitehead, Florian Wüst and Elisabeth Zimmermann

28.00 EUR

An Exhibition Always Hides Another Exhibition. Texts o Hans Ulrich Obrist

Author: April Lamm (ed.)
Title: An Exhibition Always Hides Another Exhibition. Texts on Hans Ulrich Obrist
Publisher: Sternberg Press
Subject: Essays & Non-fiction
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Hans Ulrich Obrist’s every undertaking is a journey. Here, it is a journey into his own night, that of his memories, of his life. Since his childhood he has looked to go further, with the Swiss mountains as the first horizon for him to cross. And go further he has. From one thing to the next, moving but never stopping.
—Etel Adnan

An Exhibition Always Hides Another Exhibition is a collective portrait of Hans Ulrich Obrist composed by friends, collaborators, admirers, and inquisitors. From personal anecdotes to analytic estimations to visual representations, the contributions respond to the questions that frame the book: Who is HUO? What does HUO do? What has HUO done?

Contributions by Etel Adnan, Bruce Altshuler, Ed Atkins, Daniel Birnbaum, Stefano Boeri, Sophie Collins, Douglas Coupland, Cui Jie, Manthia Diawara, Michael Diers, Andrew Durbin, Jimmie Durham, Monir Shahroudy Farmanfarmaian, Simone Fattal, Dominique Gonzalez-Foerster, Giorgio Griffa, Joseph Grigely, Boris Groys, Jacques Herzog, Ho Rui An, Jamian Juliano-Villani, Alex Katz, Koo Jeong A, Bruno Latour, Sophia Al-Maria, D. T. Max, Yoko Ono, Alan Pauls, Raqs Media Collective, Gerhard Richter, Torbjørn Rødland, Adrian Villar Rojas, Pascale Marthine Tayou, Adam Thirlwell, Agnès Varda, Wong Hoy Cheong

15.00 EUR

A Mental Masquerade

Authors: Mary Josephson, Brian O'Doherty, Astrid Mania
Title: A Mental Masquerade. When Brian O'Doherty was a female Art critic: Mary Josephson's collected writings
Publisher: Spector Books
Subject: Art History, Essays & Non-fiction
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Between 1971 and 1973 American conceptual artist and author Brian O’Doherty published several essays and exhibition reviews under the name Mary Josephson, his sole female pseudonym. These appeared in various magazines, among them Art in America, which he was editor of at the time. In 1988 he wrote the short story 'The History of X' for Artforum. O’Doherty only revealed the identity of his four alter egos some forty years later in his lecture 'Divesting the Self: A Striptease', which appeared in The Recorder magazine in 2012. Writing about Mary Josephson, he said, 'I wanted to think and write from a female persona, to free myself from limiting male selfhood, to substitute another voice for that inner voice that never stops speaking, that won’t leave us alone.' Mary Josephson was the only fictitious female art critic in the early 1970s. The publication brings together her texts for the first time.

16.00 EUR

Black Mountain. An Interdisciplinary Experiment 1933 –1957

Authors: Eugen BlumeMatilda FelixGabriele KnapsteinCatherine Nichols (eds.)
Title: Black Mountain. An Interdisciplinary Experiment 1933-1957
Publisher: Spector Books
Subject: Art History, Essays & Non-fiction
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The interdisciplinary and experimental educational ideas espoused by Black Mountain College (BMC), founded in North Carolina in 1933, made it one of the most innovative schools in the first half of the twentieth century. Visual arts, economics, physics, dance, architecture, and music were all taught here on an equal footing, and teachers and students lived together in a democratically organized community. The first rector of the school was John Andrew Rice, and Josef Albers, John Cage, Walter Gropius, and Buckminster Fuller were among the many adepts to give courses here. In consequence, BMC witnessed the development of a range of avant-garde concepts. This richly illustrated book appears in conjunction with the Black Mountain exhibition. It is the first comprehensive publication on BMC in the German-speaking world and traces the key moments in the history of this legendary school.

Texts by Gabriele Brandstetter, Brenda Danilowitz, Arnold Dreyblatt, Fabienne Eggelhofer, Matilda Felix, Mary Emma Harris, Gabriele Knapstein, Annette Jael Lehmann, Catherine Nichols, Andi Schoon, Craig Schuftan, Alice Sebrell

42.00 EUR

Sleep Cures Sleepiness

Author: Mr. Kohout (ed.)
Title: Sleep Cures Sleepiness
Publisher: TLTRPress
Subject: Essays & Non-fiction, Artists' Writings, 1822-Forum

For a major part of mankind’s history, time was not tracked and kept, but searched for and observed. It was understood by the pace of cyclic events and rhythms of bodies, crops, stars and solstices. When still measured by sundials, the length of hours changed throughout the year with the different inclination of Earth’s orbit around the Sun.

But with the increasing miniaturisation and mobilisation of time-keeping devices, time entered our bodies with the calculated precision of a laser cutter, letting in valorisation of heartbeats. Metabolism got worked around and natural cycles were either ignored or ‘genetically modified’. Time got flattened in a fashion pioneered by machines operating seamlessly around the clock and with speeds beyond human comprehension.
For this publication, contributors were invited to share notes on the gap that resists the unification of body rhythms, dreams and spontaneity with the tempo of machines, communication networks and calculable profit. Here is a song for the flesh under the attack of constant availability and no place to hide, information overload, omnipresent context advertising and fear of missing out.

Contributors: Ms. Van Brabandt, Mr. Fabuš, Mr. Haworth, Mr. Kohout, Ms. Kubolkaite & Mr Palm, Ms. Mitropoulos, Ms. Salinas & Mr. Bergman, Mr. Stevenson.

12.00 EUR

Puffy Grip Logic

Author: Martin Kohaut, Matilda Tjäder
Title: Puffy Grip Logic
Publisher: TLTRPress
Subject: Artists' Books

Contributions by Sasha Engelmann and Jol Thomson, Kaspars Groševs, Monika Kalinauskaitė, Nora N. Khan, Žygimantas Kudirka, Nathan Beyonce Ma, Susan Ploetz, Felix Riemann, Daniel Taylor, and Matilda Tjäder. Designed by Monika Janulevičiūtė. Directed by Martin Kohout and Matilda Tjäder.

The publication by Martin Kohout, Matilda Tjäder, and invited guests uses so-called gamebook structure, where readers themselves choose the steps they want to take in its space and plot. The events and insights presented by the text resemble some kind of fantastic multitasking fever and information overload. The main story-line is written by Martin Kohout, but the book is a collective result, where invited co-authors create their own islands, parallel story lines, or unpredictable interruptions.

12.00 EUR

Somewhere I've Never Been

Authors: Steph Kretowicz, Tom Clark (ed.)
Title: Somewhere I've Never Been
Publisher: TLTRPress, Pool
Subject: Artists' Writings
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Can you tell a story of a place in the same fracturing way it was experienced?

Pulling together field recordings from international soundscapes, Somewhere I've Never Been follows the author's account of loss and being alone in a self-started journey through the US, Europe and the Middle East. One part of an expanded narrative on many platforms (more at: http://thepoweroflove.cz/), and against the grain of dominant visual narratives, the book is told through the sounds of corporate expansion and pop cultural hegemony heard in an ever-uneven era of globalisation and cultural mediation.

Drawn away from the music of loaded family pasts and brittle presents to the sprawling inertia of a US road trip, Kretowicz is hooked by Jason Derulo, Fairuz, Harry Partch, Lipgloss Twins, poorly pronounced Polskibus safety announcements, the crucial influence of Celine Dion; in the end pulled back to the jarring patter and endless shifts of London.

14.00 EUR

Scrapbook of the Sixties (Reprint) Writings 1954-2010

Authors: Jonas Mekas, Anne Konig (ed.)
Title: Scrapbook of the Sixties (Reprint). Writings 1954-2010
Publisher: Spector Books
Subject: Artists' Books, Essays & Non-fiction
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Andy Warhol, Susan Sontag, John Lennon & Yoko Ono — Jonas Mekas was well acquainted with a great many New York artists. Born in Lithuania, he came to Brooklyn via Germany in 1949 and began shooting his first experimental films there. Mekas developed a form of film diary in which he recorded his daily observations. He became the barometer of the New York art scene and a pioneer of American avant-garde cinema. Every week, starting in 1958 he published his legendary »Movie Journal« column in the Village Voice, writing on a range of subjects that were by no means restricted to the world of film. He conducted numerous interviews with artists, some of which will now appear for the first time in his Scrapbook of a Sixties. The book contains published and unpublished texts that reveal Mekas as a thoughtful diarist and an unparalleled chronicler of the day — a phenomenon that has continued now for over fifty years.

28.00 EUR

Womens Work

Authors: Alison Knowles and Annea Lockwood (eds.)
Title: Womens Work
Publisher: Primary Information
Subject: Art History, Periodicals & Reprints
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Originally published in the mid-1970s, Womens Work was a magazine that sought to highlight the overlooked work of female artists working at the cusp of the visual arts, music, and performance. The magazine was edited by Alison Knowles and Annea Lockwood and featured text-based and instructional performance scores by the following 25 artists, composers, and choreographers:

Beth Anderon, Ruth Anderson, Jacki Apple, Barbara Benary, Sari Dienes, Nye Ffarrabas (participating as Bici Forbes), Simone Forti, Wendy Greenberg, Heidi Von Gunden, Françoise Janicot, Alison Knowles, Christina Kubisch, Carol Law, Annea Lockwood (also included as Anna Lockwood), Mary Lucier, Lisa Mikulchik, Ann Noël (included as Ann Williams), Pauline Oliveros, Takako Saito, Carolee Schneemann, Mieko Shiomi, Elaine Summers, Carole Weber, Julie Winter, and Marilyn Wood.

The magazine was designed by Alison Knowles, who deliberately chose off-white paper and brown inks as a contrast to the sterile, white-paged publications prevalent at the time. The works contained in the magazine range in scope and take on a multitude of forms, employing both typed and written text, often with visual elements such as diagrams, drawings, and photographic images. The editors were and remain adamant that the work should be performed; that they not remain static as an artifact.

We wanted to publish work which other people could pick up and do: that aspect of it was really important…this was not anecdotal, this was not archival material, it was live material. You look at a score, you do it. - Annea Lockwood

23.00 EUR

Sisters Alike

Author: Lene Markusen
Title: Sisters Alike. Female Identities in the Post-Utopian
Publisher: Spector Books
Subject: Monographs, Artists' Books
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Lene Markusen first visited St. Petersburg in 1993. With only a very rudimentary knowledge of Russian, she made drawings of the women she observed in the urban environment. Both of her films GRAD (2004) and Sankt – Female Identities in the Post-Utopian (2017) are set in St. Petersburg (Sankt Petersburg in Russian) or the former LeninGRAD. They revolve around a female perspective on the post-socialist transformation and the societal and political changes that took place after the fall of the Iron Curtain. They deal with what these upheavals mean for the lives of individual women. Through drawings, film stills, and excerpts from the film scripts Lene Markusen offers a subjective, temporal narrative, delineating the living conditions, contemporary and historical figures of women, and the construction of female identities in relation to the former so-called 'East' and 'West”.

26.00 EUR

Dust and Data. Traces of the Bauhaus across 100 Years

Authors: Ines Weizman (ed.)
Title: Dust & Data. Traces of the Bauhaus across 100 Years
Publisher: Spector Books
Subject: Art History, Architecture, Theory & Philosophy
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This publication brings together case studies by scholars from around the world that engage with the history of the Bauhaus as an entangled problem—the multiple historiographies of the Bauhaus and the global history of modernist architecture within which it is located. The aim of this book is to read Bauhaus objects, documents, and buildings as molecular units of politics and history. Taking these objects as a starting point, it also sets out to plot their complex patterns of circulation and migration and trace forms of connection that are otherwise invisible to architectural history. Bauhaus history, as this book seeks to show, is indeed a history of migration: of its architects, artists, documents, objects, and, of course, its ideas, as they have scattered across a fragmented world, leading to disputes and sometimes to legal challenges concerning authenticity, physical and intellectual ownership, and copyright.

Contributions by Pep Aviles, Anya Bokov, Peter Bernhard, Nicholas de Moncheaux, MARIJA DRĖMAITĖ, Christopher T. Green, Hamed Khosravi, Norbert Korrek, Michael Kubo, Jorg Paulus, Alina Payne, Robin Schuldenfrei, Bernhard Siegert, Ines Sonder, Daniel Taliesnik, Georg Vrachliotis, Anselm Wagner

45.00 EUR

Los Angeles Studio Conversations. Sixteen Women Talk About Art

Author: Stephanie Buhmann (ed.)
Title: Los Angeles Studio Conversations. Sixteen Women Talk About Art
Publisher: The Green Box
Subject: Essays & Non-fiction
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Los Angeles Studio Conversations marks the fourth Volume of an ongoing interview series conducted by art historian Stephanie Buhmann, which originated in 2013. ike its predecessors, New York Studio Conversations (2016), Berlin Studio Conversations (2017), and New York Studio Conversations II (2018), this book offers an intimate glimpse of the creative process while keeping an eye on diversity. The fifteen artists featured here work in a variety of media, ranging from film, photography, painting, sculpture, installation, and performance to drawing. In addition, they herald from different generations and represent various levels of renown. While some of them work primarily in the United States, most have shown internationally for a considerable amount of time. All of them have experienced different stages in their careers and have one immediate thing in common: they currently choose to live and work in Los Angeles.

By speaking with the artists about particular groups of work, characteristic approaches, personal philosophies, and political engagement, among others, Buhmann explores the many challenges and faceted lines of thought that go into the making of art. As the discussion of the commercial value of art increases, largely due to ever-soaring auction records and the wide media coverage these receive, this interview series serves as a reminder that most art starts as a private contemplation in the isolation of the artist’s studio.

Los Angeles Studio Conversations introduces the following artists: Lita Albuquerque, Sarah Cain, Andrea Fraser, Liza Lou, Shana Lutker, Kristen Morgin, Catherine Opie, Silke Otto-Knapp, Monique Prieto, Alison Saar, Analia Saban, Fran Siegel, Lisa C. Soto, Despina Stokou, and Diana Thater.

18.00 EUR

The Artist as Curator. An Anthology

Author: Elena Filipovic (ed.)
Title:  The Artist as Curator. An Anthology
Publisher: Mousse, Koenig Books
Subject:  Theory & Philosophy, Essays & Non-Fiction
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This is an anthology of essays that first appeared in The Artist as Curator, a series that occupied eleven issues of Mousse from no. 41 (December 2013/January 2014) to no. 51 (December 2015/January 2016). It set out to examine what was then a profoundly influential but still under-studied phenomenon, a history that had yet to be written: the fundamental role artists have played as curators. Taking that ontologically ambiguous thing we call 'the exhibition' as a critical medium, artists have often radically rethought conventional forms of exhibition making. This anthology surveys seminal examples of such exhibitions from the postwar to the present, including rare documents and illustrations.

It includes an introduction and the twenty essays that first appeared in Mousse, a newly commissioned afterword by Hans Ulrich Obrist, and two additional essays that appear here for the first time, discussing twenty-two exhibitions by the Avant-Garde Argentinian Visual Artists Group; Mel Bochner; Marcel Broodthaers; Hank Bull, Shen Fan, Zhou Tiehai, Shi Yong, and Ding Yi; John Cage; Judy Chicago, Miriam Schapiro, and the CalArts Feminist Art Program; Collaborative Projects Inc. (Colab); Alice Creischer, Andreas Siekmann, and Max Jorge Hinderer; Liam Gillick and Philippe Parreno; Group Material; Richard Hamilton and Victor Pasmore; David Hammons; Martin Kippenberger; Mark Leckey;  Goshka Macuga; Lucy McKenzie and Paulina Ołowska; Helio Oiticica; Walid Raad and Akram Zaatari; Martha Rosler; Avdey Ter-Oganyan; Philippe Thomas; and Andy Warhol.

25.00 EUR

The Legend of Barbara Rubin. Film Culture 80

Authors:  Jonas Mekas, Barbara Rubin, Chuck Smith, Charity Coleman, Christian Hiller, Sebastian Mekas, Anne Koenig, Sarai Meyron, Marc Siegel (eds.)
Title: The Legend of Barbara Rubin: Film Culture 60
Publisher: Spector Books
Subject: Essays & Non-fiction, Artists' Writings, Periodicals & Reprints
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Having entered the New York underground in the 1960s while still a teenager, filmmaker Barbara Rubin quickly became one of its key figures. Her pioneering 1963 double-projection film Christmas on  Earth was both sexually provocative and aesthetically innovative. She worked regularly with Jonas Mekas and Andy Warhol, introduced Bob Dylan to Allen Ginsberg, and connected Warhol with The Velvet Underground. During an intense period of activity and travel, Rubin wrote passionate letters about film and the underground to Mekas. This special eightieth issue of the magazine Film Culture features her previously unpublished letters to Mekas. It also includes interviews and Rubin’s script, Christmas on Earth Continued, a planned sequel to her notorious film.

28.00 EUR

Conversations with Filmmakers

Author:  Jonas Mekas
Title: Conversations with Filmmakers
Publisher: Spector Books
Subject: Essays & Non-fiction, Artists' Writings
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Every week, from 1958 until 1977, Jonas Mekas published his 'Movie Journal' column in the Village Voice, conducting numerous interviews with filmmakers from all over the world. Conversations is the first time that these interviews with his filmmaker friends and associates have been put together in a book. Mekas recorded the conversations with his camera. From the films he shot with his interlocutors, Mekas selected one photo or still to introduce each interview. The collection of texts is supplemented by letters and extracts from related scenarios /scriptsand rounded out with an index of the people involved.

Jonas Mekas in conversation with Storm de Hirsch and Louis Brigante, Andy Warhol, Nico Papatakis, Albert and David Maysles, Peter Kubelka, Agnes Varda, Harry Smith, John Cassavetes, Stan Brakhage

38.00 EUR

The New Woman’s Survival Catalog

Authors: Kirsten Grimstad and Susan Rennie (eds.)
Title: The New Woman's Survival Catalog
Publisher: Primary Information
Subject: Art History, Periodicals & Reprints
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Published in 1973, The New Woman’s Survival Catalog is a seminal survey of Second Wave feminist efforts, which, as the editors noted in their introduction, represented an 'active attempt to reshape culture through changing values and consciousness.'

Assembled by Kirsten Grimstad and Susan Rennie in only five months, The New Woman’s Survival Catalog makes a nod to Stewart Brand’s influential Whole Earth Catalog to map a vast network of feminist alternative cultural activity in the 1970s. Grimstad and Rennie set out on a two month road trip in the summer of 1973, meeting and interviewing all the featured organizations and individuals, and gathering information and further references along the way to complete the publication.

From arts organizations to bookstores and independent presses, health, parenting, and rape crisis centers, and educational, legal and financial resources, this book provides crucial insight into feminist initiatives and activism nationwide during the Women’s Movement. Styled as a sales catalog, The New Woman’s Survival Catalog comprises listings and organizational descriptions, articles, and extensive illustrations, as well as a 'Making the Book' section, detailing the publication’s production.

28.00 EUR

Extra Extra #13

Title: Extra Extra 13
Subject: Periodicals & Reprints
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Simply, pure sexiness: Extra Extra n°13 is in full swing, for the dashing glares to glow on your gut feelings, we are hungry for the lovely sensuality-makers around us

Unspeakable hours of summer linger serenely as Timen Jan Veenstra, Mia You, Mensje van Keulen, Karin Amatmoekrim, Sarah Arnolds, Thomas Heerma van Voss, Hannah van Binsbergen present erotic short stories on the hotel. If life hands you watermelons, make love to them, caress the darker side of lust in an emotionally close talk between Taiwanese filmmaker Tsai Ming-liang and Manuel Betancourt. Enter the beautiful imagination, dreams and wonders of dancer and choreographer Meg Stuart who, in an intimate conversation with Susan Gibb, shares on bodies daring to embrace unknown forces. Follow the rhythm of brega musicians and dancers of frevo in Recife through the lens of brilliant artist-duo Bárbara Wagner & Benjamin de Burca in a talk on empathy and urban desires with Matteo Lucchetti. Critical thinker Armen Avanessian never lost touch with his long-time friend Anja Aronowsky Cronberg; they meet in Berlin to share glimpses of friendships and explore intimacy as a valid alternative to love.

AND MUCH MUCH MORE 

15.00 EUR

Art-Rite

Authors: Edit DeAk, Walter Robinson (eds.)
Title: Art-Rite
Publisher: Primary Information
Subject: Art History, Periodicals & Reprints
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Edited by Walter Robinson, Edit DeAk, and Joshua Cohn, Art-Rite was published in New York City between 1973 and 1978. The periodical has long been celebrated for its underground/overground position and its cutting, humorous, on-the-streets coverage and critique of the art world. Art-Rite moved easily through the expansive community it mapped out, paying homage to an emergent generation of artists, including many who were—or would soon become—the defining voices of the era. Through hundreds of interviews, reviews, statements, and projects for the page—as well as artist-focused and thematic issues on video, painting, performance, and artists’ books—Art-Rite’s sharp editorial vision and commitment to spotlighting the work of artists stands as a meaningful and lasting contribution to the art history of New York City and beyond.

ALL ISSUES OF ART-RITE ARE COLLECTED AND PUBLISHED HERE

Featured artists include Vito Acconci, Kathy Acker, Bas Jan Ader, Laurie Anderson, John Baldessari, Gregory Battcock, Lynda Benglis, Mel Bochner, Marcel Broodthaers, Trisha Brown, Chris Burden, Scott Burton, Ulises Carrión, Judy Chicago, Lucinda Childs, Christo, Diego Cortez, Hanne Darboven, Agnes Denes, Ralston Farina, Richard Foreman, Peggy Gale, Gilbert & George, John Giorno, Philip Glass, Leon Golub, Peter Grass, Julia Heyward, Nancy Holt, Ray Johnson, Joan Jonas, Richard Kern, Lee Krasner, Shigeko Kubota, Les Levine, Sol LeWitt, Lucy Lippard, Babette Mangolte, Brice Marden, Agnes Martin, Gordon Matta-Clark, Rosemary Mayer, Annette Messager, Elizabeth Murray, Alice Neel, Brian O’Doherty,Genesis P-Orridge, Nam June Paik, Charlemagne Palestine, Judy Pfaff, Lil Picard, Yvonne Rainer, Judy Rifka, Dorothea Rockburne, Ed Ruscha, Robert Ryman, David Salle, Carolee Schneemann, Richard Serra, Jack Smith, Patti Smith, Robert Smithson, Holly Solomon, Naomi Spector, Nancy Spero, Pat Steir, Frank Stella, Alan Suicide (Vega), David Tremlett, Richard Tuttle, Andy Warhol, William Wegman, Lawrence Weiner, Hannah Wilke, Robert Wilson, Yuri, and Irene von Zahn.

38.00 EUR

Pusiniai namai

Author: Inga Navickaitė
Title: Pusiniai namai / Half Houses
Publisher: Self-published
Subject: Artists' Books, Architecture
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This project started as an aesthetic riddle: is this house not lacking its second half? So then we returned to Vilijampolė, Kaunas for a bunch more times, wandering through its streets and yards, seeking to re-think and re-imagine the stories behind these halves. Strange feeling of compositional lack comes to us every time when we look at these pictures. It is a forceful reflection of the loss here experienced: the missing half of the city's history. However neither the houses nor their inhabitants seem to forget that which has been lost, its legacy can be heard even in a brief chat that interrupts their daily toil. 

Photographs and interviews with the residents are tied together by a paperclip, like a cadastral file. Techniques used: ink, offset and silkscreen printing. Edition of 100! 

25.00 EUR

Conceptual Art in a Curatorial Perspective: Between Dematerialization and Documentation

Author: Nathalie Zonnenberg
Title: Conceptual Art in a Curatorial Perspective: Between Dematerialization and Documentation
Publisher: Valiz
Subject: Art History, Theory & Philosophy
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Conceptual Art in a Curatorial Perspective: Between Dematerialization and Documentation focuses on the curatorial practice of exhibiting conceptual art. The fact that conceptual works are not object-based, creates challenges in exhibiting or re-exhibiting them. This book offers various perspectives on how to handle conceptual art in the context of the museum, based on three detailed case studies and an extensive introduction in which the paradox of conceptual art is analyzed. It also elaborates on the history of exhibiting conceptual artworks, and on the influence of curators in their canonization. 

Nathalie Zonnenberg is an art historian and curator. She holds a PhD in Art History from Vrije Universiteit, Amsterdam (NL). Zonnenberg regularly writes on contemporary art. She lectures Art History at the Open University (NL) and at the post-graduate Curatorial Studies programme at KASK/the Royal Academy of Fine Arts in Ghent (BE).

25.00 EUR

Sad Sack

Author: Sophia Al-Maria
Title: Sad Sack
Publisher: Bookworks
Subject: Artists' Writings
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Sad Sack is a book of collected writing by Sophia Al-Maria, taking feminist inspiration from Ursula K. Le Guin’s 1986 essay 'The Carrier Bag Theory of Fiction’; opposing ‘the linear, progressive, Time’s-(killing)-arrow mode of the Techno-Heroic.’ Encompassing more than a decade of work, Sad Sack tracks Al-Maria’s speculative journey as a writer, from the first seed of her ‘premature’ memoir, through the coining and subsequent critique of ‘Gulf Futurism’, towards experiments in gathering, containing, welling up and sucking dry.

Sophia Al-Maria is an artist and writer living in London. She is contributing editor of Bidoun, and guest editor of The Happy Hypocrite – Fresh Hell, issue 8 (Book Works, 2015). Al-Maria’s memoir, The Girl Who Fell to Earth (Harper Perennial, 2012), was translated into Arabic and published by Bloomsbury Qatar in 2015, and her short stories have been published in various collections including The Djinn Falls in Love (Solaris, UK, 2017). In 2016 Al-Maria presented ‘Black Friday’, her first US solo exhibition at the Whitney Museum of American Art, New York, and was nominated for Film London’s Jarman Award. Recently, she has been screenwriting for film and television, alongside solo exhibitions at Project Native Informant in London (‘ilysm’, 2018), Third Line Gallery in Dubai, and further presentations, participation in film festivals and arts events internationally.

18.00 EUR

Film Ideas

Author: Babak Ganjei
Title: Film Ideas
Publisher: Rough Trade Books 
Subject: Artists' Books
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After getting a retweet from American comedian Rob Delaney regarding his own fart joke (something Rob Delaney may well not remember) Babak Ganjei woke up to find a number of film producers from Los Angeles following him. Sensing an opportunity somewhere, anywhere, over the next five years Babak used Twitter to pitch film ideas, sadly to no avail. While ill and housebound Babak started to write them down in analogue form and discovered an audience waiting for his films. In Film Ideas, artist Babak Ganjei presents his hallucinatory set of film pitches as both a comic lampoon of Hollywood tropes and a classic example of outsider-self-expression.

10.00 EUR

Private Book 5

Author: Lee Lozano
Title: Private Book 5
Publisher: Karma 
Subject: Artists' Books
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This is the fifth volume in Karma’s 11-volume facsimile printing of Lee Lozano’s 'Private Book' project. It is primarily a calendar of Lozano’s personal, artistic and chemical interactions in 1969-1970.

*A prolific writer and documenter of both her art and her relationships, the public and private, the painter Lee Lozano (1930–99) kept a series of personal journals from 1968 to 1970 while living in New York’s SoHo neighborhood. In 1972 she rigorously edited these books, thus completing the project. Eleven of these private books survive, containing notes on her work, detailed interactions with artist friends and commentary on the alienations of gender politics, as well as philosophical queries into art’s role in society and humorous aside

23.00 EUR

Grace Crowley

Author: Riet Wijnen (ed.)
Title: Grace Crowley
Publisher: Kunstverein Amsterdam
Subject: Artists' Writings, Essays & Non-fiction
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Grace Crowley is a publication based on letters sent to the Australian artist and pioneer of modernist painting Grace Crowley (1890–1979) by friends, family and colleagues. Parts of those letters, which are now housed in the Art Gallery of New South Wales and the State Library of New South Wales archives in Sydney, were transcribed and categorized by Wijnen in subsections such as ‘Marital Status’, ‘Teaching’, ‘Hosting’, ‘Eurasia’, ‘X’, ‘Being A Woman’, ‘War’, ‘$’, and ‘Making Work’. The result is an alternative biography constructed solely through a living set of relations.

20.00 EUR

May 25 Is Now October

Author: Bardhi Haliti
Title: May 25 Is Now October
Publisher: Cpress
Subject: Artists' Books, Graphic Design
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May 25 is now October 1 is an extensive research across Kosovar newspapers published between 1974 and 2018. The book documents sports activities that took place in seven identical sports halls in seven cities of Kosovo. The images have been cropped, zoomed in on, and paired together by similarity. The choreography is not meant to render them jewels or treasures, but rather to help find their meaning beyond their meaning within the now unfashionable sports halls. Through repetition, the images and texts reveal the multifunctional nature of community space in which larger sociopolitical and cultural cycles are reflected.

APERTURE FIRST PHOTO BOOK AWARD (SHORTLIST), 2019

34.00 EUR

Re-Printed Matter

Author: Karel Martens
Title: Re-Printed Matter
Publisher: Roma Publications
Subject: Graphic Design, Artists' Books, Monographs
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The work of Karel Martens occupies an intriguing place in the present European art-and-design landscape. Martens can be placed in the tradition of Dutch modernism, in the line of figures such as Piet Zwart, H.N. Werkman, Willem Sandberg. Yet he maintains some distance from the main developments of this time: from both the practices of routinized modernism and of the facile reactions against this. His work is both personal and experimental. At the same time, it is publicly answerable. Over the decades of his practice, Martens has been prolific as a designer of books. He has also made contributions in a wide range of design commissions: including stamps, coins, signs on buildings. Also a renowned teacher of graphic design, Karel Martens is co-initiator of the Werkplaats Typografie, a two-year master’s design programme related to ArtEZ, Arnhem, and guest professor at Yale University, New Haven. Intimately connected with this design work has been his practice as an artist. This started with geometric and kinetic constructions, and developed in work with the very material of paper. Over a long period he has been making monoprints.

This book looks for new ways to show and discuss the work of a designer and artist, and is offered in the same spirit of experiment and dialogue that characterizes the work it presents. 

35.00 EUR

Poster Town

Author: Erich Brechbühl, Klaus Fromherz, Martin Geel, Michael Kryenbühl, Simon Rüegg, Raphael Schoen, Ivan Weiss, Megi Zumstein (eds.)
Title: Poster Town. Contemporary Poster Design from Lucerne
Publisher: Spector Books
Subject: Graphic Design, Exhibition Catalogue
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Lucerne—Switzerland’s poster town—has a vibrant graphic design scene, which in recent years has become known for its sophisticated posters well beyond the country’s borders. Professional colleagues are in awe of how a relatively small city can produce so many well-designed posters. Lucerne posters can be found in many exhibitions. To give one example: in 2015 alone, twenty-six of the hundred best posters from Germany, Austria, and Switzerland came from Lucerne and the surrounding area—in other words, more than a quarter of all the awardwinning works. What’s behind this? Is it coincidence or a preponderance of designers of above-average talent in a comparatively small area? The book Poster Town tracks this phenomenon with a wealth of images and texts and creates a record of Lucerne’s poster designs for posterity. 

WWW.POSTERTOWN.CH

36.00 EUR

F.R. David Summer 2019 - Recto Verso

Author: Will Holder (Ed.)
Title: F. R. David Summer 2019 - Recto Verso
Publisher: uh books, KW Institute for Contemporary Art, Berlin
Subject: Graphic Design, Artists' Writings, Essays & Non-fiction, Literature & Poetry
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F.R.DAVID is a typographical journal, dealing with the organisation of reading and writing in contemporary art practises. The 18th issue, 'Recto Verso' is edited by Will Holder, and had its beginnings in prosody, the measure of language, geometry, and a notion of imagist transcription, even. A two-dimensional exercise, it turns out, on paper. Words were tuned out, in favour of the volume of values our bodies exchanged: 'the historical and bodily movement of language amongst subjects.' Attentions turned—taking (the measure of) classes in body language: the non-verbal: the insinuated: the reverse-side of image: the backside, and, oddly: Oh no: we don’t speak about that—to the next page…

With contributions by Simone Weil, Marcel Proust, Will Holder, Anna Daučíkova, Yvonne Rainer, Jesse Birch, Paola Grassi, David Lang, Perer Dobai, John Yau, Clare Noonan, Lisa Robertson, Alison Knowles, and others.

10.00 EUR

In Order of Dissapearance

Author: Deimantė Jasiulevičiūtė
Title: In Order of Dissapearance
Publisher: Self-published, Graphic design
Subject: Artists' Books
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Phone-wallet-keys. A typical scenario everyone is running through their head when leaving the house. But what if keys are soon a thing of the past?

In 2017 a U.S. tech company first introduced microchips to their employees that turned this convention on its head. On a voluntary basis the company began offering its staff the possibility to insert a small chip under the skin, between the thumb and index finger, which could be used to unlock doors and computers in the office buildings without the necessity of physical keys or having to memorize any passwords.

Since the early 2000s, biohacking has become a 'thing' among tech aficionados and the pressing question that has arisen in this field is whether or we will still need to carry keys in the future. This question extends not only to our keychains but also to our wallets. Can we maybe replace all bank or credit cards with just one chip that sits comfortably millimeters under our skin?

But through 'keys' also notions of security, safety and privacy arise, which all become matters of debate when a lock breaks or a key gets lost, stolen or hacked. Similarly keys and locks connote ownership and accessibility, so can we even begin to imagine a (Western) world without them?

6.00 EUR

Extended French Theory and the Design Field...On Nature and Ecology: a Reader

Authors: Catherine Geel, Clement Gaillard (eds.)
Title: Extended French Theory & the Design Field... On Nature and Ecology: a Reader
Publisher: T&P Publishing
Subject: Theory & Philosophy, Essays & Non-fiction, Graphic Design
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Professor, critic, and curator Catherine Geel directed the anthology of reference texts that comprises this book, which is published to document the common reflections of practitioners and researchers of the French section for ‘Broken Nature’, the 22nd International Exhibition of La Triennale di Milano. Besides an original text by Alain Badiou, the publication contains texts by Quentin Meillassoux, Philippe Descola, Claude Imbert, Gilles Deleuze, Georges Bataille, Andre Gorz, Jean-Baptiste Vidalou, Tristan Garcia, Michel Serres, Vinciane Despret, Emanuele Coccia, Barbara Glowczewski, Henri Lefebvre, Bruno Latour, Andre Corboz, Vildm Flusser, Pierre Damien Huyghe, Andre Leroi Gourhan, Gilbert Simondon, Bernard Stiegler, Gregoire Chamayou, Mathieu K. Abonnenc, Samir Boumediene, Antoinette Rouvroy, Thomas Berns, Edouard Glissant.

19.00 EUR

Vegetable Teratology Colouring Book

Author: Robin Watkins
Title: Vegetable Teratology Colouring Book
Publisher: K. Verlag
Subject: Artists' Books
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Based on Maxwell T. 'Master's Vegetable Teratology: An Account of the Principal Deviations from the Usual Construction of Plants' (1869), this colouring book examines the morphological potential of vegetables and fruits, plants and flowers. It gathers a selection of full-page botanical illustrations, a glossary, and a short text by Robin Watkins. The historical images once served to outline notions of what was to be considered acceptable growth behaviour; now they take on a new role by subtly embracing the aberration of form in its various colourations and questioning what is normal about normalcy.

15.00 EUR

Asukų knyga

Author: Beatričė Mockevičiūtė
Title: Asukų knyga
Publisher: self-published
Subject: Artists' Books
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Beatričė Mockevičiūtė associates the act of creating with the possibility to grasp that which is usually translucent and ephemeral in the everyday. Apartment blocks visited by reflections of the sun or truck tarpaulins blown about in the wind may be meticulously man-made, but they are also independent and unpredictable. A gaze is the main instrument which allows us to recognise and define such translucent characters of the everyday.

The book of 'Asukas' is the natural extension of the artist's exploration of the sun and the shadows, the translucent and the ephemera of the everyday. Limited edition of 50.

Gathered and bounded together on demand. 

45.00 EUR

Words. Indigenous Art, Curation and Criticism

Author: Katya Garcia-Anton (ed.)
Title: Words. Indigenous Art, Curation and Criticism
Publisher: Valiz, Office for Contemporary Art Norway (OCA)
Subject: Essays & Non-fiction, Theory & Philosophy
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Artists and cultural practitioners from Indigenous communities around the world are increasingly in the international spotlight. As museums and curators race to consider the planetary reach of their art collections and exhibitions, this publication draws upon the challenges faced today by cultural workers, Indigenous and non-Indigenous, to engage meaningfully and ethically with the histories, presents and futures of Indigenous cultural practices and world-views.

Sixteen Indigenous voices convene to consider some of the most burning questions surrounding this field. How will novel methodologies of word/voice-crafting be constituted to empower the Indigenous discourses of the future? Is it sufficient to expand the Modernist art-historical canon through the politics of inclusion? Is this expansion a new form of colonisation, or does it foster the cosmopolitan thought that Indigenous communities have always inhabited? To whom does the much talked-of ‘Indigenous Turn’ belong? Does it represent a hegemonic project of introspection and revision in the face of today’s ecocidal, genocidal and existential crises?

With contributions by Daniel Browning, Kabita Chakma, Megan Cope, Santosh Kumar Das, Hannah Donnelly, Leuli Māzyār Luna’i Eshrāghi, David Garneau,  Biung Ismahasan, Kimberley Moulton, Maret Ánne Sara, Venkat Raman Singh Shyam, Irene Snarby, Ánde Somby, Megan Tamati-Quennell, Prashanta Tripura, Sontosh Bikash Tripura, and the OCA contributors: Liv Brissach, Katya García-Antón, Drew Snyder, and Nikhil Vettukattil. 

23.00 EUR

New York Studio Conversations II. Twenty-one Women Talk About Art

Author: Stephanie Buhmann (ed.)
Title: New York Studio Conversations. Part II. Twenty-One Women Talk About Art
Publisher: The Green Box
Subject: Essays & Non-fiction
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For the third volume of this ongoing series entitled New York Studio Conversations (Part II) art historian Stephanie Buhmann conducted interviews with twenty artists, whose ages range from early 41 to 96. While the featured genres, processes and aesthetic approaches vary decisively, all participants have one thing in common: they work and usually live in New York. 

Conceived as a counter-balance to the notion of art as a commodity, which has spread in the media with ever-soaring auction records, the project further aims to provide a permanent forum for some of the inspiring female artists working today. To this end, Buhmann has visited the artists in their studios or on site of a major public installation, discussing their unique processes, individual philosophies, inspirational sources, and personal histories. 

New York Studio Conversations (Part II) introduces the following artists: Mary Abbott, Ghada Amer, Petah Coyne, Louise Fishman, Judy Glantzman, Lorrie Goulet, Julie Heffernan, Alicia Henry, Virva Hinnemo, Sharon Horvath, Julie Mehretu, Keiko Narahashi, Shirin Neshat, Leslie Roberts, Carolee Schneemann, Shahzia Sikander, Rebecca Smith, Pat Steir, Jessica Stockholder, Kim Uchiyama.

19.00 EUR

Fantastic Architecture

Authors: Dick Higgins, Wolf Vostell (eds.)
Title: Fantastic Architecture
Publisher: Primary Information
Subject: Artists' Writings, Essays & Non-fiction, Periodicals & Reprints

Primary Information is reprinting the seminal book, Fantastic Architecture, making the book widely available for the first time since it was originally published: first in 1969 by Droste Verlag in German (with the title Pop Architektur) and later in 1970 by Something Else Press as Fantastic Architecture. Edited by Dick Higgins and Wolf Vostell, this artist’s book/anthology explores the boundaries between pop art and architecture through writings and projects by key artists and thinkers of the 1960s and earlier—from John Cage and Buckminster Fuller to Kurt Schwitters and Joseph Beuys.  It will retain the book’s unique design, specifically its Mylar inserts, which add unique depth and elaborate the publication’s content.

Contributors to this publication are Ay-O, Joseph Beuys, Erich Buchholz, Pol Bury, John Cage, Philip Corner, Jan Dibbets, Robert Filliou, Buckminster Fuller, Geoffrey Hendricks, Richard Hamilton, Raoul Hausmann, Michael Heizer, Jan Jacob Herman, Bici Hendricks, Dick Higgins, K.H. Hoedicke, Hans Hollein, Douglas Huebler, Milan Knizak, Alison Knowles, Addi Koepcke, Franz Mon, Claes Oldenburg, Dennis Oppenheim, Gerhard Rühm, Diter Rot, Carolee Schneemann, Kurt Schwitters, Daniel Spoerri, Frances Starr, Jean Tinguely, Ben Vautier, Wolf Vostell, Lawrence Weiner, Stefan Wewerka.

25.00 EUR

The Serving Library Annual 2019/20

Authors: Francesca Bertolotti-Bailey, Stuart Bertolotti-Bailey, Vincenzo Latronico, and David Reinfurt (eds.)
Title: The Serving Library Annual 2019/20 (Bruno Munari Obvious Code)
Publisher: Roma Publications
Subject: Essays & Non-fiction, Periodicals & Reprints
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The 2019/20 issue of The Serving Library Annual is entirely devoted to the late Italian designer, artist, inventor and polymath Bruno Munari. The core of the annual is the first English translation of Obvious Code, the 1971 collection of Munari‘s own writings, sketches and poems about his own work, published by arrangement with Corraini, who issued the book's anastatic edition in 2017. It includes iconic design objects such as the Abitacolo, ground-breaking artworks such as his 1952 series of hand-made projection slides, and little known rhymes about the art market, as well as an original piece from his 'unreadable books' series. In the margins, dozens of artists, designers, writers and curators have been invited to annotate Munari‘s texts — with a sketch or a quotation, an in-depth analysis, a fragment of conversation, a free association — as a testament to the depth of the influence exerted on international art by an often under acknowledged pioneer, whose visual experiments were so iconic as to become a self-evident part of visual culture, an anonymous invention: an obvious code.

Marginalia is provided by: Giovanni Anceschi, Thom Andersen, Paola Antonelli, Leonor Antunes, Justin Beal, Eugenia Bell, Stuart Bertolotti-Bailey, Robert Bresson, Barbara Casavecchia, Celine Condorelli, Matali Crasset, Michael Crowe, Valerie Da Costa, Umberto Eco, Morgan Fisher, Davide Fornari, Jason Fulford, Rob Giampietro, Shannon Harvey & Adam Michaels, Anthony Huberman, Jenny Jaskey, Emily King, James Langdon, Louis Lüthi, Lauren Mackler, Marco Meneguzzo, Laszló Moholy-Nagy, Jenny Monick, Rosalind Nashashibi, Julie Peeters, Arturo Carlo Quintavalle, David Reinfurt, João Ribas, Elodie Royer & Yoann Gourmel, Giovanni Rubino, Alberto Salvadori, Tamara Shopsin, Saul Steinberg, Franciszka & Stefan Themerson, Joseph Weizenbaum, Orson Welles, Luca Zaffarano, and Olimpia Zagnoli. 

29.00 EUR

What do people do?

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This is a travel magazine about creative life & unconventional work

We know the feeling of loneliness related to freelance work and not having someone to help out or offer a compassionate advice when times get difficult. So we created this textbook-like magazine! While talking to bright and creative minds we share practical advice and discuss how to make your (and our) dreams and hobbies into a sustainable career path.

We also see that young and creative people are leaving their home countries for cities like Berlin and London in search for better opportunities and a more creative life. Places like these have created a reputation of being full of potential. Yet, people often overlook the struggles they may face by moving to such places and the very real opportunities and unique lifestyle they can have back home.

So we travel to explore undiscovered creative economies in search for a balanced and happy life where one can live and work without exhaustion, insomnia and anxiety.

17.00 EUR

Talker #3. Richard Maxwell

Authors: Richard Maxwell; Giles Bailey (ed.)
Title: The Talker #3
Publisher: self-published / Giles Bailey / Talker
Subject: Periodicals & Reprints, Essays & Non-fiction
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This is issue #3. It features a conversation with the director and playwright Richard Maxwell. 

Since 1999 he has worked with his company New York City Players producing theatre work for the stage, for galleries and as moving image. His plays are set in the everyday environments of lobbies, living rooms, karaoke bars and highway intersections. Often non-professionals, his actors portray American archetypes through spare, stylised dialogue and occasionally sing. Recent productions include Queens Row at ICA London, Paradiso at Greene Naftali Gallery and Good Samaritans at Abrons Arts Centre. 

TALKER is an interview zine about performance produced by artist Giles Bailey

6.00 EUR

The Place is Here

Author: Nick Aikens, Elizabeth Robles  (eds.)
Title: The Place is Here. The Work of Black Artists in 1980s Britain
Publisher: Sternberg Press, Van Abbemuseum
Subject: Essays & Non-fiction
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Contributions by Nick Aikens, Sonia Boyce, Laura Castagnini, Deborah Cherry, Alice Correia, Chandra Frank, June Givanni, Sunil Gupta, Evan Ifekoya, Claudette Johnson, Raisa Kabir, Gail Lewis, Amna Malik, Samia Malik, Priyesh Mistry, Dorothy Price, susan pui san lok,  Raju Rage, Elizabeth Robles, Ashwani Sharma, Marlene Smith, Leon Wainwright, Michelle Williams Gamaker, Rehana Zaman


The publication developed from the exhibition and research project The Place Is Here (2016–19), which traced the urgent and wide-ranging conversations taking place between black artists, writers, and thinkers in Britain during the 1980s. Within the context of Thatcherism and a racist art establishment, a new generation of black artists and intellectuals produced some of the most compelling ideas and images in recent British cultural history. Across four exhibitions, The Place Is Here brought together over one hundred works by forty artists and collectives, spanning painting, sculpture, installation, photography, video, and expanded archival displays. Richly illustrated, the book includes thematic essays, close readings of works, and a series of panel discussions bringing together key scholarly, critical, and artistic voices foundational to art in Britain in the 1980s. The result is an intergenerational dialogue around pressing intellectual, political, and aesthetic debates, highlighting the significance of the work of these artists for the present.  

30.00 EUR

Anachrony, Contemporaneity, and Historical Imagination

Author: Jacob Lund
Title: Anachrony, Contemporaneity, and Historical Imagination
Publisher: Sternberg Press, Aarhus University, ARoS Art Museum
Subject: Essays & Non-fiction, Theory & Philosophy
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Taking its point of departure in an 'anachronic' exhibition, 'Soulèvements' (2016–18), this book is a theoretical exploration of how the notion of contemporaneity—understood as the coming together of different times in the same historical present—relates to the end of a certain history of art. Critical of hitherto dominant chronological, ahistorical, and/or culturally restricted notions of the contemporary, Lund’s overall aim is to make an argument for 'the contemporary contemporary' as the point of departure for any anachronic relationship with time today, and as the inescapable point of departure for any possible historical imagination.

8.00 EUR

Jolly Rogers

Author: Peter Wächtler
Title: Jolly Rogers
Publisher: Sternberg Press, Bergen Kunsthalle, Kunsthalle Zurich
Subject: Artists' Writings
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Jolly Rogers is a collection of Peter Wächtler’s latest short texts, written in preparation of his two solo exhibitions at Bergen Kunsthall and Kunsthalle Zürich (both 2019), and combined with a nearly complete collection of the artist’s drawings and prints from recent years. The texts operate like vignettes to a larger story, and the images as unreliable illustrations to the narrative. However, the larger story never really is revealed. Each individual text, each single work, articulates itself by means of an intense focus. It is as if we were suspended in a continual zooming motion, as if the artist and author wanted to tell and show it all. But alas, such is life under the microscope: always larger-than-life, but at the wrong scale at a time driven by individual interests, self-optimization, and egos that stage themselves simultaneously as victims and disruptors.

Peter Wächtler works in a variety of media: bronze, ceramics, drawings and video. But in many ways 'stories' could be described as his main artistic material. His works often evoke a narration, with animals or human figures in animated states. They are made in ways that use and adapt elements of fiction and folklore, relating to specific traditions and common tales, and materialize the ways of telling a story as much as the story itself.

25.00 EUR

Tai yra Vilnius / This Is Vilnius

Authors:  Andrej Vasilenko; Gediminas G. Akstinas, Gerda Paliušytė (eds.)
Title: Tai yra Vilnius / This is Vilnius
Publisher: Self-published
Subject: Artists' Books
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Andrej Vasilenko’s new photobook is a presentation of his ongoing project, started in 2014, and his first solo publication. ‘This is Vilnius’ draws a portrait of the Lithuanian capital as a diverse city in constant flux. It captures Vilnius’ multilayered history, laconically builds the storylines of its alternative versions, and test the possibilities of exposing the city’s chimeric identity through artistic and investigative documentary. According to Gerda Paliušytė, one of the book’s editors, in these photographs Vilnius, much like a drive around town without a definite aim, is just as personal as it is universal, and its definition, as well as the romanticism, humor or melancholy evoked thusly, rests not only on long-term social and cultural changes, but also on the daily individual experience of the city and the natural change of seasons. 

30.00 EUR

Gorilos archyvai

Author: Vaiva Grainytė
Title: Gorilos archyvai
Publisher: Lietuvos rašytojų sąjungos leidykla
Subject: Literature & Poetry
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Šis poezijos rinkinys galėjo tapti mano pirmąja knyga. Tačiau taip susiklostė, kad pirmiausiai išėjo dokumentinių esė knyga, o paskui aktyviai veikiau įvairiose meninėse konsteliacijose savo tekstus dažniausia pristatydama ne popieriuje, o per tarpdisciplinines raiškas – operose, radijo teatre, aplinkos šokio spektaklyje, muzikiniame performanse, audiopoetiniuose eksperimentuose. Veikiama laiko, ši knyga galiausiai tapo 'Gorilos archyvais'. Ji – lyg kūrybinė archeologija: kelis dešimtmečius rašyti eilėraščiai galiausiai buvo peržiūrėti, surūšiuoti, atrinkti ir inventorizuoti. Dabar, kai archyvai sutvarkyti, randasi vietos naujiems vėjams.'– Vaiva Grainytė.

SPOILER ! - The book is in Lithuanian

6.00 EUR

Mycelium

Author: Annette Weisser
Title:  Mycelium
Publisher: Semiotext(e)
Subject: Literature & Poetry
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Going to openings and parties, setting up a studio and breaking up with her longtime boyfriend, Noora is living the post–art school life in Berlin when, in 2005, she's diagnosed with breast cancer. Vaguely restless, until now she's been neither happy nor unhappy, but her entry into what she calls 'Cancerland' forces her to question the assumptions by which she lived her life so far. Uneasily, she realizes that the 'relationships of the soul' she and her friends value over everything else might not be as indelible as family, after all. 

In this sharp and picaresque first novel, conceptual artist Annette Weisser depicts the transformation of Berlin from the frontier city of the cold war to an international art hub as an analog and backdrop to the chaotic, corporeal transformation Noora undergoes through cancer and its treatments. Written in the casual, associative style of a female coming-of-age novel, Mycelium examines German trauma, art school dramas, and the inevitable parsing into winners and losers that her generation undergoes as they enter their mid-thirties.

15.00 EUR

Fascination

Authors: Kevin Killian; Andrew Durbin (ed.)
Title:  Fascination
Publisher: Semiotext(e)
Subject: Essays & Non-fiction, Literature & Poetry

Fascination brings together an early memoir, Bedrooms Have Windows (1989) and a previously unpublished prose work, Bachelors Get Lonely, by the poet and novelist Kevin Killian, one of the founding members of the New Narrative movement. The two together depict the author's early years struggling to become a writer in the sexed-up, boozy, drug-ridden world of Long Island's North Shore in the 1970s. It concludes with Triangles in the Sand, a new, previously unpublished memoir of Killian's brief affair in the 1970s with the composer Arthur Russell. Fascination offers a moving and often funny view of the loneliness and desire that defined gay life of that era—a time in which Richard Nixon's resignation intersected with David Bowie's Diamond Dogs—from one of the leading voices in experimental gay writing of the past thirty years. 'Move along the velvet rope,' Killian writes in Bedrooms Have Windows, 'run your shaky fingers past the lacquered Keith Haring graffito: 'You did not live in our time! Be Sorry!''

16.00 EUR

Atlantic Island

Author: Tony Duvert
Title: Atlantic Island
Publisher: Semiotext(e)
Subject: Literature & Poetry
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Tony Duvert's novel Atlantic Island (originally published in French in 1979) takes place in the soul-crushing suburbs of a remote island off the coast of France. It is told through the shifting perspectives of a group of pubescent and prepubescent boys, ages seven to fourteen, who gather together at night in secret to carry out a series of burglaries throughout their neighborhood. The boys vandalize living rooms and kitchens and make off with, for the most part, petty objects of no value. Their exploits leave the adult community perplexed and outraged, especially when a death occurs and the stakes grow more serious.

Duvert's portrayal of adult life on this Atlantic Island is savage to the point of satire, but the boys and their thieving and sexuality are explored with sympathy. A novel on the loneliness of childhood and the solitude induced by geographical space, it is also an empathetic and generous homage to youth, a crime novel without suspense, and an unsettling fairytale for adults.

16.00 EUR

Daugiakampis

Author: Valentinas Klimašauskas
Title: Daugiakampis
Publisher: Six chairs books
Subject: Literature & Poetry, Artists' Writings
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A foreign investigator lands in Vilnius on April Fool’s Day on a mission to collect all possible information that would help to crack a password and unlock a sensitive dataset. The investigator has only twenty four hours to meet the locals who could be useful in the search of any clues to untangle the hint phrase – a purple city gate. Together with a poet and a retired detective they visit the main landmarks of Vilnius and even find themselves in a former CIA Black Site. They discuss history and art, memorisation techniques, plane spotting and news making. What kind of keywords or facts can they find in a post-truth era, when neither media nor government or one’s own eyes and language can not be trusted?

Polygon is firstly a reference to a plot device, but its logic is also used in the character development and structure of language. Imagine the plot as if it was a feed in the social networks where the only thing in common between its posts is that they make a new multifaceted present. The story is augmented with a highly subjective repertoire of the artworks that represent the everyday circumstances where we all often find ourselves struggling. The author’s kaleidoscopic vision draws another perspective on contemporary experience, liquid identity, veering between contrasting values and discourses, and asks what does the truth mean in today’s click driven economy.

 (SPOILER: Book in Lithuanian)

10.00 EUR

Bedančiai / Toothless

Author: Inga Navickaitė
Title: Bedančiai / Toothless
Publisher:  Self-published, ink press, edition of 30
Subject: Artists' Books
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'Bedančiai is a village in the municipality of Raseiniai district, Šiluvos neighborhood. My parents moved here from Kelmė district, so I grew up here. Bedančiai village has four things which are necessary to be mentioned then telling guests about this land: monument of nature The Grąžusis (Beautiful) Oak, First World War cemetery, Dubysa river regional park and of course 32 residents which, I guess, have 32 teeth each.
These photos are of the village people who are living there. The strange meaning of the name of the village Bedančiai (toothless) would be totally forgotten by residents if there would not be any newcomers who occasionally asks questions about the need of dentists in the village or asks to grin and show how many teeth they have.
The people of the village captured during the studies in Vilnius Academy of Arts Faculty of Kaunas are migrating sometimes: they are leaving to England, then returning back or moving to a larger city in Lithuania. But it is very rare for someone to move in. In the spring of 2015 there were 32 people who posed in the white background – today there would be less. Aging decreases the teeth in the mouth and Bedančiai is decreasing in population.'

35.00 EUR

Private Book 3

Author: Lee Lozano
Title: Private Book 2
Publisher: Karma 
Subject: Artists' Books
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This third volume in Karma’s 11-volume facsimile edition of Lee Lozano’s Private Book project is primarily a calendar of Lozano’s personal, artistic and 'chemical' interactions in 1969–70. A prolific writer and documenter of both her art and her relationships, the painter Lee Lozano (1930–99) kept a series of personal journals from 1968 to 1970 while living in New York’s SoHo neighborhood. In 1972 she rigorously edited these books, thus completing the project. Eleven of these private books survive, containing notes on her work, detailed interactions with artist friends and commentary on the alienations of gender politics, as well as philosophical queries into art’s role in society and humorous asides from daily life.

24.00 EUR

Insert Complicated Title Here

Author: Virgil Abloh
Title: Insert Complicated Title Here
Publisher: Sternberg Press, Harvard University Graduate School of Design
Subject: Architecture, Essays & Non-fiction
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'What’s my DNA?' Virgil Abloh asks to an overflowing auditorium at the Harvard University Graduate School of Design. Abloh goes on to provide his audience with a 'cheat code'—advice he wishes he had received as a student. He then unpacks a series of 'shortcuts' for cultivating a 'personal design language.' Trained as an architect and engineer, Abloh has translated the tools and techniques of his student days into the world of fashion, product design, and music. His label, Off-White, works in seeming contradictions, marrying streetwear with couture, collaborating with brands like Nike, Ikea, and the Red Cross; musicians like Lil Uzi Vert and Rihanna; and 'mentors' like Rem Koolhaas. Impervious to hurdles ('They literally don’t exist.'), Abloh takes us behind the scenes of his design process, sharing the essentials of editing, problem-solving, and storytelling. He paints a picture of his DNA, and then flips the question: What’s your DNA?

Insert Complicated Title Here is the sixth title in the book series The Incidents based on uncommon events at the Harvard University Graduate School of Design from 1936 to tomorrow.

12.00 EUR

Concorde

Author: Wolfgang Tillmans
Title: Concorde
Publisher: Walther Konig
Subject: Artists' Books
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According to photographer Wolfgang Tillmans, "For the chosen few, flying Concorde is apparently a glamorous but cramped and slightly boring routine while to watch it in air, landing or taking off is a strange and free spectacle, a super modern anachronism and an image of the desire to overcome time and distance through technology." With no text other than the inner-front flap's description, this fourth printing of Tillmans' iconic artist's book consists of 62 color photographs of the Concorde airplane--taking off, landing or in flight, and sometimes as just a tiny, bird-like silhouette in the sky. The photographs speak of both the beauty and the environmental devastation produced by this fabled French airplane, both sides of which Tillmans captures in his casual yet formally elegant signature style.

20.00 EUR

Rock/Music Writings

Author: Dan Graham
Title: Rock/Music Writings
Publisher: Primary Information
Subject: Artists' Writings, Essays & Non-fiction

Rock/Music Writings
 collects Dan Graham’s influential writings about rock and roll music and its cultural impact. First published in 2009, Rock/Music Writings includes thirteen essays written between 1968 and 1988, most of which were originally printed in small magazines or journals, including Extensions, Fusion, REAL LIFE, and ZG.

Graham was a friend and supporter of many musicians active in the No Wave scene that was centered around New York City in the late ’70s. In addition to collaborating with musicians during this period, Graham created "Rock My Religion," a video that demonstrates parallels between rock music culture and religious rituals, such as Shaker dances and revivalist meetings. The work’s related text, also titled "Rock My Religion," is included in Rock/Music Writings, along with texts such as "The End of Liberalism," "New Wave Rock and the Feminine," "McLaren’s Children," and "Artist as Producer." These texts examine the lyrics and backgrounds of bands like The Beatles, The Kinks, Devo, The Ramones,  the Patti Smith Group, the Sex Pistols, and Bow Wow Wow, relating them to consumerism and visual art movements, including Abstract Expressionism and Pop art.

16.00 EUR

Broken Music

Author: Ursula Block, Michael Glasmeier (eds.)
Title: Broken Music
Publisher: Primary Information
Subject: Periodicals & Reprints, Artists' Writings

Broken Music is an essential compendium for records created by visual artists. The publication was edited by Ursula Block and Michael Glasmeier and originally published in 1989 by DAAD. Broken Music focuses on recordings, record-objects, artwork for records, and record installations made by thousands of artists between WWII and 1989.

It also includes essays by both editors as well as Theodor W. Adorno, René Block, Jean Dubuffet, Milan Knizak, László Moholy-Nagy, Christiane Seiffert, and Hans Rudolf Zeller, as well as a flexi disc of the Arditti Quartet performing Knizak’s "Broken Music." The centerpiece of the publication is a nearly 200-page bibliography of artists’ records.

Works chosen for the publication revolved around four criteria: (1) record covers created as original work by visual artists; (2) record or sound-producing objects (multiples/editions/sculptures); (3) books and publications that contain a record or recorded-media object; and (4) records or recorded media that have sound by visual artists.

30.00 EUR

Animal Shelter 5

Author: Hedi El Kholti, Chris Kraus, Janique Vigier (eds.)
Title: Animal Shelter 5
Publisher: Semiotext(e)
SubjectPeriodicals and Reprints

Conceived as the journal’s final issue, Animal Shelter 5 closes a decade of publication and hovers, fittingly, around issues of mortality, loss, and trauma—charting existential drift, but also finding new eddies of belonging, homecoming, and hospitality. As Chris Kraus reflects, 'Things have to move elsewhere. So I think this issue is like smoke, or signal blocking.' 

Contributions by Bruce Hainley (on Herve Guibert), Masha Tupitsyn (on Ingmar Bergman), Jean Louis Schefer (on Vertigo); also War Diaries by Michel Leiris, poems by Ariana Reines,  and a story by Colm Tóibín.

Other contirbutors includeNikki Darling, Guillaume Dustan, Charlie Fox, Herve Guibert, Raquel Gutierrez, Jeff Jackson, Bernard-Marie Koltes, Chris Kraus, Clara López Menendez,  Nicole Miller, Julietta Singh, Natasha Soobramanien & Luke Williams, Mattilda Bernstein Sycamore, Natasha Stagger, McKenzie Wark, Abdellah Taïa, and Janique Vigier.

Art by: Soufiane Ababri, Jean-Luc Blanc, Nicole Chambers, Hedi El Kholti, Matt Fishbeck, Kathryn Garcia, Herve Guibert, Jessica Dean Harrison, Galen Johnson, Krisjanis Kaktins-Gorsline, Alan Kleinberg, Patrick Kwon, Michael Oblowitz, Evan Sabourin, Valerie Schultz, Elaine Stocki, and Torbjorn Vejvi.

11.00 EUR

BRUT Boredom. High-rises, Emptiness and Play

Author: Marija Nemčenko, Ana Tudos
Title: BRUT Boredom. High-rises, Emptiness and Play / BRUT nuobodulys. Daugiabučiai, tuštuma ir žaidimai
Publisher: self-published
Subject: Artists' Books, Architecture
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BRUT. High-rises, emptiness and play. is based on a conversation between architecture professor Edward Hollis, researcher Hussein Mitha, curator Anna Tudos and artist Marija Nemcenko. It delves into the complexities of brutalist architecture, housing solutions and public spaces as they exist in different cities across Europe. The four writers address the aspects of architectural heritage, preservation, progress, gentrification and exotification of the concrete colonies through their written works, which follow each other as a dialogue, each having a connecting link to the previous text.

Contributions by Marija Nemčenko, Edward Hollis, Hussein Mitha and Anna Tudos.

10.00 EUR

BILL 2

Author: Julie Peeters
Title: Bill 2
Publisher: Roma Publications
Subject: Periodicals & Reprints
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Bill 2 is the second issue of an annual magazine of photographic stories, edited and designed by Julie Peeters. Twelve contributors present new or previously unpublished work. The images in the magazine are printed without any accompanying text: Bill prioritizes visual reading without distraction. Contributors to the second issue are: Gintaras Didziapetris, Jason Dodge, Archiv Hans Hollein, Inge Ketelers, Tadashi Kurahashi by Tadanori Yokoo - Tadanori Yokoo by Tadashi Kurahashi, Jochen Lempert, Raimundas Malasauskas, Bart Julius Peters / T L P S, Reto Schmid, Megan Francis Sullivan, Linda van Deursen, Ann Woo, and Jiajia Zhang.

22.00 EUR

Talker #2. Kate Valk

Authors: Kate Valk; Giles Bailey (ed.)
Title: The Talker #2
Publisher: self-published / Giles Bailey / Talker
Subject: Periodicals & Reprints, Essays & Non-fiction
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It features a conversation with performer Kate Valk. As a founding member of experimental theatre company the Wooster Group, she has contributed to some of the most vital and exploratory live work of the past three decades. This interview took place in October 2016 as her first directorial contribution to the company Early Shaker Spirituals was being performed at the Pompidou Centre. 

TALKER is an interview zine about performance produced by artist Giles Bailey.

6.00 EUR

Talker #4. Sue Tompkins

Authors: Sue Tompkins; Giles Bailey (ed.)
Title: The Talker #4
Publisher: self-published / Giles Bailey / Talker
Subject: Periodicals & Reprints, Essays & Non-fiction
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Tompkins is based in Glasgow and at the heart of her practice is a unique treatment of language. This finds form as typed works on paper, installations, paintings and live performances.

The interview focuses on how the performances are made and the situations in which they are experienced. We speak about movement, migraines, parenthood and a desire not to leave the visual world.

TALKER is an interview zine about performance produced by artist Giles Bailey.

6.00 EUR

Talker #1. Ian White

Authors: Ian White; Giles Bailey (ed.)
Title: The Talker #1
Publisher: self-published / Giles Bailey / Talker
Subject: Periodicals & Reprints, Essays & Non-fiction
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Issue #1 features a conversation with artist, writer and curator of film , Ian White. The interview took place in January 2012 and focuses on Ian’s live work — from early experimental collaborations to his landmark solo trilogy Ibiza Black Flags Democracy and hybrid curatorial projects.

TALKER is an interview zine about performance produced by artist Giles Bailey.

Each issue features a long-form interview with a performance-maker and is produced as an extension of my own work with the aim of opening up discourse around live practices.

6.00 EUR

Talker #5. Kathy Acker and Spalding Gray

Authors: Kathy Acker, Spalding Gray; Giles Bailey (ed.)
Title: The Talker #5
Publisher: self-published / Giles Bailey / Talker
Subject: Periodicals & Reprints, Essays & Non-fiction
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This is Issue #5. It is a transcript of an event hosted by the writer Kathy Acker at the ICA, London in February 1987 in which the performer Spalding Gray discussed his work.

A founding member of the Wooster Group, Spalding Gray gained fame for his autobiographical monologue performances. At the time of this conversation, he had just completed filming Jonathan Demme’s movie adaptation of his work Swimming to Cambodia, a performance in which he describes experiences surrounding a trip to Southeast Asia to play a small role in the film The Killing Fields (1984). In this dialogue with Acker, Gray focuses on the process of developing work and compares his experience of writing with making live performance.

TALKER is an interview zine about performance produced by artist Giles Bailey. 

6.00 EUR

Social Practices

Author: Chris Kraus
Title: Social Practices
Publisher: Semiotext(e)
Subject: Essays & Non-fiction

Mixing biography, autobiography, fiction, criticism, and conversations among friends, with Social Practices Chris Kraus continues the anthropological exploration of artistic lives and the art world begun in 2004 with Video Green: Los Angeles Art and the Triumph of NothingnessSocial Practices includes writings from and around the legendary 'Chance Event—Three Days in the Desert with Jean Baudrillard' (1996), and 'Radical Localism,' an exhibition of art and media from Puerto Nuevo's Mexicali Rose that Kraus co-organized with Marco Vera and Richard Birkett in 2012. Attuned to the odd and the anomalous, Kraus profiles Elias Fontes, an Imperial Valley hay merchant who has become an important collector of contemporary Mexican art, and chronicles the demise of a rural convenience store in northern Minnesota. She considers the work of such major contemporary artists as Jason Rhoades, Channa Horowitz, Simon Denny, Yayoi Kusama, Henry Taylor, Julie Becker, Ryan McGinley, and Leigh Ledare. Although Kraus casts a skeptical eye at the genre that's come to be known as 'social practice,' her book is less a critique than a proposition as to how art might be read through desire and circumstance, delirium, gossip, coincidence, and revenge. All art, she implies, is a social practice.

16.00 EUR

Active Art

Authors: Joachim Hamou, Maija Rudovska, Barbara Sirieix (eds.)
Title:  Active Art
Publisher: Paraguay Press
Subject: Essays & Non-fiction

In this book, the 1923 manifesto ‘Active Art’ by Latvian philosopher Andrejs Kurcijs triggers a series of responses by writers, artists and curators on the notion of activism, past and present: art for political purposes, art for its own purpose or art with no purpose. All the texts collected in this volume aim at considering the active part of writing according to the definition given by Kurcijs. It is true of the book design by Laure Giletti and Gregory Dapra too.

Contributors include curator Rebeka Põldsam, artists Evita Vasiļjeva and Eva Barto, writers Bella Marrin and Robert Glück, and poet Laura Boullic. It also includes the reprint of an essay from 1987 by James Baldwin, commissioned by the African Center in New York, and an in-depth conversation between the editors of the books and philosopher Ainārs Kamoliņš.

16.00 EUR

Materija ir vaizduotė

Author: Kristupas Sabolius (ed.)
Title: Materija vaizduotė. Hibridinė kūryba tarp meno ir mokslo
Publisher: Vilniaus universiteto leidykla
Subject: Theory & Philosophy, Essays & Non-fiction
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Can we really envision and understand materiality—as it really exists? Today, the progress in technology frees both passionately optimistic and critically pessimistic fantasies, whereas the challenge of matter emerges as a field of hybrid creation. After all, matter always implies not only an opaque structure, but also an inner dynamic, whose perception and imagination turns out to be a real problem.

Collective monograph 'Matter and Imagination', edited by Kristupas Sabolius, proposes a scene for a dialogue between philosophy, synthetic biology, anthropology and contemporary art. It involves the contributions by Vytenis Burokas, Neringa Černiauskaitė, Mindaugas Gapševičius, Giedrius Gasiūnas, Marius Jatautas, Rimantas Jankauskas, laumes (Goda Budvytytė and Viktorija Rybakova), Vytautas Michelkevičius, Dainius Tautvaišas, Nomeda and Gediminas Urbonas.

SPOILER ! The book is in Lithuanian

15.00 EUR

The Last Resident

Author: Verina Gfader et al.
Title: The Last Resident
Publisher: Sternberg Press, Aarhus University, ARoS Art Museum
Subject: Theory & Philosophy, Essays & Non-fiction
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By Verina Gfader, with Victoria Browne, Rebecca Carson, William Forsythe, Claire Hsu, William Kentridge, Mochu, Monica Narula, Pallavi Paul, Lea Porsager, Gerald Raunig, Sif, Lantian Xie

Hardly a gray matter of catching the spirit of our present. From the sun-drenched-ness of the Dubaian atmosphere, to the feathery encounter in a secret printing workshop, words and materials are discreetly—spectrally, outspokenly—put forward: a bunch of residents cruising the seas of nine temporary realities, the result of an ongoing swapping of facts and speculations from the earthly realm. At one end of the spectrum, players, voyagers, entering the machinery (cacophony) of thought processing. At the other, the anchoring point, The Last Resident, one who opens a possible scene.

8.00 EUR

Art and (Bare) Life

Author: Josephine Berry
Title:  Art and (Bare) Life
Publisher: Sternberg Press
Subject: Theory & Philosophy
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Art and (Bare) Life: A Biopolitical Inquiry analyzes modern and contemporary art’s drive to blur with life, and how this is connected to the democratic state’s biologized control of life. Art’s ambition to transform life intersects in striking ways with modern biopower’s aim to normalize, purify, judge, and transform life—rendering it bare. In these intersecting yet different orientations toward life, this book finds the answer to the question: How did autonomous art become such an effective tool of the capitalist state?  

From today’s 'creative cities' to the birth of modern democracy and art in the French Revolution, Art and (Bare) Life explores how the Enlightenment’s discovery of life itself is mirrored in politics and art. The galvanizing revelation that we are, in Michel Foucault’s words, 'a living species in a living world,' free to alter our environment to produce specific effects, is compared here to the discovery that art is an autonomous system that can be piloted toward its own self-determined ends—art for art’s sake. But when both art and the capitalist state seek to change life rather than reflect it, they find themselves set on a collision course.  

'The millennial body of the human is a territory marked by sacred codes, disciplines, and abstractions. To the technologies of biopower Josephine Berry waves the Medusa head of the art of rebellion.'

—Matteo Pasquinelli, Professor in Media Theory, Karlsruhe University of Arts and Design

25.00 EUR

Spacing Philosophy. Lyotard and the Idea of the Exhibition

Authors: Daniel Birnbaum, Sven-Olov Wallenstein
Title:  Spacing Philosophy. Lyotard and the Idea of the Exhibition
Publisher: Sternberg Press
Subject: Essays & Non-fiction, Theory & Philosophy
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In 1985, the philosopher Jean-Francois Lyotard curated 'Les Immateriaux' at Centre Georges Pompidou. Though widely misunderstood at the time, the exhibition marked a 'curatorial turn' in critical theory. Through its experimental layout and hybrid presentation of objects, technologies, and ideas, this pioneering exploration of virtuality reflected on the exhibition as a medium of communication, and anticipated a deeper engagement with immersive and digital space in both art and theory. In Spacing Philosophy, Daniel Birnbaum and Sven-Olov Wallenstein analyze the significance and logic of Lyotard’s exhibition while contextualizing it in the history of exhibition practices, the philosophical tradition, and Lyotard’s own work on aesthetics and phenomenology. 'Les Immateriaux' can thus be seen as a culmination and materialization of a life’s work as well as a primer for the many thought-exhibitions produced in the following decades.

18.00 EUR

Theatre, Garden, Bestiary. A Materialist History of Exhibitions

Authors: Tristan Garcia, Vincent Normand (eds.)
Title:  Theatre, Garden, Bestiary. A Materialist History of Exhibitions
Publisher: Sternberg Press, ECAL / University of Art and Design Lausanne
Subject: Essays & Non-fiction, Theory & Philosophy

Contributions by Etienne Chambaud, Elitza Dulguerova, Anselm Franke, Tristan Garcia, Fabien Giraud & Raphael Siboni, Dorothea von Hantelmann, Yuk Hui, Pierre Huyghe, Sami Khatib, Jeremy Lecomte, Stephane Lojkine, Rafael Mandressi, Vincent Normand, Peter Osborne, Filipa Ramos, Juliane Rebentisch, Joao Ribas, Pamela Rosenkranz, Anna-Sophie Springer, Lucy Steeds, Olivier Surel, Etienne Turpin, Kim West, Charles Wolfe


This volume both gathers and expands on the results of the research project 'Theater, Garden, Bestiary: A Materialist History of Exhibitions' held at ECAL/University of Art and Design Lausanne, and proposes to draft a history of exhibitions sourced from a wide corpus reaching beyond the framework of art institutions. It undertakes a transdisciplinary history, at the nexus of art history, science studies, and philosophy, exploring the role the exhibition played in the construction of the conceptual categories of modernity, and outlines a historiographical model that grasps the exhibition as both an aesthetic and epistemic site.

28.00 EUR

What About Activism?

Author: Steven Henry Madoff (ed.)
Title:  What About Activism?
Publisher: Sternberg Press
Subject: Essays & Non-fiction, Theory & Philosophy
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Texts by Defne Ayas, Ute Meta Bauer, Nicolas Bourriaud, Carolyn Christov-Bakargiev, Joshua Decter, Clementine Deliss, Irmgard Emmelhainz, Boris Groys, Hou Hanru, Maria Lind, Steven Henry Madoff, Antonia Majaca, Gabi Ngcobo, Hans Ulrich Obrist, Jack Persekian with Alison Carmel Ramer, Pi Li, Maria Belen Saez de Ibarra, Terry Smith, Nato Thompson, Mick Wilson, Brian Kuan Wood, Tirdad Zolghadr

With the global rise of a politics of shock driven by authoritarian regimes that subvert the rule of law and civil liberties, what paths to resistance, sanctuary, and change can cultural institutions offer? What about activism in curatorial practice? In this book, more than twenty leading curators and thinkers about contemporary art present powerful case studies, historical analyses, and theoretical perspectives that address the dynamics of activism, protest, and advocacy. What unfolds in these pages is a vast range of ideas—a tool kit for cultural producers everywhere to engage audiences and face the fierce political challenges of today and tomorrow.

19.00 EUR

Painting Beyond Itself

Authors: Isabelle Graw, Ewa Lajer-Burcharth (eds.)
Title:  Painting Beyond Itself. The Medium in the Post-medium Condition
Publisher: Sternberg Press
Subject: Essays & Non-fiction, Theory & Philosophy
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In response to recent developments in pictorial practice and critical discourse, 
Painting beyond Itself: The Medium in the Post-medium Condition seeks new ways to approach and historicize the question of the medium. Reaching back to the earliest theoretical and institutional definitions of painting, this book—based on a conference at Harvard University in 2013—focuses on the changing role of materiality in establishing painting as the privileged practice, discourse, and institution of modernity. Myriad conceptions of the medium and its specificity are explored by an international group of scholars, critics, and artists. Painting beyond Itself is a forum for rich historical, theoretical, and practice-grounded conversation.

With contributions by Carol Armstrong, Benjamin H. D. Buchloh, Sabeth Buchmann, Rene Demoris, Isabelle Graw, David Joselit, Jutta Koether, Ewa Lajer-Burcharth, Jacqueline Lichtenstein, Julie Mehretu, Matt Saunders, Amy Sillman

15.00 EUR

Non-human Photography

Author: Joanna Zylinska
Title: Nonhuman Photography
Publisher: The MIT Press
Subject: Theory & Philosophy

Today, in the age of CCTV, drones, medical body scans, and satellite images, photography is increasingly decoupled from human agency and human vision. In Nonhuman Photography, Joanna Zylinska offers a new philosophy of photography, going beyond the human-centric view to consider imaging practices from which the human is absent. Zylinska argues further that even those images produced by humans, whether artists or amateurs, entail a nonhuman, mechanical element—that is, they involve the execution of technical and cultural algorithms that shape our image-making devices as well as our viewing practices. At the same time, she notes, photography is increasingly mobilized to document the precariousness of the human habitat and tasked with helping us imagine a better tomorrow. With its conjoined human-nonhuman agency and vision, Zylinska claims, photography functions as both a form of control and a life-shaping force.

Zylinska explores the potential of photography for developing new modes of seeing and imagining, and presents images from her own photographic project, Active Perceptual Systems. She also examines the challenges posed by digitization to established notions of art, culture, and the media. In connecting biological extinction and technical obsolescence, and discussing the parallels between photography and fossilization, she proposes to understand photography as a light-induced process of fossilization across media and across time scales.

30.00 EUR

The Jean Freeman Gallery Does Not Exist

Author: Christopher Howard
Title: The Jean Freeman Gallery Does Not exist
Publisher: The MIT Press
Subject: Theory & Philosophy, Art History
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From the summer of 1970 to March 1971, advertisements appeared in four leading art magazines—ArtforumArt in AmericaArts Magazine, and ARTnews—for a group show and six solo exhibitions at the Jean Freeman Gallery at 26 West Fifty-Seventh Street, in the heart of Manhattan's gallery district. As gallery goers soon discovered, this address did not existthe street numbers went from 16 to 20 to 24 to 28—and neither did the art supposedly exhibited there. The ads were promoting fictional shows by fictional artists in a fictional gallery. The scheme, eventually exposed by a New York Times reporter, was concocted by the artist Terry Fugate-Wilcox as both work of art and critique of the art world. In this book, Christopher Howard brings this forgotten Conceptual art project back into view.

Howard demonstrates that Fugate-Wilcox's project was an exceptionally clever embodiment of many important aspects of Conceptualism, incisively synthesizing the major aesthetic issues of its time—documentation and dematerialization, serialism and process, text and image, publishing and publicity. He puts the Jean Freeman Gallery in the context of other magazine-based work by Mel Bochner, Judy Chicago, Yoko Ono, and Ed Ruscha, and compares the fictional artists' projects with actual Earthworks by Walter De Maria, Peter Hutchinson, Dennis Oppenheim, and more. Despite the deadpan perfection of the Jean Freeman Gallery project, the art establishment marginalized its creator, and the project itself was virtually erased from art history. Howard corrects these omissions, drawing on deep archival research, personal interviews, and investigation of fine-printed clues to shed new light on a New York art world mystery.

25.00 EUR

Tidalectics. Imagining an Oceanic Worldview Through Art and Science

Author: Stefanie Hessler (ed.)
Title: Tidalectics. Imagining an Oceanic Worldview Through  Art and Science
Publisher: The MIT Press, TBA-21 Academy
Subject: Theory & Philosophy, Essays & Non-fiction

The oceans cover two-thirds of the planet, shaping human history and culture, home to countless species. Yet we, as mostly land-dwelling humans, often fail to grasp the importance of these vast bodies of water. Climate change destabilizes notions of land-based embeddedness, collapses tropes of time and space, and turns our future more oceanic. Tidalectics imagines an oceanic worldview, with essays, research, and artists' projects that present a different way of engaging with our hydrosphere. (...)

Tidalectics emerges from the Thyssen-Bornemisza Art Contemporary (TBA21)–Academy, the only Western arts organization entirely dedicated to work on climate change and the oceans. (...) The book presents newly commissioned work from a range of disciplines and often-neglected perspectives, alongside classic 'anchor texts' by such writers as Rachel Carson. The contributors include an anthropologist from Fiji, a Norwegian scholar who specializes in maritime legal history, the author of the first comparative history of Caribbean and Pacific Island literatures, and a poet from Barbados who coined the term 'tidalectics' as a play on 'dialectics.' The art projects documented in the book form part of an exhibition curated by the volume's editor, and include a video of the infinite whites, blues, and grays of Antarctica; a collection of oceanic smells from the Caribbean and Pacific coasts of Costa Rica; and a quartz submersible capsule designed to communicate with cetaceans. 

With contributions by Nabil Ahmed, Tamatoa Bambridge, Kamau Brathwaite, Guigone Camus, Rachel Carson, Cynthia Chou, Paul D'Arcy, Tony deBrum, Elizabeth DeLoughrey, Keller Easterling, Bill Graham, Francesca von Habsburg, Stefan Helmreich, Stefanie Hessler, Cresantia Frances Koya Vaka'uta, Rosiana Lagi, Stephanie Leyronas, Chus Martinez, Astrida Neimanis, Elizabeth A. Povinelli, Markus Reymann, Philip E. Steinberg, Khal Torabully, Lingikoni Vaka'uta, Davor Vidas, Susanne M. Winterling

Artists surveyed in the book Atif Akin, Darren Almond, Julian Charriere, Em'kal Eyongakpa, Tue Greenfort, Ariel Guzik, Newell Harry, Alexander Lee, Eduardo Navarro, Sissel Tolaas, Janaina Tschäpe & David Gruber, Jana Winderen, Susanne M. Winterling

31.00 EUR

The Love of Painting

Author: Isabelle Graw
Title: The Love of Painting. Genealogy of a Success Medium
Publisher: Sternberg Press
Subject: Essays & Non-Fiction, Theory & Philosophy, Art History
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Painting seems to have lost its dominant position in the field of the arts. However, looking more closely at exhibited photographs, assemblages, installations, or performances, it is evident how the rhetorics of painting still remain omnipresent. Following the tradition of classical theories of painting based on exchanges with artists, Isabelle Graw’s The Love of Painting considers the art form not as something fixed, but as a visual and discursive material formation with the potential to fascinate owing to its ability to produce the fantasy of liveliness. Thus, painting is not restricted to the limits of its own frame, but possesses a specific potential that is located in its material and physical signs. Its value is grounded in its capacity to both reveal and mystify its conditions of production. Alongside in-depth analyses of the work of artists like Edouard Manet, Jutta Koether, Martin Kippenberger, Jana Euler, and Marcel Broodthaers, the book includes conversations with artists in which Graw’s insights are further discussed and put to the test.

'It’s about time for a book declaring 'the love of painting' to appear, afer the aridity of postmodernism’s announcement of painting’s demise. Isabelle Graw’s argument in favor of this love turns on what she terms 'vitalistic fantasies': the perception of artworks as 'quasi subjects' saturated with the life of their creator. This notion of the work of art as a quasi subject relates directly to the philosopher Stanley Cavell’s consideration that 'the possibility of fraudulence, and the experience of fraudulence, is endemic in the experience of contemporary art.' To understand this we must ask: Why do we relate to works of art in the same way we relate to people? The Love of Painting works on this question—and does so with success.'Rosalind E. Krauss

25.00 EUR

What Algorithms Want

Author: Ed Finn
Title: What Algorithms Want. Imagination in the Age of Computing
Publisher: The MIT Press
Subject: Theory & Philosophy
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We depend on—we believe in—algorithms to help us get a ride, choose which book to buy, execute a mathematical proof. It's as if we think of code as a magic spell, an incantation to reveal what we need to know and even what we want. Humans have always believed that certain invocations—the marriage vow, the shaman's curse—do not merely describe the world but make it. Computation casts a cultural shadow that is shaped by this long tradition of magical thinking. In this book, Ed Finn considers how the algorithm—in practical terms, 'a method for solving a problem'—has its roots not only in mathematical logic but also in cybernetics, philosophy, and magical thinking.

Finn argues that the algorithm deploys concepts from the idealized space of computation in a messy reality, with unpredictable and sometimes fascinating results. Drawing on sources that range from Neal Stephenson's Snow Crash to Diderot's Encyclopedie, from Adam Smith to the Star Trek computer, Finn explores the gap between theoretical ideas and pragmatic instructions. He examines the development of intelligent assistants like Siri, the rise of algorithmic aesthetics at Netflix, Ian Bogost's satiric Facebook game Cow Clicker, and the revolutionary economics of Bitcoin. He describes Google's goal of anticipating our questions, Uber's cartoon maps and black box accounting, and what Facebook tells us about programmable value, among other things.

16.00 EUR

Uncollected Texts

Author: Carolee Schneemann
Title: Uncollected Texts
Publisher: Primary Information
Subject: Artists' Writings, Essays & Non-fiction


Uncollected Texts draws together a number of Carolee Schneemann’s earliest writings—many exceedingly rare and several that are published here for the first time—ranging from letters to the editor, dream journals, and film criticism, to satirical poems, detailed discussions of her art, and pointed feminist critiques. Edited by Branden W. Joseph, the book includes 30 texts by Carolee Schneemann written between 1956 and 1981, as well as an introduction by Joseph.

First published in short-run magazines like CaterpillarFilm Culture, The FoxManipulations, and Matter; academic journals such as Performing Arts Journal; and mainstream publications including the New York Times and The Village Voice, the writings gathered in this volume shed light on some of Schneemann’s most important artistic achievements. Schneemann writes about her most famous "kinetic theater" piece, Meat Joy; anti-Vietnam War works such as SnowsViet-Flakes, and Divisions and Rubble; the multimedia performance Up to and Including Her Limits; and the double-screen film Kitch’s Last Meal. Frequently referring to one another, the assembled writings produce a densely interwoven tapestry of cross-references that provide unique insights into Schneemann’s artistic development while also foregrounding the artist’s uniquely poetic style.

18.00 EUR

The Disintegration of a Critic

Authors: Jill Johnston; Fiona McGovern, Megan Francis Sullivan, Axel Wieder (eds.)
Title: The Disintegration of a Critic
Publisher: Sternberg Press, Bergen Kunsthall
Subject: Essays & Non-fiction
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JILL JOHNSTON  —cultural critic, auto/biographer, and lesbian icon—was renowned as a writer on dance, especially on the developments around JUDSON DANCE and the 1960s downtown New York City scene, and later as the author of the radical-feminist classic Lesbian Nation (1973). This book collects thirty texts by Jill Johnston that were initially published in her weekly column for The Village Voice between 1960 and 1974. The column provided a format in which Johnston could dissolve distinctions between the personal, the critical, and the political. Her writing took turns and loops, reflecting its times and contexts, and set a stage for the emergence of Johnston as a public figure and self-proclaimed radical lesbian that defied any prescribed position. 

Johnston’s original texts are accompanied by three new contributions by Ingrid Nyeboe, Bruce Hainley, and Jennifer Krasinski, as well as an appendix with archival material related to a panel Johnston organized in 1969, titled 'The Disintegration of a Critic: An Analysis of Jill Johnston'.

16.00 EUR

Para-Platforms. On the Spatial Politics of Right-Wing Populism

Authors: Markus Miessen, Zoë Ritts (eds.)
Title: Para-Platforms. On the Spatial Politics of Right-Wing Populism
PublisherSternberg Press
Subject: Essays & Non-fiction, Theory & Philosophy

Para-Platforms investigates the social, spatial, and material reality of right-wing populism. Three case studies—presented in a symposium organized by Markus Miessen at the Gothenburg Design Festival in November 2017—form the core of this collection of essays: journalist Hannes Grassegger on Trump and Brexit; architectural theorist Stephan Trüby on spaces of right-wing extremism in Germany; and Christina Varvia on Forensic Architecture’s investigation of the murder of Halit Yozgat, a young German man of Turkish descent, at the hands of a far-right group in 2006. The presentations are reproduced along with the ensuing conversations with Miessen and the audience members.

An essay by design scholar Mahmoud Keshavarz opening the book discusses the capacity of design to create conditions for certain politics to occur. Among the other theoretical, artistic, and historical contributions in the reader, editor Zoë Ritts interviews artist Wolfgang Tillmans regarding his pro-EU poster series, the ongoing project truth study centre, and guest-edited volume What Is Different? The volume concludes with a comic by artist Liam Gillick animating a block of granite—culled from the Swedish quarry responsible for extracting the red granite intended for the Third Reich’s architectural ambitions—as the messiah of spatial and material politics.

19.00 EUR

The Day I Am Free

Authors: Lawen Mohtadi, Katarina Taikon; with an introduction by Maria Lind
Title: The Day I Am Free
Publisher: Sternberg Press
Subject: Essays & Non-fiction
Stock: 

KATARINA TAIKON was an epoch-changing activist, prolific writer, and countercultural icon in Sweden. Her activist work brought her face-to-face with the most marginalized communities in society as well as prime ministers. Her writing defined the Roma struggle for equal rights and made accessible anti-racist narratives in children’s literature. Active from the early 1960s through the 1970s, Taikon faced a Sweden in which the Roma minority was heavily discriminated against. They were excluded from housing, the education system, and the rights of citizenship that the welfare state provided.

This book tells the story of Taikon’s life in three parts. The first is a 2012 biography by journalist Lawen Mohtadi. The second is Taikon in her own words: the first volume of her autobiographical children’s book series, Katitzi. In Katitzi, a fierce coming-of-age story, Taikon writes about her struggle as part of an ethnic minority in Sweden. The final section is an essay written by curator Maria Lind that articulates the cultural impact of Katitzi.

22.00 EUR

Productive Universals - Specific Situations

Authors: Anne Kockelkorn, Nina Zschocke (eds.) 
Title: Productive Universals - Specific Situations. Critical Engagements in Art, Architecture, and Urbanism
Publisher: Sternberg Press
Subject: Essays & Non-fiction, Theory & Philosophy, Architecture
Stock: 

In today’s increasingly digitalized and neoliberal societies, debates on universals and specifics have gained new momentum. This volume situates the contemporary return to universal claims and concepts in the fields of art, architecture, and urbanism, and highlights the interrelation of the specific and the universal in diverse historical situations from the nineteenth century to the present. The collection’s essays thus venture an epistemic shift of the concept of universality: from essence to modality, from the abstract and static to the performative and productive.

'To counter the populist pull of a post-truth era this collection dares to return to a thought of universality—and successfully introduces the applicable concept of the productive universal. It must work! Planetary urbanism, the algorithmic management of a global population, and climate crises are all at stake. This thought-provoking book invites architects and urbanists to think through the friction of concrete occasions toward concerns that are universally shared.' Helene Frichot, KTH Royal Institute of Technology, Stockholm

CONTRIBUTIONS BY Ursula Biemann, Ariane Varela Braga, Gaia Caramellino, Manuel Shvartzberg Carrió, Khadija von Zinnenburg Carroll, Johan F. Hartle, Samia Henni, Christa Kamleithner, Anne Kockelkorn, Filippo De Pieri, Katarzyna Ruchel-Stockmans, Emily E. Scott, Laila Seewang, Alla Vronskaya, Andrew Stefan Weiner, Nina Zschocke

25.00 EUR

Bad Writing

Author: Travis Jeppesen
Title: Bad Writing
Publisher: Sternberg Press, 
Subject: Essays & Non-fiction

Travis Jeppesen’s 
Bad Writing is a collection of interconnected essays and 'fictocriticisms,' many appearing in print for the first time, that etches a pathway for a truly radical 'bad' modernism in art and literature. Erudite, witty, and occasionally controversial, Bad Writing reinvigorates the too-often staid medium of art criticism as an iconoclastic and inventive literary art form.

'While it’s super tempting to trot out that tired phraseology so bad it’s good, I’m not sure it covers how particularly bad Travis Jeppesen’s aims are: he wants to bankrupt what passes for most cultural critique, render it worthless, from the inside out, gastrointestinally, giving it food poisoning. (If you think that’s a mixed metaphor, bing Freud on excremental capital.) Which is to say, Jeppesen takes George Kuchar at his gloriously fetid word: ignoring all the societal encouragements to be a flash in the pan, dude’s set his slutty sights on becoming ‘a big soft plop-in-the-bowl … creat[ing] such a stink … that people cannot ignore it.’ Does this moment of ‘clusterfuck existentialism’ really deserve better? He’s the Weird Al Yankovic of art criticism, but gayer.' —Bruce Hainley, author of Under the Sign of [sic]: Sturtevant’s Volte-Face   

20.00 EUR

Notebooks 1967-70

Author: Lee Lozano
Title: Notebooks 1967-70
Publisher: Primary Information
Subject: Artists' Writings, Essays & Non-fiction
Stock: 

This publication is a compilation of Lee Lozano’s notebooks from 1967 to 1970. The three notebooks included here contain her seminal "Language Pieces" and drawings for her paintings, including 12 studies for her 11-panel masterpiece, "Wave Series."

Lee Lozano (1930-1999) was an enigmatic artist making a diverse body of drawings, paintings, and conceptual works. While prolific, her production was limited to her time in New York from the early 1960s to the early 1970s. She was very actively engaged with other artists in New York until she decided to leave the art world in 1972. Until recently, much of her work has been difficult for the public to access. From the time of her boycott of the art world until her death, Lozano was an artist working conceptually even though she did not participate actively in the commercial art world for the last three decades of her life.

The pages of the notebooks contain notes and sketches related to her abstract paintings and also contain her texts, which were known as "Language Pieces." The artist’s work in the books reveal her desire to live and create art within a structured system. Lozano considered the individual pages of her notebooks to be drawings, and they were sometimes separated and exhibited. Twenty-five years ago, the notebooks were photocopied and it is that record which serves as the basis for this book.

27.00 EUR

Patterns

Author: Sarah Crowner
Title: Patterns
Publisher: Primary Information
Subject: Artists' Books
Stock: 

Sarah Crowner’s Patterns is the second artist book in a series that she has been developing around the formal aspects of her painting practice.

In Patterns, Crowner assembles and layers a multitude of patterns that have inspired her recent work. This material is comprised of repetitive visual systems found in nature, architecture, fashion, sculpture, and painting that she has culled from a variety of source media: photographs, magazine pages, drawings, and advertisements, among others. The artist has collaged this material into a moving narrative that establishes a conversation with images of her own work and ephemera, which are interspersed throughout the book.

Patterns provides rare insight into the artist’s process, situating the reader inside the formal systems that populate our day-to-day lives. While the artist’s exhibitions and paintings demonstrate a hard edge, this publication skirts those edges with corporeality, either through the artist’s sketchbook marks, textured drawings, and torn pages, or through the images’ many subjects living their lives: trying on shoes, dancing, commuting, recreating, or working. While painting has always been concerned with the act of viewing (something Crowner does astutely), it is here that we can see the artist and her subjects living amongst and generating the visual patterns that have come to define her work.

18.00 EUR

Private Book 4

Author: Lee Lozano
Title: Private Book 4
Publisher: Karma 
Subject: Artists' Books
Stock: 

This is the fourth volume in Karma’s 11-volume facsimile printing of Lee Lozano’s 'Private Book' project. It is primarily a calendar of Lozano’s personal, artistic and chemical interactions in 1969-1970.

*A prolific writer and documenter of both her art and her relationships, the public and private, the painter Lee Lozano (1930–99) kept a series of personal journals from 1968 to 1970 while living in New York’s SoHo neighborhood. In 1972 she rigorously edited these books, thus completing the project. Eleven of these private books survive, containing notes on her work, detailed interactions with artist friends and commentary on the alienations of gender politics, as well as philosophical queries into art’s role in society and humorous asides from daily life.

23.00 EUR

Babette Mangolte Selected Writings, 1998–2015

Author: Babette Mangolte
Title: Babette Mangolte. Selected Writings, 1998–2015
Publisher: Sternberg Press, Kunstahelle Wien
Subject: Artists' Writings, Essays & Non-Fiction
Stock: 

A single black-and white photograph taken by Babette Mangolte has come to epitomize New York's downtown art scene of the 1970s. The dancers performing Trisha Brown’s Roof Piece characterize perfectly the wild spirit of the time. Choreographed as an echo of movement unfolding across SoHo’s rooftops, the dancers mimed the chimneys, water towers, and fire escapes which surrounded them across that skyline. Influenced early on by Dziga Vertov’s Man with a Movie Camera and the work of Stan Brakhage and Jonas Mekas, Mangolte began studies in 1964 at the renowned École nationale de la photographie et de la cinematographie in Paris, one of the school’s first female students. In 1970, having become disillusioned with the film scene in France, Mangolte moved to New York and became involved in the avant-garde film and dance milieus of the Kitchen and the Anthology Film Archives. 

Selected Writings, 1998–2015
 is a collection of texts by Mangolte in which she reflects on her practice as a photographer and filmmaker and her collaborative work with filmmakers, artists, dancers, and choreographers. She provides insights into the techniques and methods she created as well as her relationships with notable collaborators such as Marina Abramović, Chantal Akerman, Trisha Brown, and Yvonne Rainer.

24.00 EUR

Girls Like Us #11 - Economy

Framed as inescapable, indescribable, uncontrollable and essential, economies are everywhere. Oppressive and enabling, lucrative and undervalued, there are economies that trade our emotional labour, desires, love, fertility, time, minds, queerness, politics and clicks. There are economies that we can control and that control us, and those that we can subvert to serve our collectives. A mark, a yen, a buck or a pound, in a conversation with a cat, an app-enabled journey through a rainy Shanghai night, in the margins between intimacy and power, in the kitchen, with your record collection, under the tip of the iceberg, at the foot of a tower she built, dancing at the lesbian bar.

Featuring an expose of feminist fashion, an poem by HANNE LIPPARD, a queer dollar by VIRGIL TAYLOR & VIRGIL TAYLOR, an interview with environmentalist MINNA GILLBERG, a conversation with 3 cats on marx, a discussion about sex work moderated by MELANIE BONAJO, 8 Q&S's by lesbian bars worldwide, an interview by CATHRIN MEYER with LISE SOSKOLNE about W. A.G.E, a poetic research called Makers of their Own Time, Towers of Thanks by Res, 3 Drivers – 3 Cities, an Uber investigation, artwork by ELIF ERKAN, a conversation between CAMILLA WILLS and ISALINE BERGAMASCHI on education, a script by NORA TURATO, Not All There, Cruising Olivia by BERNADETTE HOUDE and a dispatch report by Display Distribute.

8.00 EUR

PRVNC RRT AW 18/19

Author: Tobias Kaspar, Hannes Loichinger (eds.)
Title: PRVNC RRT Autumn Winter 2018-2019
Publisher: Provence, Spector Books
Subject: Periodicals and Reprints
Stock: 

The PROVENCE REPORT AW 18/19 focal point is Art in the service of... We look at moments when artists use their practice and skills in the service of something or someone else. In the backdrop, we are confronted with an artistic field triggering 'descriptions' and suggestions like the Content Industrial Complex’s false sublation of art into life or—on the other end of the spectrum— the self-abolition of all art and art workers. While the former is some sort of Kulturindustrie takeover, the latter is drafted as a left political practice. Paradoxically, with both comes the end of the art world. In this highly volatile period of criticism, how might a re­newed interest in services comment on art’s relative autonomy? As thoughts without content are empty, primary research forms the basis for this issue of PROVENCE REPORT: where possible, we have elected for conversations held or reports written by practitioners in the field.

Contributions by Anke Dyes, Edgars Gluhovs, Dominique Gonzalez-Foerster and Philip Pilekjær, Raphael Gygax, Nina Hollensteiner with Nadine Fraczkowski, Tobias Kaspar, Inka Meissner, Karl Holmqvist and Rirkrit Tiravanija, Inga Lace and Katerina Gregos, Matthew Linde Passageways, Adam Linder and Hannes Loichinger, llya Lipkin and Marc Asekhame, Tobi Maier and Jac Leirner, Emanuele Marcuccio, Isabel Mehl and Lynne Tillman Lynne Tillman's Critical Fictions, Inka Meissner and LaKela Brown, Julia Moritz, Shahryar Nashat and Anne Dressen, Miss Needle, Cecilie Norgaard and Karsten Pflum, Silvia Simoncelli, Hisachika Takahashi by Yuki Okumura.

19.00 EUR

Hamburger Eyes. The Continuing Story Of Life On Earth

Authors: Chris Fitzpatrick, Julie Peeters (eds.)
Title: Hamburger Eyes.The Continuing Story Of Life On Earth
Publisher: Roma Publications
Subject: Periodicals & Reprints
Stock: 

Published on the occasion of an exhibition at Kunstverein München, this volume begins by recounting the prospectus written by American publishing magnate Henry Luce, outlining what would become Life magazine. Today, "to see, and to be shown" is an almost universal obsession for all. Founded in 2001 by David and Ray Potes, Hamburger Eyes has grown into a magazine, publisher, and distributor of zines by an international photographers’ network.

This particular publication complies facsimiles of spreads from back issues, plus images by such names as Ricky Adam, Stevie Dacanay, Ryan Florig, Troy Holden, Lele Saveri, Jai Tanju, David Uzzardi, and many more.

18.00 EUR

The Serving Library Annual 2018/19

Authors: Francesca Bertolotti-Bailey, Stuart Bertolotti-Bailey, Vincenzo Latronico, and David Reinfurt (eds.)
Title: The Serving Library Annual 2018/19 (Translation)
Publisher: Roma Publications
Subject: Periodicals & Reprints
Stock: 

This year’s Annual is guest-edited by Italian novelist and translator Vincenzo Latronico and explores how *translation* is fast becoming a significant site for the negotiation of identities and power dynamics in an increasingly English-centered cultural scene. Departing from literature and the visual arts, the issue soon veers off into mathematics, music, architecture, and religion.

The Serving Library Annual 2018/19 includes contributions by Meehan Crist, Katrina Dodson, Lucile Dupraz, Claudia Durastanti, Joseph Grigely, Meg Miller, Minae Mizumura, the National Security Agency, Philip Ording, David Osbaldeston, David Reinfurt, Anna Della Subin, The Annotated Fall, and Emily Wilson.

25.00 EUR

Open the Kimono

Author: Lutz Bacher
Title: Open the Kimono
Publisher: 80wse GalleryKoenig Books
Subject:  Artists' Books

Open the Kimono is a chronological record of some remarks from cable TV ads movies news radio novels airplanes subways sidewalks and elevators from 2013-2018.

28.00 EUR

The Lip Anthology: an Australian Feminist Arts Journal 1976-1984

Author: Vivian Ziherl (ed.)
Title: The Lip Anthology: an Australian Feminist Arts Journal 1976-1984
Publisher: Macmilian, Kunstverein Publishing
Subject: Periodicals & Reprints, Theory & Philosophy, Artists' Writings, Art History

'Lip' magazine was self-published by women in Melbourne from 1976 to 1984 and stood as a lightning rod for Australian feminist artistic practice over the Women’s Liberation era. The art and ideas expressed over Lip’s lifetime track with groundbreaking moves into performance, ecology, social-engagement, and labour politics; all at an intersection with local realities.

Collecting and presenting the materials of 'Lip' for the first time since their original appearance, 'The Lip Anthology', edited by Vivian Ziherl, privileges the range and dynamism of contesting feminisms that comprised the Lip project.Selected interviews, artist-pages, essays and activist reports are re-produced in facsimile, preserving Lip’s graphic experimentation.

20.00 EUR

Graphic 42: Gerrit Rietveld Academy

Title: Graphic 42: Gerrit Rietveld Academy
Publisher: Propaganda
Subject: Graphic Design
Stock: 

This issue of ‘Graphic’ is the brainchild of the graduating class in graphic design at the Gerrit Rietveld Academie in Amsterdam. According department head David Bennewith, each contribution is a response to the question, "What is education in our department?" As such, the contents, their formulation, design, and production show best what the students have learned and where their interests lie. The magazine’s diverse offerings include a font showcase of designs by former students and teachers, a selection of lyrical feedback from the summer 2017 critiques, excerpts and inspirations from the building blocks of theses, glimpses into students’ personal drawers, and much more.

27.00 EUR

Motion

Author: Karel Martens
Title: Motion
Publisher: Roma Publications
Subject:  Artists' Books, Graphic Design
Stock: 

Published as part of ‘Motion’, an exhibition by Dutch artist and graphic designer Karel Martens at Kunstverein München, this book is the seventh instalment of the ‘Companion’ series produced by the Kunstverein and Roma Publications. With concept and design by Julie Peeters, the greater part of the book’s content is derived from the video ‘Not for Resale’, a sequence of photographs of the array of images and objects found on the artist’s studio wall, taken in 2000. Material from two other videos, ‘Lost & Found’ (2004) and ‘Tol’ (2008), is also included, along with a transcription of a conversation between Martens and Chris Fitzpatrick, director of the Kunstverein.

30.00 EUR

The Source Digest

Author: Cory Arcangel
Title: The Source Digest 
Publisher: Archangel Surfware
Subject: Artists' Books, Periodicals & Reprints

The Source Digest, a paperback collection of Issues #1–10 of The Source (2006–), is an ongoing archival zine project of annotated computer source code from Cory Arcangel’s software-based works from the past 15 years.

 The Source Digest includes the two newest issues which are currently only available in this book.

26.00 EUR

Carolee's Magazine

Author: Carolee Schneemann, Jenny Jaskey and A. E. Benenson (eds.)
Title: Carolee's Magazine
Publisher: Walther Koenig, The Artists' Institute
Subject: Artists' Books, Periodicals & Reprints

Carolee’s is the second issue of The Magazine of the Artist’s Institute. Dedicated to CAROLEE SCHNEEMANN, it features a previously unpublished image archive from Schneemann’s studio that documents half a century of morphological connections between her work and other visual material, including art, advertising, and popular culture. A new long-form profile of Schneemann by writer MAGGIE NELSON accompanies this project and considers the artist’s relationship to the history of her reception and Schneemann’s significant influence on subsequent generations of feminists.

30.00 EUR

Žurnalas Kaunui "Į" #3 / Magazine for Kaunas "Į" #3

Publisher: Kaunas Photography Gallery
Subject: Periodicals & Reprints
Stock: 

In Kaunas it is still possible to find an aged, diminishing, species: giants of 20th century industry. Next to these fallen giants – i.e., the large Kaunas factories, that used to determine  urban development – have remained the communities that formed around them. Members of these communities, the loyal workers, keep a small part of the remaining industry’s mammoths alive. Old giants of industry are replaced by modern ones. A different kind of organism is born in the city and its surroundings. These new organisms are set in close proximity to residential buildings, which were themselves supposed to be in the refuge of nature, but as industry expands, it takes the place of this nature. 

Brackets are useful when talking about (post)industrial Kaunas, because the phenomena being signified is not complete. In other words, 'post' has not happened yet. There are manifold signs of industry’s prosperity in Kaunas; the diminishing of industry is an ongoing process, and the memory is still alive of those that were, or still are, affected by these changes. The magazine hence does not provide final answers about post-industrial reality, but is rather an attempt to search for starting points of a discussion by selecting the particular case of Kaunas and the dynamics of the ongoing processes of transformation inside of it – a process that encompasses the city’s past, present and future perspectives. 

15.00 EUR

Design Thinking in the Digital Age

Author: Peter G. Rowe
Title: Design Thinking in the Digital Age
Publisher: Sternberg Press, Harvard University Graduate School of Design
Subject: Architecture
Stock: 

In 1987, Peter G. Rowe published his pioneering book Design Thinking. In it, he interrogated conceptual approaches to design in terms of both process and form. Thirty years later, in a lecture at the Harvard University Graduate School of Design, Rowe offered a reappraisal of his earlier work, describing ways in which the capacities of the digital age have changed the way we perceive and understand creative problem-solving in architectural design. In this new account of 'design thinking' based on that memorable talk, Rowe charges that ideas about the 'precision' and 'incompleteness' of information have become exaggerated and made more manifest. He dives into the crucial role of schema theory and the heuristics that flow from it, but concedes that the 'ineffable characteristics of design problems and of design thinking also appear to have remained.'

12.00 EUR

Yvonne Rainer. Moving and Being Moved

Author: Yvonne Rainer (ed.)
Title: Yvonne Rainer. Moving and Being Moved
Publisher: Roma Publications
Subject: Monographs, Artists' Writings
Stock: 

Edited by Yvonne Rainer, this selection of texts and images by Rainer and various authors, offers a retrospective portrait of her work, focusing on some of her most notable performances and projects from both the late 1960s (‘Trio A’, ‘The Mind Is a Muscle’) and since her return to dance with the White Oak Dance Project in 2000. Rainer is known for her challengingly experimental and sometimes minimalist work as a dancer, choreographer, and filmmaker, which spearheaded the rise of postmodern dance. An essay by Rainer frames things from the perspective of an ageing dancer who is aware of her physical limitations. * With a conversation between Rainer and dancer Trisha Brown.

28.00 EUR

Legsicon

Author: Laure Prouvost
Title: Legsicon
Publisher: Bookworks
Subject: Monographs, Exhibition Catalogue
Stock: 

Legsicon delves into the philosophical depths of the artist’s practice, through the familiar, if transformed, format of a lexicon, to portray the work of an artist developing complex thought through artistic languages. Deviating from a typical monograph, Legsicon functions as a sort of dictionary, exploring and expanding on thirty-six notions in Prouvost’s work, with each incorporating a commissioned text, new drawings created by the artist and selected documentation of her related works.

Words such as Artist, Boobs, Dream, Grandad, Octopus, Woman, and thirty other key words, have triggered contributions from Celidor Aikvost, Nuar Alsadir, Paul Becker, Dodie Bellamy, Paul Buck, Sophie Collins, Marie Darrieussecq, Bart De Baere, Melissa Gronlund, Nicoline van Harskamp, Nav Haq, Alistair Hudson, Elisa Kay, Martha Kirszenbaum, Brian Kuan Wood, Peter Kubelka, John Latham, Huw Lemmey, Kathy Noble, Elizabeth Price, Bernard Prouvost, Laure Prouvost, Natasha Soobramanien, Jonas Staal, Barbara Steveni, Abdellah Taïa, Maija Timonen, Murtaza Vali, Anne-Mie Van Kerckhoven, Agnes Varda, Timothy Vermeulen, Emily Wardill, Marina Warner, Mark Webber, and Lawrence Weiner.

29.00 EUR

Monica Ross. Ethical Actions

Author: Susan Hiller, Suzanne Treister (eds.)
Title: Monika Ross. Ethical Actions. A Critical Fine Art Practice
Publisher: Sternberg Press
Subject: Monographs, Exhibition Catalogue
Stock: 

British artist Monica Ross (1950–2013) left behind forty years of socially engaged, feminist, and performative artwork, which has had a deep effect on contemporary art and society. This fully illustrated publication documents Ross’s works from 1970 to 2013, including early feminist collaborative works, drawings made at the Greenham Common Women’s Peace Camp in the 1980s, poster designs for the antinuclear movement, works relating to the writings of Walter Benjamin, and documentation from the sixty performances of Anniversary—an act of memory (2008–13), solo, collective, and multilingual recitations from memory of the Universal Declaration of Human Rights, which concluded with a final collaborative performance at the UN in Geneva on the day of Ross’s death. * With essays by Esther Leslie, Eric Levi Jacobson, Alexandra M. Kokoli, Denise Robinson, and Yve Lomax, this book is a valuable art-historical document.

22.00 EUR

Komplaint Dept.

Author: Bob Nickas
Title: Komplaint Dept. 
Publisher: Karma
Subject: Essays & Non-fiction, Artists' Writing
Stock: ✔

Bob Nickas’s 2012-14 Vice magazine column, Komplaint Dept., forms the core of this volume, which contains trenchant, witty and personal essays, critiques, an dialogues on the author’s omnivorous interests, from Neil Young, Sun Ra, and Royal Trux to Jeff Koons, Richard Prince, and David Cronenberg. Along the way, Nickas guides us through New York architecture, the fate of punk fashion, the problem with contemporary graffiti, and two different presidents.

27.00 EUR

Black Dada Reader

Author: Adam Pendleton; Stephen Squibb (ed.)
Title: Black Dada Reader
Publisher: Walther Koenig
Subject: Artists' Writings, Essays & Non-fiction
Stock: 

Black Dada Reader is a collection of texts and documents that elucidates "Black Dada," a term that acclaimed New York–based artist Adam Pendleton (born 1984) uses to define his artistic output. The Reader brings a diverse range of cultural figures into a shared conceptual space, including Hugo Ball, W.E.B. Du Bois, Stokely Carmichael, LeRoi Jones, Sun Ra, Adrian Piper, Joan Retallack, Harryette Mullen, Ron Silliman and Gertrude Stein, as well as artists from different generations such as Ad Reinhardt, Joan Jonas, William Pope.L, Thomas Hirschhorn and Stan Douglas. It also includes essays on the concept of Black Dada and its historical implications from curators and critics, including Adrienne Edwards (Walker Arts Center/Performa), Laura Hoptman (MoMA), Tom McDonough (Binghamton), Jenny Schlenzka (PS122) and Susan Thompson (Guggenheim).

25.00 EUR

A Final Companion To Books From The Simpsons

Author: Olivier Lebrun
Title: A Final Companion To Books From The Simpsons
Publisher: Yellow-pages / Rollo
Subject: Graphic Design, Artists' Books

French graphic designer Olivier Lebrun follows on his previous publications documenting the books that appear in the popular cartoon television series with this anthology of more than 330 images and titles. All have been captured with a black-and-white animation screenshot and catalogued in alphabetical order.

Ostensibly the final instalment of this highly personal project by Lebrun, this new, updated edition reflects countless painstaking hours spent scanning episodes, plus the contributions of a large community of fans and readers who provided tips over the years.

16.00 EUR

The Black City. Glosses

Author: Hubert Fichte
Title: The Black City
Publisher: Sternberg Press
Subject: Artists' Writings, Essays & Non-Fiction
Stock: 

The Black City is a portrait of New York City written by Hubert Fichte between 1978 and 1980. One of Germany’s most important postwar authors, Fichte researched the city as the center of the African diaspora, conducting interviews and composing essays about syncretism in culture and the arts, material living conditions in the city, and political and individual struggles based on race, class, and sexuality. His interview partners include Michael Chisolm, arts educator and coordinator of the Black Emergency Cultural Coalition; German emigre and artist Lil Picard; photographer Richard Avedon; Leopold Joseph, publisher of the exile newspaper Haiti Observateur; and Teiji Ito, composer and Vodou initiate. The book opens with notes on an exhibition of Haitian art at the Brooklyn Museum, and closes with a self-reflective literary analysis of Herodotus, the first white European to write extensively of his travels and (desirous) encounters in Africa.

24.00 EUR

Marcel Duchamp: The Afternoon Interviews

Author: Calvin Tomkins, Marcel Duchamp
Title: Marcel Duchamp: The Afternoon Interviews
Publisher: Badlands Unlimited
Subject: Essays & Non-Fiction

In 1964, Calvin Tomkins spent a number of afternoons interviewing Marcel Duchamp in his apartment on West 10th Street in New York. Casual yet insightful, Duchamp reveals himself as a man and an artist whose playful principles toward living freed him to make art that was as unpredictable, complex, and surprising as life itself. Those interviews have never been edited and made public, until now. 

The Afternoon Interviews, which includes an introductory interview with Tomkins reflecting on Duchamp as an artist, guide and friend, reintroduces the reader to key ideas of his artistic world and renews Duchamp as a vital model for a new generation of artists

 

14.00 EUR

The Bear in The Mirror

Author: Simone Forti
Title: The Bear in the Mirror
Publisher: Cornerhouse Publications, Vleeshal
Subject: Artists' Writings, Literature & Poetry

Iʼve gathered so many books (….), all about the family. This is all washing over me like a waterfall. I canʼt figure out the genealogy, the chronology flows like currents that wind around each other at different rates. (…). And now Iʼm recognizing that Iʼm part of this tribe, this family of writers writing about our tribe.

These sentences can be found in Simone Fortiʼs new publication, The Bear in the Mirror – a wonderful collection of stories, prose-poems, drawings, photos, letters, notes and memories.

Simone Forti dives into the (his)stories of her family and of the woollen mills they once owned, trying to put all the myths and fragments of information into some kind of perspective. She takes us on a mind-provoking, mesmerizing journey through time and place, from December 1938 till the present moment, from Italy to Los Angeles.

Along the journey we find ourselves in different cities and in the woods, where we meet her family, bears, dogs and spiders.

 & the design by the dearest Nerijus Rimkus 

20.00 EUR

I Had Nowhere to Go

Author:  Jonas Mekas
Title: I Had Nowhere to Go
Publisher: Spector Books
Subject: Essays & Non-fiction, Artists' Writings

In 1944 Mekas and his younger brother Adolfas had to flee from the Nazis for copying leaflets. They were interned for eight months in a labour camp in Elmshorn. The Soviet occupation prevented him from returning to his native Lithuania after the war and, classed as a displaced person, he lived in DP camps in Wiesbaden and Kassel. Towards the end of 1949 he and his brother emigrated to New York. In his autobiography I Had Nowhere to Go he describes his survival in the camps and his arrival in New York. Mekas tells a universal story, that of an emigre who can never go back, whose loneliness in his new world is emblematic of human existence.

22.00 EUR

Radical Museology

Author: Claire Bishop
Title: Radical Museology: Or What's Contemporary in Museums of Contemporary Art?
Publisher: Koenig Books
Subject: Essays & Non-Fiction, Theory & Philosophy

With austerity cuts to public funding, many contemporary art museums have been forced to scale down their budgets, staff and acquisitions. In Radical Museology, New York–based art historian Claire Bishop argues that the incommensurability of fiscal and cultural temporality--one fast, the other slower--points to an alternative world of values in which museums (and by extension, culture, education and democracy in general) are not subject to the banalities of a spreadsheet, but enable us to access a rich and diverse history, to question the present and to realize a different future. She discusses creative solutions implemented at the Van Abbemuseum in Eindhoven, the Museo Nacional de Reina Sofía in Madrid and MSUM in Ljubljana. This book is a manifesto for the importance of a politicized representation of the contemporary in today’s art.

13.00 EUR

Oceans of Love: The Uncontainable Gregory Battcock

Author: Gregory Battcock
Title: Oceans of Love: The Uncontainable Gregory Battcock
Publisher: Koenig Books, Printted Matter Inc. 
Subject: Essays & Non-Fiction
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Gregory Battcock (1937–1980, US) was a New York–based artist who gave up his practice as a painter to become an art critic; he wrote on Minimalism, Conceptual art, video art, and performance, and generally championed artists pushing the boundaries and definitions of contemporary art. On Christmas Day in 1980 Battcock was found stabbed to death on the balcony of his holiday home in San Juan, Puerto Rico. The murder remains unsolved.

In 1992, Joseph Grigely was exploring the recently abandoned facilities of a storage company in the same building as his studio when he found Battcock’s archive of manuscripts, photographs, and correspondence strewn throughout the space. After making copies of some of the material, a bulk of the collection was donated to the Archives of American Art. In making the exhibition The Gregory Battcock Archive, Grigely created a labyrinth of vitrines in which photographs, manuscripts, letters, and postcards, are juxtaposed in a way to construct portraits of both Battcock and the 1970s New York art world. The publication Oceans of Love: The Uncontainable Gregory Battcock, expands on this material, and includes a lengthy introduction by Grigely that investigates Battcock’s biographical history and his contributions to art criticism.

25.00 EUR

Return to the Postcolony Specters of Colonialism in Contemporary Art

Author: T. J. Demos
Title: Return to the Postcolony. Specters of Colonialism in Contemporary Art
Publisher: Sternberg Press
Subject: Theory and Philosophy
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In the wake of failed states, growing economic and political inequality, and the ongoing US- and NATO-led wars for resources, security, and economic dominance worldwide, contemporary artists are revisiting former European colonies, considering past injustices as they haunt the living yet remain repressed in European consciousness. With great timeliness, projects by Sven Augustijnen, Vincent Meessen, Zarina Bhimji, Renzo Martens, and Pieter Hugo have emerged during the fiftieth anniversary of independence for many African countries, inspiring a kind of 'reverse migration'—a return to the postcolony, which drives an ethico-political as well as aesthetic set of imperatives: to learn to live with ghosts, and to do so more justly.   

T. J. Demos places contemporary art within the context of neoliberal globalization and what scholars have referred to as the 'colonial present.' The analysis is complex and provocative, both for an understanding of the historical material as well as for the contemporary theoretical discourse. Return to the Postcolony is one of the most ambitious, intelligent, and readable texts on contemporary art related to the African context that I have read.
 —Alexander Alberro, author of Conceptual Art and the Politics of Publicity   

19.00 EUR

Is the Living Body the Last Thing Left Alive?

Author: Cosmin Costinaș, Ana Janevski (eds.)
Title: Is the Living Body the Last Thing Left Alive? The New Performance Turn, Its Histories and Its Institutions
Publisher: Sternberg Press, Para Site
Subject: Essays & Non-Fiction, Theory & Philosophy
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Contributions by Belkis Ayon, Claire Bishop, Boris Buden, Amy Cheng, Bojana Cvejic, Adrienne Edwards, Patrick D. Flores, Gauri Gill, Simryn Gill, Inti Guerrero, Tetsuya Ishida, Eisa Jocson, Firenze Lai, Andre Lepecki, Xavier Le Roy, Miguel A. Lopez, Carol Yinghua Lu, Rabih Mroue, Ruth Noack, Fernanda Nogueira, Manuel Pelmuș, Goran Sergej Pristaš, Nelly Richard, David Riff, Emily Roysdon, Simon Soon, Marten Spangberg, Catherine Wood, Yangjiang Group, Anthony Yung

The choreographic turn in the visual arts from 1958 to 1965 can be identified by the sudden emergence of works created by very different visual artists in very different places—artists such as Allan Kaprow, Robert Morris, Carolee Schneemann, and Robert Rauschenberg in the United States; Lygia Pape and Helio Oiticica in Brazil; the Gutai group in Japan; and Yves Klein in France. Each explicitly or implicitly used dance or choreographic procedures to reinvent, reimagine, and reimage how the visual arts produced and conceived its images and objects—and therefore conceived itself both as practice and as discourse. 

Is the Living Body the Last Thing Left Alive? proposes that a 'new performance turn' has emerged in the second decade of the century, and looks at its correlations with other shifts in practices, discourses, and broader society. The new performance turn is closely related to, on one hand, the increasing tendency to bring contemporary dance into the museum, with more artists working in and around dance, and more museums, art centers, and biennials striving to deepen their commitment to performance in order to develop new aesthetic forms and new modes of production; on the other hand, this 'turn' is also related to specific developments in dance and choreography that took place in the mid-1990s.  

39.00 EUR

Carceral Capitalism

Author: Jackie Wang
Title: Carceral Capitalism
Publisher: Semiotext(e)
Subject: Essays & Non-fiction, Theory & Philosophy

What we see happening in Ferguson and other cities around the country is not the creation of livable spaces, but the creation of living hells. When people are trapped in a cycle of debt it also can affect their subjectivity and how they temporally inhabit the world by making it difficult for them to imagine and plan for the future. What psychic toll does this have on residents? How does it feel to be routinely dehumanized and exploited by the police?—from Carceral Capitalism

In this collection of essays in Semiotext(e)'s Intervention series, Jackie Wang examines the contemporary incarceration techniques that have emerged since the 1990s. The essays illustrate various aspects of the carceral continuum, including the biopolitics of juvenile delinquency, predatory policing, the political economy of fees and fines, cybernetic governance, and algorithmic policing. Included in this volume is Wang's influential critique of liberal anti-racist politics, 'Against Innocence,' as well as essays on RoboCop, techno-policing, and the aesthetic problem of making invisible forms of power legible.

13.00 EUR

e-flux journal. The Internet Does Not Exist

Authors: Julieta Aranda, Brian Kuan Wood, Anton Vidokle (eds.)
Title: e-flux journal. The Internet Does Not Exist
Publisher: Sternberg Press
Subject: Essays & Non-Fiction, Theory & Philosophy
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The internet does not exist. Maybe it did exist only a short time ago, but now it only remains as a blur, a cloud, a friend, a deadline, a redirect, or a 404. If it ever existed, we couldn't see it. Because it has no shape. It has no face, just this name that describes everything and nothing at the same time. Yet we are still trying to climb onboard, to get inside, to be part of the network, to get in on the language game, to show up on searches, to appear to exist. But we will never get inside of something that isn’t there. All this time we’ve been bemoaning the death of any critical outside position, we should have taken a good look at information networks. Just try to get in. You can’t. Networks are all edges, as Bruno Latour points out. We thought there were windows but actually they’re mirrors. And in the meantime we are being faced with more and more—not just information, but the world itself. 

Contributions by Julian Assange, Franco 'Bifo' Berardi, Benjamin Bratton, Diedrich Diederichsen, Keller Easterling, Rasmus Fleischer, Joana Hadjithomas and Khalil Joreige, Ursula K. Heise, Brian Kuan Wood, Bruno Latour, Geert Lovink, Patricia MacCormack, Metahaven, Gean Moreno, Hans Ulrich Obrist, Jon Rich, Hito Steyerl.

12.00 EUR

Proteus and the Radical Imaginary

Author: Kristupas Sabolius 
Title: Proteus and the Radical Imaginary
Publisher: Bunkier Sztuki Gallery, Karkow, the CAC Vilnius
Subject: Theory & Philosophy
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Proteus and the Radical Imaginary is an original and timely re-evaluation of the concept of the imagination in relation to aesthetics and contemporary art. Starting with the humorous story of Nasreddin’s eighteenth camel, an odd surplus that is necessary in order for reality to work (in this case, solving the riddle of a father’s mathematically perplexing testament), Sabolius goes on to discuss the metaphysical, aesthetic, political, phenomenological, and technological dimension of the imagination; providing both a philosophical history of the notion as well as making a unique intervention in contemporary debates. (...) Sabolius’ theoretical discussions are enlivened by analyses of a surprising mix of films, artworks, popular culture, and theatre, including: exhibitions by Raimundas Malašauskas (Photo Finish in Vilnius, and the Lithuania/Cyprus oO/Oo Pavilion at the 55th Venice Biennale), the underwear-stealing gnomes of South Park, Michelangelo Antonioni’s Blow Up, Victor Erice’s The Spirit of the Beehive, and the avant-garde performances of Romeo Castellucci. - Aaron Schuster

Proetus and the Radical Imaginary is the first major translation of Sabolius oeuvre to English. Published in 2016 as part of XII Baltic Triennial.

 

7.00 EUR

Public Space? Lost and Found

Authors: Gediminas Urbonas, Ann Lui, Lucas Freeman  (eds.)
Title: Public Space? Lost and Found
Publisher: The MIT Press
Subject: Architecture, Theory & Philosophy
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Public Space? Lost and Found combines significant recent projects in art and architecture with writings by historians and theorists. Contributors investigate strategies for responding to underrepresented communities and areas of conflict through the work of Marjetica Potrč in Johannesburg and Teddy Cruz on the Mexico-U.S. border, among others. They explore our collective stakes in ecological catastrophe through artistic research such as atelier d'architecture autogeree's hubs for community action and recycling in Colombes, France, and Brian Holmes's theoretical investigation of new forms of aesthetic perception in the age of the Anthropocene. Inspired by artist and MIT professor Antoni Muntadas' early coining of the term “media landscape,” contributors also look ahead, casting a critical eye on the fraught impact of digital media and the internet on public space.

Contributors: atelier d'architecture autogre, Dennis Adams, Bik Van Der Pol, Adrian Blackwell, Ina Blom, Christoph Brunner with Gerald Raunig, Nestor Garcia Canclini, Colby Chamberlain, Beatriz Colomina, Teddy Cruz with Fonna Forman, Jodi Dean, Juan Herreros, Brian Holmes, Andres Jaque, Caroline Jones, Coryn Kempster with Julia Jamrozik, Gyorgy Kepes, Rikke Luther, Matthew Mazzotta, Metahaven, Timothy Morton, Antoni Muntadas, Otto Piene, Marjetica Potrč, Nader Tehrani, Troy Therrien, Gedminas and Nomeda Urbonas, Angela Vettese, Mariel Villere, Mark Wigley, Krzysztof Wodiczko

37.00 EUR

The Dept. of Corrections

Author: Bob Nickas
Title: The Dept. of Corrections
Publisher: Karma
Subject: Essays & Non-Fiction
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'ART, AFTER ALL, IS A SET OF CIRCUMSTANCES, BUT AS EVIDENCE IT SHOULD IN NO WAY BE VIEWED AS CIRCUMSTANTIAL.'

This new collection of writing marks thirty years for the critic and curator Bob Nickas, widely considered one of the few independent voices, and willful misfits, still at work today. Nickas introduces and reintroduces us to artists from ’60s to the ’80s, to those working today—Jack Smith, Andy Warhol, Frank Stella, and On Kawara, Isa Genzken, Steven Parrino, and Jean-Michel Basquiat, Kara Walker, Wolfgang Tillmans, Kelley Walker, and Pierre Huyghe. Writing as if they were passing us by in real time, often in the streets of New York, he also traces the disappearance of artists and the city over three decades.

29.00 EUR

Non-Conscious Architecture

Authors: Gianni Pettena, edited by Marco Scotini in collaboration with Gabriele Sassone
Title: Non-Conscious Architecture
Publisher: Sternberg Press, Galleria Giovanni Bonelli
Subject: Architecture, Monographs

This publication surveys the work of Italian critic, architect, and visual artist Gianni Pettena. Focusing on a rich ten-year period of production that began in the mid-sixties, it brings new attention to the artistic and intellectual practice of a figure known primarily as one of the main exponents of the Radical Architecture movement. International curators and writers consider a span of projects about landscape and the built form as well as objects and works documenting Pettena’s interests in labor, temporality, action, and the event. Published on the occasion of the exhibition 'About Non-Conscious Architecture' at Galleria Giovanni Bonelli, Milan, 2017, the book also contains a republished conversation between Pettena and artist Robert Smithson and an illustrated index detailing the trajectory of Pettena’s body of work and research.

22.00 EUR

Function Follows Vision, Vision Follows Reality

Authors: Frederick Kiesler
Title: Function Follows Vision, Vision Follows Reality
Publisher: Sternberg Press, Kunsthalle Wien
Subject: Artists' Writings, Essays & Non-fiction

This collection of unpublished or rare texts by Frederick Kiesler written between 1927 and 1957 is published on the occasion of the exhibition 'Function Follows Vision, Vision Follows Reality' at Kunsthalle Wien (May 27–August 23, 2015), curated by Luca Lo Pinto and Vanessa Joan Müller. The exhibition, developed in cooperation with the Austrian Frederick and Lillian Kiesler Private Foundation, focuses on Kiesler’s ideas on display, and juxtaposes works of contemporary artists with a number of original drawings by Kiesler. Views of the exhibition are included in the pages of this publication.

With works by Leonor Antunes, Olga Balema, Celine Condorelli, Morton Feldman, Annette Kelm, Friedrich Kiesler, Charlotte Moth, Francesco Pedraglio, Luca Trevisani, Nicole Wermers

14.00 EUR

Dunes

Author:  Antanas Gerlikas 
Title: Dunes
Publisher:  CAC Vilnius
Subject: Artists' Books
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DUNES, by Antanas Gerlikas may be a result of a dream the artist had back in 2013 during which he experienced sounds he never heard before, coming from an instrument he’d never seen before and he was struck by the strong nonhuman powers which he had never encountered before. Not long after, he had a dream in which an invisible, inaudible force asked him if he would like to learn how to 'catch the right moment.' In another, the same force offered to teach him how to 'communicate with space and its diversity.' Unwavered by the staggering abyss of total groundlessness, he said yes to both and continued to pose his own questions related to those from the dreams -- how to govern things that cannot be governed? How to know when to give something up? Are dreams outside our reality?

The book is made up of conversations that Gerlikas had with people who may have had similar experiences, but who he mainly knew as experts in their crafts, who subscribe to the idea of apprenticeship and mastery and who, he also knew, allow the notion that some aspects of their work lie far beyond rational explanation. He thus approached carpenter Algimantas Verseckas, dowser and ethnic culture enthusiast Vaclovas Mikailionis and photographer Gintautas Trimakas – who later took the pictures in this book – as well as writer and self-aware 'amateur' Post Brothers. Jonas Žakaitis had earlier conducted an interview with Gerlikas, which mainly focused on the musical instrument is reprinted here as well. 

15.00 EUR

Beyond the Collaboration

Authors: Sterling Ruby, Raf Simons
Title: Beyond the Collaboration
Publisher: Sternberg Press
Subject: Essays & Non-fiction
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How do you tell the story of a friendship? How do you trace the roots of one of the most significant cross-disciplinary unions in fashion today? Artist Sterling Ruby and fashion designer Raf Simons did just that when they sat on stage with curator Jessica Morgan at the Harvard University Graduate School of Design. Offering complimentary perspectives on a bond that has matured over the span of a decade, and a body of work that transcends boundaries, Ruby and Simons spoke with mutual respect, trust, and a deep investment in the future. This is a story, and an exchange, that is beyond collaboration.

The Incidents is a book series based on uncommon events at the Harvard University Graduate School of Design from 1936 to tomorrow.

12.00 EUR

Bart Works 2

Author: Ken Kagami
Title: Bart Works 2
Publisher: Yellow Pages, nieves, innen
Subject: Artists' Books
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Ken Kagami’s work ranges from performances to installations, paintings, drawings, and publications, and is characterised by its simple expression of conflicting ideas. His take on pop culture presents a distortion of relatable materials and objects, and confronts social taboos with a healthy dose of humour. Through a sharp sense of colour, form, and pure ideas, Kagami merges worlds that would naturally never intermingle to create imaginative and bizarre transformations that are also intended to spark a reaction. With ‘Bartworks 2’  IT IS ALL ABOUT BART /  SIMPSONS

6.00 EUR

Radial Grammar

Author: Batia Suter
Title: Radial Grammar
Publisher: Roma Publications
Subject: Artists' Books

The imagery in this book, which revolves around radial shapes and concepts, also forms the basis of a video work in the exhibition. Specific for the book is the use of two separate layers of black ink, allowing Suter to create double images and to merge patterns and screens. Departing from pages scanned from her collection of second hand tomes—mainly concerning natural science, precision machinery and art history—Suter freely manipulates them and reorders them within the space of a book, which can be seen as a condensed exhibition on paper. The result is a journey along visual phenomena that reconnects us with the endless curiosity and patience of our younger selves leafing through an encyclopedia, unattended and unable to read, yet all the more sensitive to its inner visual rhymes and correspondences. With a text by Henri Michaux from 1968. Edited and designed by Batia Suter and Roger Willems.

38.00 EUR

Private Book 2

Author: Lee Lozano
Title: Private Book 2
Publisher: Karma 
Subject: Artists' Books
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A prolific writer and documenter of both her art and her relationships, the public and private, Lee Lozano (1930-99) kept a series of personal journals from 1968 to 1972 while living in New York’s SoHo neighbourhood. Eleven of these private books survive. Private Book 2 is the second in a series of 11 pocket-sized books, which are printed as facsimiles with spiral binding. The notebooks contain notes on her work, detailed interactions with artist friends and commentary on the alienations of gender politics, as well as philosophical queries into art's role in society and humorous asides from daily life. In the decade before her infamous dropout piece— culminating in a move to Dallas where she would remain until her death — Lozano returned to these notebooks, editing the entries, sometimes blacking out entire pages. Private Book 2 is the second in a series of 11 pocket-sized books, which are printed as facsimiles with spiral binding.

24.00 EUR

John Smith

Authors:  Tanya Leighton,  Kathrin Meyer (eds.)
Title: John Smith
Publisher: Sternberg Press, Mousse Publishing
Subject: Monographs

This comprehensive new monograph on the influential British artist-filmmaker—renown for his playful and formally ingenious subversion of the everyday world—contains essays by Ian Christie, Martin Herbert, Kathrin Meyer, and Ethan de Seife. 

Herbert’s text provides an incisive overview of Smith’s work over the past four decades while Christie examines Smith’s oeuvre within the context of English eccentricity. Meyer’s essay discusses Smith’s film The Black Tower in relation to absence and abstraction while de Seife looks at cinematic scale through the prism of Smith’s Gargantuan.

The publication includes a complete fully illustrated filmography spanning 84 pages, with images and synopses from nearly fifty film and video works made between 1972 and 2012.

30.00 EUR

The Blind Man - New York Dada, 1917

Author: Marcel Duchamp, Beatrice Wood, Henri-Pierre Roche. Sophie Seita (ed.)
Title: The Blind Man - New York Dada, 1917
Publisher: Ugly Duckling Press
Subject: Periodicals and Reprints
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The Blind Man and rongwrong were seminal New York Dada magazines edited and published by Marcel Duchamp, Henri-Pierre Roche, and Beatrice Wood in 1917. This facsimile edition, introduced by Sophie Seita, celebrates the 100th anniversary of their publication. The box set also includes a two-color offset reproduction of Beatrice Wood’s poster for The Blind Man’s Ball (1917) and a letterpress facsimile of Man Ray’s The Ridgefield Gazook (1915). Translations of the French texts by Elizabeth Zuba accompany the facsimile reprints. 

The Blind Man and rongwrong were part of a network of little magazines that introduced audiences to avant-garde movements in art and literature; they featured contributions of poetry, prose, and visual art by Mina Loy, Louise Norton, Robert Carlton Brown, Erik Satie, Walter Arensberg, Francis Picabia, Alfred Stieglitz, and others. The Blind Man was the first print publication to circulate an image of Duchamp’s (OR MOST PROBABLY NOT - SEE: Baroness Elsa von Freytag-Loringhoven) 'Fountain'  (photographed by Stieglitz) after its rejection from the first annual exhibition of the Society of Independent Artists, presenting a public challenge to the accepted definition of art during this time. 

74.00 EUR

F. R. David Autumn 2018 - What I Mean Is -

Author: (ed.) Will Holder
Title: F.R. David Spring 2018 - Flurry
Publisher: Uh Books, KW Institute of Contemporary Art
Subject: Periodicals & Reprints
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This issue examines the impartation of meaning through visible language, whether informative, instructive, transformative, narrative, or other. Contributions include Peter Culley’s restructuring of a botanical text as lyrical poetry, a vignette by Octavia E. Butler, a preface to ‘The Art of Science Writing’ by Worsley and Mayer, Daniel Victor’s report on an Oxford comma dispute, a wall text for ‘High Speed Geology’ at Museum für Naturkunde, ‘In the Shadow of the American Dream’ by David Wojnarowicz, ‘26 Theses on Craft’ by Sharon H. Poggenpohl, a report Charles and Ray Eames drew up for the Indian government to promote quality in small industries, and much more.

10.00 EUR

Book of Mutter

Author: Kate Zambreno
Title: Book of Mutter
Publisher: Semiotext(e)
Subject: Literature & Poetry, Essays & Non-fiction
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Composed over thirteen years, Kate Zambreno’s Book of Mutter is a tender and disquieting meditation on the ability of writing, photography, and memory to embrace shadows while in the throes—and dead calm—of grief. Book of Mutter is both primal and sculpted, shaped by the author’s searching, indexical impulse to inventory family apocrypha in the wake of her mother’s death. The text spirals out into a fractured anatomy of melancholy that includes critical reflections on the likes of Roland Barthes, Louise Bourgeois, Henry Darger, Theresa Hak Kyung Cha, Peter Handke, and others. Zambreno has modeled the book’s formless form on Bourgeois’s Cells sculptures–at once channeling the volatility of autobiography, pain, and childhood, yet hemmed by a solemn sense of entering ritualistic or sacred space.

Neither memoir, essay, nor poetry, Book of Mutter is an uncategorizable text that draws upon a repertoire of genres to write into and against silence. It is a haunted text, an accumulative archive of myth and memory that seeks its own undoing, driven by crossed desires to resurrect and exorcise the past. Zambreno weaves a complex web of associations, relics, and references, elevating the prosaic scrapbook into a strange and intimate postmortem/postmodern theater

16.00 EUR

Born in Flames

Author: Lizzie Borden, Kaisa Lassinaro (ed.)
Title: Born in Flames
Publisher: Occassional Papers
Subject: Artists' Books
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Born in Flames – the publication – is the complete authorised graphic translation of Lizzie Borden’s mythical 1983 film ‘Born in Flames’. Kaisa Lassinaro’s post-facto screenplay captures all the political energy and visual brilliance of Borden’s film, which describes a futuristic society (eerily similar to our own) where the achievements of a past revolution are threatened by reactionary sexist forces. The film suggests various modes of female resistance – from armed struggle to intellectual opposition – without endorsing one strategy over another. The published version of Born in Flames allows for a frame-by-frame analysis of the film’s complex plot and soundtrack, with songs by The Bloods and Red Crayola. Included is an interview with Borden conducted by Lassinaro, in which the filmmaker looks back on the making of the film in late 70s/early 80s New York.

9.00 EUR

I Can't Work Like This

Author: Joanna Warsza (ed.)
Title: I Can't Work Like This. A Reader on Recent Boycotts and Contemporary Art
Publisher: Sternberg Press, Salzburg International Summer Academy for Fine Arts
Subject: Essays & Non-Fiction, Theory & Philosophy, Art History

In recent years, artists and curators have often been confronted with the political dilemma of engagement or disengagement. The ideological, economic, or ethically objectionable circumstances of certain biennials and art exhibitions have raised the question of whether to continue and, if so, under what circumstances, with what consequences, and to what ends? From 2013 to 2015, biennials in Istanbul, St. Petersburg, Sydney, and Sao Paulo demonstrated that curating and art production can’t just carry on as if nothing had happened.

Contributions by Corina L. Apostol, Julieta Aranda, Burak Arikan, Dave Beech, Boris Buden, Brad Butler & Karen Mirza, Libia Castro & Olafur Olafsson, Tony Chakar, Chto Delat?, Ekaterina Degot, Galit Eilat, Charles Esche, Lara Fresko, Maria Galindo, Erdem Gunduz, Thomas Hirschhorn, Clara Ianni, Alevtina Kakhidze, Matthew Kiem, Kasper Konig, Vasif Kortun, Maria Kulikovska, Pablo Lafuente, Ana Lira, Vesna Madžoski, Angela Mitropoulos, Ahmet Ogut, Andrea Phillips, Natascha Sadr Haghighian, Christoph Schafer, Gregory Sholette, Jonas Staal, Hito Steyerl, Chen Tamir, Nato Thompson, Gabrielle de Vietri, Dmitry Vilensky, Joanna Warsza, Tirdad Zolghadr

20.00 EUR

The Alphabet Book

Author: Eric Metcalfe, Gary Lee Nova, Glenn Lewis, and Paul Oberst
Title: The Alphabet Book
Publisher: Kunstverein Amsterdam
Subject: Artists' Books, Graphic Design

In 1971, Michael Morris and Vincent Tarsov, founders of the Vancouver based artist network, Image Bank, invited Eric Metcalfe, Gary Lee Nova, Glenn Lewis, and Paul Oberst to create their own, unique alphabet. Now, 40 years later, with the permission of the participating artists and the help of Image Bank, these historic silk-screened alphabets have finally been published together. 'The Alphabet Book' is designed by Marc Hollenstein, who was inspired to re-initiate the alphabet publication project after having a conversation with Glenn Lewis during the opening of Lewis’ retrospective exhibition at Kunstverein back in 2014.

20.00 EUR

365 Days of Invisible Work

Author:  Werker
Title: 365 Days of Invisible Work
Publisher: Spector Books, Casco
Subject: Artists' Books

365 Days of Invisible Work contains 365 images collected and compiled by the Domestic Worker Photographer Network. Members of this open network took photographs of themselves and others as gardeners, dishwashers, domestic workers, mothers, interns, artists, and as (illegal) migrants, generating a collective and political representation of domestic space. 
365 Days of Invisible Work depicts a critical view of domestic work and work at home, as seen through the eyes of contemporary amateur photographers.

365 Days of Invisible Work is the third edition of the Werker Magazine series initiated by the founders of the Werker Collective, Marc Roig Blesa and Rogier Delfos. It was conceived as part of the Grand Domestic Revolution, a 'living research' project by Casco – Office for Art, Design and Theory, Utrecht, that ran from 2009/10–12. The Werker Collective’s practice is inspired by the Worker Photography Movement of the 1920s and 1930s. Far from having a rhetorical approach, it looks into ways of reactivating the movement’s working methodologies, based on self-representation, self-publishing, image analysis, and collective learning processes.

20.00 EUR

Extra Extra 11

 

Turn your senses upside down. Extra Extra’s issue 11 transforms a tender gesture into a dance of stirring desire. Seeing bodies as monsters, Lucrecia Martel talks about unruly desires, suffering, and the geography of the body on the left bank of the Paraguay river in a candid talk with with Manuel Betancourt. The light of Tim Etchells’ neon signs flickers in Samuel Saelemakers’ head. Together they talk about the eroticism of semantic, phone sex, and ventriquolism. Anicka Yi’s conversation with Rosa de Graaf has a flavour that can spur longing, form sense memories, and reconfigure the sensuous politics of taste. QUINN LATIMER wonders how to live in another body by unmasking the erotic relationship between the performer and the audience. Out of sight, Fatos Ustek elaborates an exciting reading of Alain Badiou’s In Praise of Love in the essay titled Event Horizon. Cruising for discretion, Richard John Jones unravels the history of poppers, shares glimpses of Vito Acconci, amongst other provocative sparks. Nathalie Hartjes imagines the unnamed archetypal city inspired by the pathways and crevices of the Extra Extra archive. The sultry sound of the Paris suburbs by Tshegue uplifts our bodies beyond the fusion of vivid afros rhythm, garage rock, electro trance, and club-culture music. Through the eyes of ADOMAS NARKEVIČIUS ❤️, we witness the breakthrough of the hidden sensuality of VILNIUSand its liberation from the constraints of the past.

 

15.00 EUR

In Part: Writings by Julie Ault

Author: Julie Ault
Title: In Part: Writings by Julie Ault
Publisher: Dancing Foxes Press, Galerie Buhholz
Subject:  Essays & Non-fiction, Artists' Writings
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Introduction by Lucy R. Lippard*

Spanning more than three decades, this book brings together a full spectrum of the artist, writer, and activist’s published texts through carefully selected extracts in a singular volume. Reprinted in sequence alongside a selection of full-length texts, this series of excerpts contours a chronology that relates Ault’s continuous artistic growth, longstanding political concerns, and dynamic interpersonal affinities. Beginning in the 1980s with texts written with her collaborators in Group Material, In Part highlights Ault’s shift from exhibition making in the mid-1990s to include publishing and writing. Ault’s dialogic practice, extends to the present day through her sustained engagements and relationships with such artists as Corita Kent, Felix Gonzalez-Torres, Nancy Spero, and Martin Wong. - Dancing Foxes Press

31.00 EUR

Is It My Body? Selected Texts

Authors: Kim Gordon, Brandon W. Joseph (ed.)
Title: Is It Mu Body? Selected Texts
Publisher: Sternberg Press
Subject: Essays & Non-fiction, Artists' Writings

Throughout the 1980s and early ’90s, Kim Gordon—widely known as a founding member of the influential band Sonic Youth—produced a series of writings on art and music. Ranging from neo-Conceptual artworks to broader forms of cultural criticism, these rare texts are brought together in this volume for the first time, placing Gordon’s writing within the context of the artist-critics of her generation, including Mike Kelley, John Miller, and Dan Graham. In addressing key stakes within contemporary art, architecture, music, and the performance of male and female gender roles, Gordon provides a prescient analysis of such figures as Kelley, Glenn Branca, Rhys Chatham, Tony Oursler, and Raymond Pettibon, in addition to reflecting on her own position as a woman on stage. The result—Is It My Body?—is a collection that feels as timely now as when it was written. This volume additionally features a conversation between Gordon and Jutta Koether, in which they discuss their collaborations in art, music, and performance. 

15.00 EUR

Georgia Sagri

Authors:  Christina Lehnert, Philippe Pirotte (eds.)
Title: GEORGIA SAGRI GEORGIA SAGRI and I
Publisher: Sternberg Press
Subject: Exhibition Catalogue, Monographs
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As her first comprehensive publication, this catalogue surveys the multi-facetted oeuvre of the Greek artist Georgia Sagri. As the title of this book suggests, the staged objects Sagri produces are doubled modules, where each I or self can be 'cross-eyed.' This effect, often produced theatrically, reorders the collective gaze to be subverted through a 'catastrophe of emotions.' Across performance, video work, and sculpture, Sagri navigates the murky relationships between the artist’s body and her body of work, subjectivity and persona, original and reproduction with equal parts humor and severity.

Collected in this catalogue is both current documentation of Sagri’s work and rich archival material since 1999; together they are juxtaposed against essays by Sotirios Bahtsetzis, Daniel Horn, Ruba Katrib, Christina Lehnert, Diego Singh and Stephen Squibb, an interview conducted with Silvia Federici, and a conversation between the artist, Bettina Funcke, and John Kelsey.

A founding organizer of the Occupy Wall Street movement, Georgia Sagri’s social activism (alongside her artistic activities) dates back to 1997, when she was a member of the Void Network in Athens. Sagri has organized the perambulatory curatorial project Saloon and the audio-only magazine Forte since 2009. In 2013 she initiated the semi-public and semi-personal space Ύλη[matter]HYLE in Athens, with the mission to develop a new model for the contemporary work-life structure. She has exhibited and participated in documenta 14 (2017), Manifesta 11 (2016), Istanbul Biennial (2015), La biennale de Lyon (2013), Whitney Biennial (2012), Thessaloniki Biennale (2011), and the Athens Biennale (2007).

24.00 EUR

Sundry Modernism

Author: Oraib Toukan
Title: Sundry Modernism. Materials for Study of Palestinian Modernism
Publisher: Sternberg Press
Subject: Architecture, Artists' Books
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With Sundry Modernism, Oraib Toukan presents an informal register of modernist Palestinian architecture—an assemblage of images and stories collected from 2013 to 2015 in the cities of Nablus, Ramallah, Jerusalem, Bethlehem, and Jericho. Using her photographs as conversation prompts with various residents, historians, and architects, Toukan places the anecdotes collected thereby into political and historical context, weaving together narrative and critique. Sundry Modernism sets out to be a gesture, a nod, a salutation to, and a critique of, the lines and angles of Palestinian modernism. It is a provocation on the act of looking, and, in particular, it is a proposal for reading apolitical forms in politicized contexts.


Oraib Toukan is an artist and Clarendon Scholar at the Ruskin School of Art, University of Oxford. This bilingual English and Arabic publication follows Toukan’s participation in the 5th Riwaq Biennale (2014–16), and has been produced with support from Mophradat.

15.00 EUR

Of Mongrelitude

Author: Julian Talamantez Brolaski
Title: Of Mongrelitude
Publisher: Wave Books
Subject: Literature & Poetry
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Finalist for the 2018 Lambda Literary Award for Transgender Poetry

Of Mongrelitude is a colloquy on the mongrel body, textual and actual, sexual, specieal, and racial. Composed in a hybrid style, it makes the argument that everything can and does come into ‘englyssh’: ancient and invented languages, european and indigenous, tongues not yet named. All of this ‘made up as medicine’, as ceremony for all creatures, as literal song.

16.00 EUR

Even the Dead Rise Up

Author: Francis McKee
Title: Even the Dead Rise Up
Publisher: Bookworks
Subject: Literature

Even the Dead Rise Up, and the political becomes personal. In McKee’s first novel, observations of seances, scientific advances, group education outings, Kurdish protests for the ‘disappeared’, become mixed with his own Tarot influenced visions: a haunting spirit appears; the relation between political resistance and Spiritualism is cast as an insurrectionary force and a millenarian energy, celebrating the ecstatic moment. Histories of isolated early Christians and twentieth century mystics affect the psyche, all of this documented through journal entries that move from Scottish islands to Puerto Rico. Influenced by forms of 1960s new journalism, McKee pushes language to match the raw material of the stories, which become more erratic, signalling the looming fate of the text and its author.

Francis McKee is an Irish writer and curator working in Glasgow. He is Director since 2006 of the CCA, Glasgow, and a lecturer and research fellow at Glasgow School of Art. Since 2011 he has been working as lead researcher on an AHRC research project – The Glasgow Miracle: Materials Towards Alternative Histories. He curated the Scottish participation at the Venice Biennale with Kay Pallister in 2003, and has written and co-published extensively on the work of artists linked to Glasgow. Previously, McKee worked as an historian of medicine for the Wellcome Trust.

12.00 EUR

SCB t-shirts

Hello reader, your bookstore's merchandise. Design by Gailė Pranckūnaitė (logo) and Inga Navickaitė (t-shirts)! 

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25.00 EUR

Writings, Conversations, Scripts

Author: Ane Hjort Guttu
Title: Writings, Conversations, Scripts
Publisher: Sternberg Press
Subject: Monographs, Artists' Writings

Writings, Conversations, Scripts is the first survey of text works by Ane Hjort Guttu. Written between 2003 and 2018, the texts range from public statements, poetic short prose, and film scripts to reflections on the role of the artist and essays on art for children. With a special focus on the significance of 'image-text constellations,' this anthology, edited by Rike Frank and designed by HIT, suggests connections between artistic writing and curatorial publishing.

25.00 EUR

On Writing a Literary History of the Contemporary, or What is, or was, "the Contemporary," and should we keep calling it that?

Author: Margaret-Anne Hutton
Title: On Writing a Literary History of the Contemporary, or What is, or was, "the Contemporary,” and should we keep calling it that?
Publisher: Sternberg Press, Aarhus University, ARoS Art Museum
Subject: Essays & Non-fiction, Theory & Philosophy
Stock: ✔ 

'The contemporary' is an established term in a range of scholarly and disciplinary discourses, but what does it mean? Interweaving sections drawn from an (apparently) hypothetical and oxymoronic project—the writing of a literary history of 'the contemporary'—with a critical analysis of the term(s) 'the contemporary' and 'contemporary' in the work of a range of theorists, Margaret-Anne Hutton sets out to expose the inconsistencies and ambiguities in its terminological usage, and to unpick some of the knots which bind the substantive and adjective. How can '(the) contemporary' function as a critical term, and how might we map its history?

8.00 EUR

Hegel after Occupy

Author: Mikkel Bolt Rasmussen
Title: Hegel after Occupy
Publisher: Sternberg Press, Aarhus University, ARoS Art Museum
Subject: Essays & Non-fiction, Theory & Philosophy
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Hegel after Occupy is a Western Marxist analysis of different attempts to understand the present historical situation and the way theories of postmodernity, globalization, and contemporaneity implicitly or explicitly conceptualize the relationship between the historical present and political action. They all persuasively describe a breakdown of former historical categories but paradoxically end up understanding this breakdown as the end of politics tout court. Analysis and 'position' thus merge, and the analytic diagnosis of a disavowal of the future (and the past) ends up as a disavowal of politics.

8.00 EUR

I am Built Inside You

Authors: Julia Grosse, Elke aus dem Moore, Yvette Mutumba (eds.)
Title: I am Built Inside You (C&)
Publisher: Sternberg Press, Contemporary And (C&), ifa Institut für Auslandsbeziehungen
Subject: Essays & Non-Fiction
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Over the past four years, the art magazine Contemporary And (C&) has called attention to exhibitions, artists, and curators from diverse African perspectives while boosting new areas of debate. I am built inside youC&’s first book, is a compilation of eighteen pieces published since the magazine was launched in 2013. The point of departure is a conversation with the great South African artist Helen Sebidi that took place on the occasion of the 32rd São Paulo Biennial in 2016. The volume collects significant pieces from the C& archive that expand upon and contextualize Sebidi’s concepts of home, history, and spirituality. Included as well are interviews with emerging South African artist Tabita Rezaire; Senga Nengudi, artist and core member of the African-American avant-garde in 1970s and ’80s Los Angeles; Thelma Golden, legendary director of the Studio Museum in Harlem; and pathbreaking academic Walter Mignolo.

Contributions by Naomi Beckwith, Clare Davies, Aïcha Diallo, Gabriele Genge, Thelma Golden, Gugulective, Elsa Guily, EJ Hill, Euridice Kala, Basia Lewandowska Cummings, Youssef Limoud, Misheck Masamvu, Walther Mignolo, Patrick Mudekereza, Senga Nengudi, Gabi Ngcobo, An Paenhuysen, Thiago de Paula Souza, Adriana Quinones León, Luciane Ramos-Silva, Tabita Rezaire, Magnus Rosengarten, Sidney Santiago Kuanza, Helen Sebidi, Lucelia Sergio, Olufemi Terry, Wana Udobang

19.00 EUR

Cosey Complex

Author: Maria Fusco & Richard Birkett (eds.)
Title: Cosey Complex
Publisher: Koenig Books
Subject: Monographs
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A major new publication shifting Cosey Fanni Tutti from noun to verb.
This book is the first major publication discussing and theorising Cosey as methodology. Contributors include: Martin Bax, Gerard Byrne, Daniela Cascella, Lili Reynaud-Dewar, Diedrich Diederichsen, Graham Duff, Anthony Elms, Chris Kraus, Patricia MacCormack, Clunie Reid, Rob Stone, Corin Sworn and Cosey Fanni Tutti. Designed by Zak Kyes.

28.00 EUR

Ellen Cantor. A history of the world as it become known to me

Authors: Lia Gangitano, Fatima Hellberg, Jamie Stevens (eds.)
Title: Ellen Cantor. A history of the world as it become known to me.
Publisher: Sternberg Press, Kunstlerhaus Stuttgart, Participant Inc., CCA Wattis Institute for Contemporary Arts
Subject: Monographs, Artists' Writings
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Contributions by Dodie Bellamy, Jonathan Berger, John Brattin, Ellen Cantor, Lia Gangitano, Cy Gavin, Joseph Grigely, Clara Lopez Menendez, John Maybury

Ellen Cantor (1961–2013) combined ready-made materials with diaristic notes and drawings to probe her perceptions and experiences of personal desire and institutional violence. This book is concerned with, and a document of, Cantor’s work through the lens of Pinochet Porn (2008–16) and its making—an epic experimental film embodying and radically extending her multifaceted artistic practice. Taking the form of an episodic narrative about five children growing up under the regime of General Augusto Pinochet in Chile, and shot between her dual hometowns of London and New York, history is observed through Cantor’s fictive speculations on private experience within a totalizing political order. A history of the world as it has become known to me brings together writings and archival materials of Cantor’s, including a reproduction in full of her drawing-based script Circus Lives from Hell (2004), alongside contributions by writers, artists, collaborators, and friends reflecting on Cantor’s practice, Pinochet Porn, and a singularly transgressive vision: explicitly feminist, remorselessly emotional, dramatic in tone, and, as Cantor herself liked to put it, adult in subject matter.

26.00 EUR

OKEANOS

Authors: Daniela Zyman, Cory Scozzar (eds.)
Title: Allan Sekula. OKEANOS
Publisher: Sternberg Press, Fundació Antoni Tàpies (Barcelona), Thyssen-Bornemisza Art Contemporary (Vienna)
Subject: Monographs
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Contributions by Nabil Ahmed, Keller Easterling, Carles Guerra Rojas, Celina Jeffery, Laleh Khalili, Rosa Lleó, Gabriele Mackert, Jegan Vincent de Paul, Filipa Ramos, Cory Scozzari, Allan Sekula, Sally Stein, Philip Steinberg, Daniela Zyman

This publication intersperses essays from scholars, historians, and thinkers with a selection of Allan Sekula’s seminal texts and excerpts from his private notebooks. The title is a reference to Okeanos—son of Gaia, the Greek goddess of the earth—who ruled over the oceans and water. Made and written across the decades, Sekula’s sketches and texts focus on maritime space and the material, economic, and ecological implications of globalization. In projects such as his magnum opus Fish Story (1989–95), or films like Lottery of the Sea (2006) and The Forgotten Space (2010), Sekula provided a view from and of the sea. This publication expands on these oceanic themes, seeking to honor the scope and complexity of the late artist-theorist’s work, and situate his ideas in current political, social, and environmental discourses. 

29.00 EUR

Bas Jan Ader: Discovery File 143/76

Author: Marion van Wijk and Koos Dalstra (eds.)
Publisher: New Documents
Subject: Monographs, Artists' Books
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In 1976, Bas Jan Ader’s boat, the Ocean Wave, was found unmanned and partially submerged 150 miles off the coast of Ireland by a Spanish fishing vessel. The Dutch artist’s boat was taken to La Coruna for investigation. Days later, the boat was stolen and the cult of Ader, whose body was never recovered, was truly cemented. In this volume, artists Marion van Wijk and Koos Dalstra, compile ten years of research into this unsolved mystery. The Spanish police report documenting the theft is reproduced in facsimile alongside a translation into English, many pages of additional documentation, and the transcriptions of interviews produced during the editors’ investigations.

45.00 EUR

What’s Love (or Care, Intimacy, Warmth, Affection) Got to Do with It?

Authors: Julieta Aranda, Brian Kuan Wood, Stephen Squibb, Anton Vidokle (eds.)
Title: What's Love (or Care, Intimacy, Warmth, Affection) Got to Do with It?
Publisher: Sternberg Press
Subject: Essays & Non-Fiction, Theory & Philosophy

With contributions by Paul Chan, Keti Chukhrov, Cluster, Antke Engel, Hu Fang, Brian Kuan Wood, Lee Mackinnon, Chus Martínez, Tavi Meraud, Fred Moten and Stefano Harney, Elizabeth A. Povinelli and Kim Turcot DiFruscia, Paul B. Preciado, Martha Rosler, Virginia Solomon, Jalal Toufic, Jan Verwoert, Slavoj Žižek

It is often said that we no longer have an addressee for our political demands. But that’s not true. We have each other. What we can no longer get from the state, the party, the union, the boss, we ask for from one another. And we provide. Lacan famously defined love as giving something you don’t have to someone who doesn’t want it. But love is more than a YouTube link or a URL. Love’s joy is not to be found in fulfillment, it is to be found in recognition: even though I can never return what was taken away from you, I may be the only person alive who knows what it is.

18.00 EUR

The School of Public Life: Doormats No. 4

Author: Fred Dewey
Title: The School of Public Life
Publisher: Errant Bodies, Doormats Series
Subject: Theory & Philosophy
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Drawing on two decades of interventions in politics and culture, Fred Dewey's The School of Public Life records the author's efforts to revive and rethink public space from Los Angeles to Berlin and beyond. Drawing on manifestoes, lectures, letters and experimental texts, the book chronicles one person's efforts to secure a space for public reality, culture, appearance and power. From helping to found neighborhood councils in Los Angeles to directing Beyond Baroque, a public space for poetry, art, sound work, publishing and debate, featuring discussions of the 1992 LA riots, Black Mountain College and the Montgomery Bus Boycott, Dewey recounts a lived experience of self-government face to face with the rise of manufactured reality and an unknown political history. How can we answer the falsehoods of economics, parties and a new slavery of constructed powerlessness? Working from the examples of Hannah Arendt, poet Charles Olson, writer John Berger, Rosa Parks, Martin Luther King, Jr. and others, Dewey's account of life experiences and thinking, public gesture proposes a new kind of school, one powerful enough to address all our conditions-a school for the people and their life.

12.00 EUR

School: A Recent History of Self-Organized Art Education

Authors: Sam Thorne (ed.)
Title: School: A Recent History of Self-Organized Art Education
Publisher: Sternberg Press
Subject: Essays & Non-fiction, Theory & Philosophy
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Contributions by Bik Van der Pol, Bruce High Quality Foundation University, Tania Bruguera, Chto Delat?, Sean Dockray, Olafur Eliasson, Ryan Gander, Piero Golia, Fritz Haeg, Pablo Helguera, Jakob Jakobsen, Ahmet Oğuut, Yoshua Okon, Open School East, RUPERT (!), Wael Shawky, Tina Sherwell, Bisi Silva, Christine Tohme, Anton Vidokle

Sam Thorne’s School: A Recent History of Self-Organized Art Education is a chronicle of self-organized art schools and artist-run education platforms that have emerged since 2000. Comprising a series of twenty conversations conducted by Thorne with the artists, curators, and educators behind these schools, the book maps a territory at once fertile and contested. Spanning projects in London, Lagos, Los Angeles, Mexico City, Ramallah, Berlin, and Saint Petersburg, among other locations, these critical dialogues respond to spiraling student debt, the MFA system, and the 'pedagogical turn,' while offering proposals for the future of art education.

24.00 EUR

The Incidents. Abstract from the Concrete

Author: David Harvey
Title:  Abstract from the Concrete
Publisher: Sternberg Press, Harvard University Graduate School of Design
Subject: Essays & Non-fiction
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Edited by Jennifer Sigler and Leah Whitman-SalkinFeaturing an interview with David Harvey by Mariano Gomez Luque and Daniel Ibanez

Marxist geographer David Harvey opened his lecture with a fact: between 2011 and 2013 China consumed 50 percent more cement than the United States had in the entire twentieth century. In Abstract from the Concrete, he asks why. Spiraling outward—geographically and materially—Harvey travels from the building industry in China to the foreclosed housing market in the United States to the automobile industry in Sao Paolo and back again. The why emerges as a direct result of 'anti-value,' of capital in crisis—intrinsic, he contends, to capital and capital cities today. 

 

12.00 EUR

You Can Call Him Another Man

Author:   Maria Kapajeva
Title: You Can Call Him Another Man
Publisher:  Kaunas Photography Gallery
Subject: Artists' Books
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This summer the first artist book of Maria Kapajeva ‘You can call him another man’ was published in collaboration with Kaunas Photography Gallery and partial support by Estonian Cultural Endowment. The project started with a box of negatives the artist found at her parents’ house a few years ago. There were about 200 processed and unprocessed films, shot by her father. Kapajeva excavated their contents, delving deeper into the lost images of the father’s life, to create her own stories by using these photographs he took before his marriage to artist's mother and her birth. She let herself enter into the world of a young man she  never knew, and find connections in what possibly cannot be connected being inspired by Italo Calvino’s words from his novel ‘If on a winter’s night a traveller’.

Shortlisted for the 2018 PhotoBook Awards (First PhotoBook category)

30.00 EUR

Animal Books For/ Dierenboeken Voor Jaap Zeno Anna Julian Luca

Author: Lous Martens
Title: Animal Books For / Dierenboeken Voor Jaap Zeno Anna Julian Luca
Publisher: Roma Publications
Subject: Artists' Books, Kids

LOUS MARTENS: 'Seventeen years ago our grandson Jaap was born. That was the start of an animal book for Jaap. I used a dummy for the OASE journal of architecture and loosely pasted in pictures of animals that I had clipped from newspapers and magazines about art, literature and science. Plus stamps and photos from advertising brochures. Then Zeno was born and the same thing happened: an animal book for Zeno. Now I was working on two books at once. Then came Anna. Julian. Luca. At this point, there were five books-in-the-making on the table. And none of those five are finished yet. The children, as well as myself, enjoy seeing the small, ever-evolving changes. The additions. These books were never intended for the outside world where I had found all the pictures. Never intended to be published. Now they lie here, grouped into one big book, because others have convinced me it’s what they deserve.' - Roma Publications

34.00 EUR

Diagram of Historical Development of Fluxus and Other 4 Dimentional, Aural, Optic, Olfactory, Epithelial, and Tactile Art Forms

Author: George Maciunas
Title: Diagram of Historical Development of Fluxus and Other 4 Dimensional, Aural, Optic, Olfactory, Epithelial, and Tactile Art Forms
Publisher: Primary Information
Subject: Artists' Writings

George Maciunas’ Diagram of Historical Development of Fluxus and Other 4 Dimentional, Aural, Optic, Olfactory, Epithelial and Tactile Art Forms, was released in 1979 in the Swedish magazine Kalejdoskop (Issue 3). This issue of the magazine consisted of three versions of Fluxus, one being Maciunas’ historical diagram and the others being two essays (one in English and one in Swedish) summarizing the movement by Mats B. on the poster’s sleeve. Primary Information’s edition recreates all three as they originally appeared in 1979.

Maciunas’ Diagram of Historical Development outlines the development of Fluxus while situating it within a wider cultural and art historical spectrum, sometimes to humorous effect. The timeline begins with Roman circuses, medieval fairs, and Futurist theater and moves into Dada, Surrealism, and Vaudeville before addressing developing genres like Earth Art and Happenings and finally ending with FLUXGAMES in 1973. Maciunas’ vast outline dedicates a great deal of space to Fluxus activities, detailing both well-known and obscure performances, publications, and artists from 1961 through 1973. 

POSTER & SLEEVE

16.00 EUR

The Metaphysics Of Beer: A Symposium Of Humans And Microorganisms

Author: Vytenis Burokas
Title: The Metaphysics Of Beer. A Symposium Of Humans And Microorganisms
Publisher: &editions
Subject: Artists' Writings

Rather than merely cite and quote his research, the artist stages an increasingly drunken discussion between himself and a crowd of philosophers, scientists, and theoreticians.  In the play, Burokas ventriloquises, and is inhabited by, a strange constellation of characters who have all dealt with the properties of the clinamen in some way, including the philosophers Aristotle, Epicurus, Lucretius, Julia Annas, and Michel Serres, the scientists Henri Poincare and Ilya Prigogine, and the composers and theorists John Rahn and Michel Dellvile, amongst many other voices. (text by Post Brothers)

12.00 EUR

Under the Radar. Underground Zines and Self-Publications 1965-1975

Author: Jan-Frederik Bandel, Annette Gilbert, Tania Prill (eds.)
Title: Under the Radar. Underground Zines and Self-Publicatins 1965-1975
Publisher: Spector Books
Subject: Exhibition  Catalogues, Artists' Books

The mid-1960s witnessed a boom in underground and self-published works in West Germany. Hectographs, mimeographs and offset printing not only allowed for the production of small, low-cost print runs, but also promoted a unique aesthetic. Using wild mock-ups, these messianic amateurs combined typescript aesthetics, handwriting, scribbled drawings, assemblages of collaged visuals, porn photos, snapshots and comic strips, forging a new, wildly free, sensibility in the process. This book is the first to present the underground and self-published works that came out of West Germany in such depth, while also showing the international context in which they emerged – not as an anecdotal history but as an attempt to tap into the aesthetic cosmos of the Do-It-Yourself rebellion. Insomuch, Under the Radar also challenges us to take a new look at the current boom in independent publishing, the risograph aesthetic and more.

38.00 EUR

Desentimental

Author: Inga Navickaitė, Alfredas Drąsutis
Title: Desentimental
Publisher: Self-Published, edition of 30
Subject: Artists' Books
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Desentimental is a photography project which started on 31 December, 2016. The idea for this project came up in an effort to honorably bid farewell to an old and broken sofa which had served different generations and constantly changing tenants for more than 40 years. In a way, it is a relationship documentary. The same shot was taken every day, throughout a year, with the sofa as an unchanging part that only rotates several times. Other constants are the sheets and me who naturally changes poses in different photos and performs a certain choreography. This project is an intimate trace of a relationship and a way to 'desentimentalize' the object which has witnessed so many important moments

45.00 EUR

Calamities

Author: Renee Gladman
Title: Calamities
Publisher: Wave Books
Subject: Literature & Poetry, Essays & Non-fiction
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WINNER of the 2017 Firecracker Award for Nonfiction from the Community of Literary Magazines and Presses (CLMP)

Reading Calamities is incantational. The reading experience is one drenched in the constant feeling of ignition and obstruction. Calamities at once demands and inhibits; it solicits and perturbs. It frustrates and tickles. And it reminds us, most forcefully, that narrative is erotically phenomenological. (Prathna Lor, Jacket2)

A collection of linked essays concerned with the life and mind of the writer by one of the most original voices in contemporary literature. Each essay takes a day as its point of inquiry, observing the body as it moves through time, architecture, and space, gradually demanding a new logic and level of consciousness from the narrator and reader.

15.00 EUR

The Great Outdoors

Author: Monika Kalinauskaitė, Monika Janulevičiūtė
Title: The Great Outdoors
Publisher: TLTRPress
Subject: Literature & Poetry, Artists' Books
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written by Monika Kalinauskaitė, illustrated and designed by Monika Janulevičiūtė


It’s 2017 and your life ISN’T a clusterfuck? Grow the fuck up. Though it’s often cloaked in reticence, the distance between what we want and what we’re offered is unravelling at the seams. Our fail-safes are falling apart. Our bodies are willed into cosmic orgies of fate, time, chance, and cum bubbles. Our universe is collapsing.  It’s no time for shyness—we need all hands on dick. What will happen when we bare it all in the open for everyone to see: our loves, our legs, and our late-night dirty texts, dirty secrets, and dirty pants? There’s a world busting open like a nut: Welcome to the Great Outdoors. ― Nathan Beyonce Ma

www.thegreatoutdoors.121.lt

12.00 EUR

Distributed

Author: David Blamey, Brad Haylock (eds.)
Title: Distributed
Publisher: Open Editions
Subject: Theory & Philosophy
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This new volume in the Occasional Table series of critical anthologies focusses attention on the act of distribution as a subject for serious creative consideration and one of great social and economic importance. Contributors from a variety of backgrounds paint a big picture that embraces the actions of the individual along-side the workings of global markets. From the attention-seeking impulse of the poseur to the democratisation of art and knowledge through books, digital networks, pop music and self-organised libraries, and to the question of what can be known and by whom, the urge to disseminate is explored here as an elemental phenomenon of our time.

Contributions by Ahmed Ansari, Stuart Bertolotti-Bailey, Justin Clemens, Alex Coles, Jonathan Lindley, Neil Cummings, Arnaud Desjardin, Markus Miessen, Bille Muraben, Patricia Reed, Adrian Shaughnessy, Freek Lomme, Eva Weinmayr et al.

25.00 EUR

Whites, Jews And Us. Towards A Politics of Revolutionary Love

Author: Houria Bouteldja
Title: Whites, Jews and Us. Toward a Politics of Revolutionary Love
Publisher: Semiotext(e)
Subject: Theory & Philosophy

Why am I writing this book? Because I share Gramsci's anxiety: 'The old are dying and the new cannot be born; in this interregnum a great variety of morbid symptoms appear.' The fascist monster, born in the entrails of Western modernity. Of course, the West is not what it used to be. Hence my question: what can we offer white people in exchange for their decline and for the wars that will ensue? There is only one answer: peace. There is only one way: revolutionary love.

With Whites, Jews, and Us, Houria Bouteldja launches a scathing critique of the European Left from an indigenous anti-colonial perspective, reflecting on Frantz Fanon's political legacy, the republican pact, the Shoah, the creation of Israel, feminism, and the fate of postcolonial immigration in the West in the age of rising anti-immigrant populism. Drawing upon such prominent voices as James Baldwin, Malcolm X, and Jean Genet, she issues a polemical call for a militant anti-racism grounded in the concept of revolutionary love.

14.00 EUR

A Slow, Contemporary Violence: Damaged Environments of Technological Culture

Author:  Jussi Parikka
Title:  A Slow, Contemporary Violence: Damaged Environments of Technological Culture (The Contemporary Condition)
Publisher: Sternberg Press
Subject: Essays & Non-fiction, Theory & Philosophy
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The contemporary moment is comprised of many overlapping speeds, rhythms, and periods of time. A central theme of Jussi Parikka’s book concerns slowness instead of acceleration: a different sort of a temporal horizon in order to understand some of the environmental temporalities that media and technological arts are involved in. This is approached through art and design practices that unfold this multiplicity of time, closely entwined with contemporary concerns in aesthetic theory, to understand and engage with the planetary time scales of slow environmental violence. 

8.00 EUR

The Long 80s

Author: Nick Aikens, Teresa Grandes, Nav Haq, Beatriz Herraez, Nataša Petrešin-Bachelez (eds.)
Title: The Long 80s. Constellations of Art, Politics, and Identities: A Collection of Microhistories
Publisher: Valiz
Subject: Theory & Philosophy, Art History
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The 1980s triggered a fundamental reorientation in the relationship between governments and their publics, in turn shaping the imaginative landscape of the 21st century. Art and culture played a central role in responding to, pre-empting, and articulating these changes. Although globalisation has produced greater inequality and mixed economic results, it has also permitted the emergence of new regional cultural and activist networks, along with the possibility of a new global or transnational culture. How the effects of this shift have impacted our contemporary condition is told in diverse microhistories which compare very different geopolitical situations in Europe and beyond.

Contributions by Nick Aikens, Henry Andersen, Zdenka Badovinac, Barıs Gencer Baykan, Cristina Camara Bello, Hakim Bey, Manuel Borja-Villel, Rosi Braidotti, Boris Buden, Jesus Carrillo, Bojana Cvejić, Luc Deleu, Ayşe Düzkan, Diedrich Diederichsen, Nazım Hikmet Richard Dikbaş, Corinne Diserens, Merve Elveren, Charles Esche, Marcelo Expósito, Božidar Flajšman, Annie Fletcher, Diana Franssen, June Givanni, Lisa Godson, Teresa Grandas, Nav Haq, Beatriz Herraez, Lubaina Himid, Lola Hinojosa, Antony Hudek, Tea Hvala, Gal Kirn, Neža Kogovšek Šalamon, Anders Kreuger, Elisabeth Lebovici, Rogelio López Cuenca, Geert Lovink, Amna Malik, Pablo Martínez, Lourdes Mendez, Aleš Mendiževec, Ana Mizerit, Alexei Monroe, Meric Oner, Nataša Petrešin-Bachelez, Bojana Piškur, Marta Popivoda, Carlos Prieto del Campo, Pedro G. Romero, Rafael Sanchez Ferlosio, Igor Španjol, Chris Straetling, Erman Ata Uncu, Jelena Vesić, Mar Villaespesa, Vladimir Jerić Vlidi, Ana Vujanovic.

27.50 EUR

The Complete Madame Realism and Other Stories

Author: Lynne Tillman
Title: The Complete Madame Realism and Other Stories
Publisher: Semiotext(e)
Subject: Essays & Non-fiction, Literature & Poetry

The Complete Madame Realism and Other Stories gathers together Lynne Tillman's groundbreaking fiction/essays on culture and places, monuments, artworks, iconic TV shows, and received ideas, written in the third person to record the subtle, ironic, and wry observations of the playful but stern 'Madame Realism.'

Through her use of a fictional character, Tillman devised a new genre of writing that melded fiction and theory, sensation, and critical thought, disseminating her third-person art writer's observations in such magazines as Art in America and in a variety of art exhibition catalogs and artist books. Two decades after the original publication of these texts, her approach to investigation through embodied thought has been wholly absorbed by a new generation of artists and writers. Provocative and wholly pleasurable, Tillman's stories/essays dissect the mundane with alarming precision. As Lydia Davis wrote of her work, 'Our assumptions shift. The every day becomes strange, paradox is embraced, and the unexpected is always around the corner.'

16.00 EUR

The Happy Hypocrite 10 - Tolstoyevsky

Author: Virginija Januškevičiūtė (ed.)
Title: The Happy Hypocrite 10 - Tolstoyevsky
Publisher: Bookworks
Subject: Periodicals 
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‘Tolstoyevsky is not a Russian writer; it is a monster of sorts – a chimera, a composite of two and true to neither one nor a sum. It can make jokes (and threats) fly so fast they skip the funny parts. Here it lends its name to an issue that is about how humour is often not humour, or about how it sometimes doesn’t work, and how half our lives are filled with things that don’t work. Which probably means they work, right?’ – Virginija Januškevičiūtė, from the Outro

The Happy Hypocrite – Tolstoyevsky is, ideally, like a room full of high-spirited people playing a game, trying to do or say some nonsense, folding embarrassment and losses in translation into part of the exchange. The main portion of the journal is made up of responses to an open call; submissions picked up on cues within two short stories: ‘Moles & Mice’ by Candice Lin, and ‘Tolstoyevksy’, written by Virginija Januškevičiūtė about a hospitable man with a house full of books who exclaimed ‘Oh I have read all your Tolstoyevskys!’ when asked what he had read.

With contributions and new work by ateate, David Bernstein, Monika Kalinauskaitė, Zoe Kingsley, Erika Lastovskyte, Michael Lawton, Candice Lin, Elena Narbutaitė, Nick Norton, Kim Schoen, Isabel Waidner, and Jonas Žakaitis. Complemented by old work (images, illustrations) from Pierre Bonnard, Giovanni di Paolo, Felix Vallotton, and Edouard Vuillard.

12.00 EUR

Like a Woman

Author: Quinn Latimer
Title: Like a Woman. Essays, Readings, Poems
Publisher: Sternberg Press
Subject: Essays & Non-fiction, Poetry

Moving from Southern California to central and southern Europe, crossing geographies and genres, Quinn Latimer's texts record specters and realities of culture, migration, and displacement, compounding the vagaries of rhetoric and poetics with those of personal history and criticism. 

Composed in the space between the page and live performance, Latimer’s recent essays and poems collected here examine issues of genealogy and influence, the poverty and privilege of place, architecture’s relationship to language, and feminist economies of writing, reading, and art making. Shifting between written language and live address, between the needs of the internal and the external voice, Like a Woman retrieves the refrain, the litany, and the chorus, exploring their serial ecstasies and political possibilities.

20.00 EUR

The Baltic Atlas

Authors: Kārlis Bērziņš, Jurga Daubaraitė, Petras Išora, Ona Lozuraitytė, Niklāvs Paegle, Dagnija Smilga, Johan Tali, Laila Zariņa, Jonas Žukauskas  (eds.)
Title: The Baltic Atlas
Publisher: Sternberg Press
Subject: Architecture, Essays & Non-fiction

This atlas is a gradient between two questions. The first: 'what is possible to imagine?' focuses on interpretations, fictional stories, analyses, and reflections on the ongoing processes, and proposes future projections. The second: 'what is possible?' is an inquiry into the methods, resources, and parameters that define space.

All texts have been specially written for this publication. Parallel discourses are positioned next to each other—overlaid in an atlas that works in range of different modes. An atlas is a medium that unravels multiple ways of seeing the region of the Baltic States as an intensification of networks, agendas, and ideas that are relevant on a global scale. Along with the Baltic Pavilion exhibition, this publication offers a sense of an open-ended ecology of practices—a forum on what is to come.

Contributions by Åbäke, Indrek Allmann, Reinis Āzis, Viesturs Celmiņš, Nancy Couling, Tom Crosshill, Muriz Djurdjevic, Leonidas Donskis, Jānis Dripe, Keller Easterling, David Grandorge, Felix Hummel, Gustav Kalm, Karolis Kaupinis, Maroš Krivý, Jonathan Lovekin, Carl-Dag Lige, Laura Linsi, Agata Marzecova, Timothy Morton, Kaja Pae, Thomas Paturet, Ljeta Putāne, Eglė Rindzevičiūtė, Markus Schaefer, Jack Self, Nasrine Seraji, Tuomas Toivonen, Nomeda and Gediminas Urbonas, Jānis Ušča, Aro Velmet, Ines Weizman.

30.00 EUR

The Ordinary Man of Cinema

Author: Jean Louis Schefer
Title: The Ordinary Man of Cinema
Publisher: Semiotext(e)
Subject: Theory & Philosophy

When it was first published in French in 1980, The Ordinary Man of Cinema signaled a shift from the French film criticism of the 1960s to a new breed of film philosophy that disregarded the semiotics and post-structuralism of the preceding decades. Schefer describes the schizophrenic subjectivity the cinema offers us: the film as a work projected without memory, viewed by (and thereby lived by) a subject scarred and shaped by memory. The Ordinary Man of Cinema delineates the phenomenology of movie-going and the fleeting, impalpable zone in which an individual’s personal memory confronts the cinema’s ideological images to create a new way of thinking.

It is also a book replete with mummies and vampires, tyrants and prostitutes, murderers and freaks—figures that are fundamental to Schefer’s conception of the cinema, because the worlds that cinema traverses (our worlds, interior and exterior) are worlds of pain, unconscious desire, decay, repressed violence, and the endless mystery of the body. Fear and pleasure breed monsters, and such are what Schefer’s emblematic 'ordinary man' seeks and encounters when engaging in the disordering of the ordinary that the movie theater offers him.

16.00 EUR

Last Seen Entering the Biltmore

Author: Gary Indiana
Title: Last Seen Entering the Biltmore. Plays, Short Fiction, Poems 1975-2010
Publisher: Semiotext(e)
Subject: Literature & Poetry

Before publishing his celebrated first novel, Horse Crazy, in 1987, Gary Indiana wrote and directed twelve plays for an informal company whose performers included the painter Bill Rice, composer Evan Lurie, the poet George-Therese Dickenson, writer and film actress Cookie Mueller, Warhol superstar and painter Viva, writer Victoria Pedersen, singer/actress Sharon Niesp, photographer Allen Frame, the legendary Taylor Mead, novelist Larry Mitchell, and others. Performed at the Mudd Club, Club 57, The Performing Garage, and Bill Rice's E. 3rd Street studio, Indiana's plays offered a kind of community theater for New York's underground.

This volume presents highlights of that repertoire, including Alligator Girls Go to CollegeThe Roman Polanski Story, and Indiana's script for Michel Auder's videofilm A Coupla White Faggots Sitting Around Talking, accompanied by archival performance photographs and selections from Indiana's contemporaneous journals and poems. These hilarious, incisive writings and scripts evoke a vivid and accurate portrait of writers and artists in the lower Manhattan of the 1980s—arguably America's last avant-garde—and anticipates Indiana's impressive subsequent literary career.

16.00 EUR

We Are Here, But Is It Now? (The Submarine Horizons of Contemporaneity)

Author: Raqs Media Collective
Title: The Contemporary Condition: We Are Herem But Is It Now? (The Submarine Horizons of Contemporaneity)
Publisher: Sternberg Press, Aarhus University, ARoS Art Museum 
Subject: Artists' writings, Theory & Philosophy
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It is said that we know more about far-away galaxies than we do about the bottom of the oceans on earth. One could say something similar about our relationship to the future and to the contemporary. The distant future can seem more familiar than the deep present. We know it will come, regardless of whether or not we are around to witness it. Searching for the present is a bit like deep sea diving. How to dive without drowning in the turbulent waters of now? How to find and share sources of illumination in submarine darkness? When to surface and how to ride a strong current? Why stay afloat on the present moment at all? And what to look for while beachcombing the sea-floor of our time? These are some of the questions that Raqs Media Collective address in their account of contemporaneity, guided by a motley collection of figures lost and found in the turbulence of their practice.

8.00 EUR

Visual Pleasure and Narrative Cinema (Rose / Mulvey)

Author:  Rachel Rose
Title: Laura Mulvey: Visual Pleasure and Narrative Cinema
Publisher: Afterall Books
Subject:  Theory & Philosophy, Artists' Writings

Since it first appeared in Screen in 1975, Laura Mulvey's essay ‘Visual Pleasure and Narrative Cinema’ has been an enduring point of reference for artists, film-makers, writers and theorists. Mulvey’s compelling, structured and polemical analysis of visual pleasure has provoked and encouraged others to take positions, challenge pre-conceived ideas and produce new works that owe their possibility to the generative qualities of this key essay.

In this book, the artist Rachel Rose has produced an innovative work that extends and adds to the essay’s frame of reference. Drawing on eighteenth and nineteenth-century fairy tales, and observing that their flat narratives matched the flatness of their depictions, Rose has drawn a connection between what happened in these illustrations before cinema, and what Mulvey describes in her essay – cinema flattening sexuality into visuality. Rose’s intricately layered work, with its mixing of genres and histories, is a complex and playful reformation.

This title is a unique Two Works book: an artist responds to a key text that has informed their understanding of art and its histories.

13.00 EUR

Against the Anthropocene

Author: T.J. Demos
Title: Against the Anthropocene: Visual Culture and the Environment Today
Publisher: Sternberg Press
Subject: Theory & Philosophy
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Addressing the current upswing of attention in the sciences, arts, and humanities to the new proposal that we are in a human-driven epoch called the Anthropocene, this book critically surveys that thesis and points to its limitations. It analyzes contemporary visual culture—popular science websites, remote sensing and SatNav imagery, eco-activist mobilizations, and experimental artistic projects—to consider how the term proposes more than merely a description of objective geological periodization. This book argues that the Anthropocene terminology works ideologically in support of a neoliberal financialization of nature, anthropocentric political economy, and endorsement of geoengineering as the preferred—but likely disastrous—method of approaching climate change. To democratize decisions about the world’s near future, we urgently need to subject the Anthropocene thesis to critical scrutiny and develop creative alternatives in the present.

18.00 EUR

I'm Very into You

Author: Kathy Acker, McKenzie Wark
Title: I'm Very Into You: Correspondence, 1995-1996
Publisher: Semiotext(e)
Subject: Essays & Non-Fiction

'Why am I telling you all this? Partly ‘cause the whole queerness/identity thing for me stretches through everything, absolutely everything. Slipping between straight/gay is child’s play compared to slipping between writer/teacher/influence-peddler whatever. I forget who I am. You reminded me of who I prefer to be.' [M.W.]

'It’s two in the morning. . . I know what you mean about slipping roles: I love it, going high low, power helpless even captive, male female, all over the place, space totally together and brain-sharp, if it wasn’t for play I’d be bored stiff and I think boredom is the emotion I find most unbearable. . . ' [KA]
—from I’m Very into You

13.00 EUR

God, I Don't Even Know Your Name

Author: Andrea Mcginty
Title: God, I Don't Even Know Your Name (New Lovers 3)
Publisher:  Badlands Unlimited
Subject: Literature

Eva is a hot mess. When her promising art career in New York takes a plunge, she enters rehab and finds sobriety-but not peace of mind. She escapes to Europe and loses herself in one hook up after another using Bangly, the newest dating app. She meets a run-of-the-mill Finnish curator and thinks it's love. Or is it just wanderlust?

God, I Don't Even Know Your Name by Andrea McGinty is the third installment of New Lovers, a series of short erotic fiction published by Badlands Unlimited. Inspired by Maurice Girodias' legendary Olympia Press, New Lovers features the raw and uncut writings of authors new to the erotic romance genre. Each story has its own unique take on relationships, intimacy and sex, as well as the complexities that bedevil contemporary life and culture today.

14.00 EUR

Weird Fucks

Author: Lynne Tillman
Title: Weird Fucks
Publisher: New Herring Press
Subject: Literature & Poetry

FICTION. WOMEN'S STUDIES. ART BY AMY SILLMAN. The long out-of-print 1978 novella by the brilliant Lynne Tillman catalogs a series of encounters and relationships spanning the 60s and the 70s. Fucking is involved. So is weird, but in a way that means more than just weird. Think wyrd, like the witch sisters of Macbeth, or already feeling like a ghost, or waiting in a Victorian nightgown on Valium for two months, or knowing more about the cock of the baby alien in your bed than about his face. It's an early work, but already the sentences are classic Lynne Tillman, brutal, funny, concrete, and haunted. This is how WEIRD FUCKS should have always been, alone and beautiful and shiny in the world. The 8 full color artworks by Amy Sillman rub up against the words, and the fine detail and construction make it a pleasurably Weird Fuck to read and hold.

 

18.00 EUR

The Flood of Rights

Author: Thomas Keenan, Suhail Malik, Tirdad Zolghadr (eds.)
Title: The Flood of Rights
Publisher: Sternberg Press
Subject: Essays & Non-Fiction, Theory & Philosophy
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It is difficult to imagine making claims for human rights without using images. For better or worse, images of protest, evidence, and assertion are the lingua franca of struggles for justice today. And they seem to come in a flood, more and more, day and night. But through which channels does the torrent pass? The Flood of Rights examines the pathways through which these images and ideas circulate—routes that do not merely enable, but actually shape human-rights claims and their conceptual background. What are the technologies and languages that structure the global distribution of humanism and universalism, and how do they leave their mark on these ideas themselves? Which narratives and imageries have proven easier to export and import, and whose interests are at stake in the configurations in question? 

Contributions by Amanda Beech, Rony Brauman, David Campbell, Olivia Custer, Rosalyn Deutsche, Thomas Keenan, Eric Kluitenberg, David Levine, Suhail Malik, Sohrab Mohebbi, Sharon Sliwinski, Hito Steyerl, Bernard Stiegler, Tirdad Zolghadr

26.00 EUR

What is Poetry? (Just Kidding, I Know You Know). Interviews from the Poetry Project Newsletter (1983-2009)

Author: Anselm Berrigan (ed.)
Title: What is Poetry? (Just Kidding, I Know You Know). Interviews from the Poetry Project Newsletter (1983-2009)
Publisher: Wave Books
Subject: Literature & Poetry, Essays & Non-Fiction

The Poetry Project at St. Mark’s Church was founded in 1966 for the overlapping circles of poets in the Lower East Side of New York. These interviews from The Poetry Project Newsletter form a kind of conversation over time between some of the late 20th century's most influential poets and artists, who have come together in this legendary venue over the past 50 years. Includes interviews with Charles North, Anne Waldman, Bernadette Mayer, David Rattray, Allen Ginsberg, Kenneth Koch, Harryette Mullen, Barbara Henning, David Henderson, Lisa Jarnot, Alice Notley, Ed Sanders, Samuel Delany, Harry Matthews, Victor Hernandez Cruz, Renee Gladman, Lorenzo Thomas, Fred Moten, Stan Brakhage, Alex Katz, Lewis Warsh, Ron Padgett, Maggie Nelson, Wayne Koestenbaum, Eileen Myles, and more.

22.00 EUR

When is the Digital in Architecture?

Author: Andrew Goodhouse (ed.)
Title: When is the Digital in Architecture?
Publisher: Sternberg Press, Canadian Centre for Architecture
Subject: Architecture, Essays & Non-fiction

When is the digital in architecture? What are the conditions that led architects to integrate digital tools into their practices? Over the course of its research program Archaeology of the Digital, the CCA has collected the archival records of twenty-five projects realized between the late 1980s and the early 2000s in order to understand this period as a point of origin for the digital. But if we take care to identify the digital as a condition that is made possible by the conceptual foundations of digital media and not necessarily by digital media itself, the boundaries of the digital moment—when it began and under what circumstances—become less clear. 

There are eight million stories of the origins of the digital in architecture, and this book brings together fourteen of them. The arguments address specific changes in ways of thinking about architecture, building, and cities, as well as the shifts in technology that resulted from these changes, marking both a capstone of Archaeology of the Digital and the start of an investigation into other beginnings of the digital in architecture.

Contributions by Stan Allen, Phil Bernstein, Nathalie Bredella, Mario Carpo, Wolfgang Ernst, Marco Frascari, Peter Galison, Orit Halpern, Greg Lynn, Antoine Picon, Molly Wright Steenson, Bernard Tschumi, Mark Wigley, Andrew Witt

29.00 EUR

Atelier Bow-Wow with K. Michael Hays: Architectural Ethnography

Authors: Yoshi Tsukamoto, Momoyo Kaijima, K. Michaael Hays
Title: Atelier Bow-Wow with K. Michael Hays: Architectural Ethnography
Publisher: Sternberg Press, Harvard University Graduate School of Design
Subject: Architecture, Essays & Non-fiction
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When Yoshi Tsukamoto and Momoyo Kaijima of the Tokyo-based firm Atelier Bow-Wow arrived at the Harvard University Graduate School of Design as guest professors, in the winter of 2016, they challenged students to deeply consider their surroundings and record their reactions as a large pencil drawing. In this 'public drawing' time is suspended and expanded; futures, presents, and pasts converge; and the act of drawing becomes an instrument of dialogue and engagement.

Tsukamoto and Kaijima later spoke about the project with K. Michael Hays, Eliot Noyes Professor of Architectural Theory at Harvard’s Graduate School of Design, and reflected on representation, occupation, and the democracy of architecture. They unfolded their concept of an 'ecology of livelihood' 
wherein shadowless figures, objects, and spaces coexist with construction details. Explaining their belief in the 'behavioral capacities' of humans, architecture, and nature, Tsukamoto and Kaijima revealed the generosity of spirit in their work, and the importance of pushing such capacities to their most yielding limits.

12.00 EUR

On Continuous and Systematic Nutrition Improvement

Author: Indrė Klimaitė
Title: On Continuous and Systematic Nutrition Improvement
Publisher: Jan van Eyeck Academie
Subject: Artists' Books
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It is a narrative of human culture within a system. It is insider view that lifts sheets to ideology mechanism, it’s propaganda and practice. This publication extends history and itself becomes a plan for tomorrow.

Research itself is based on textual and visual materials collected from Soviet public catering books between 1935 until 1990. Material spans over a broad range of documents, from official sanitation memorandum to archeological photographs, from woman liberation slogans to dishwashing instructions, from technical plans for the classification of potatoes to dinner room schemes, from soviet gastronomy recipes to sanitary norms and measures to fight rodents and microbes. Human life as a never stopping potato washing machine.

20.00 EUR

Spike Art Quarterly #56 - Summer 2018

CULTURE WARS The culture wars are raging. Neoliberalism and right-wing populism have co-opted the critique of the 1960s and turned it against art, science and the democratic public sphere, while the left is consumed by infighting. This issue is about the return to battle, strategies of (dis-)engagement, and the question of what art is capable of in the aftermath of the great weirding.

Along with pieces on Christoph Schlingensief, Sandra Mujinga, Marianna Simnett, new American rappers, and the influence of the right on culture across Europe, Spike #56 features an essay by Alison Gingeras and Jamieson Webster on the failed experiment of Otto Muehl’s commune and what it can tell us about our own time.

9.50 EUR

Decolonizing Nature

Author: T. J. Demos
Title: Decolonizing Nature. Contemporary Art and the Politics of Ecology
Publisher: Sternberg Press
Subject: Theory & Philosophy

While ecology has received little systematic attention within art history, its visibility and significance has grown in relation to the threats of climate change and environmental destruction. By engaging artists’ widespread aesthetic and political engagement with environmental conditions and processes around the globe—and looking at cutting-edge theoretical, political, and cultural developments in the Global South and North—Decolonizing Nature offers a significant, original contribution to the intersecting fields of art history, ecology, visual culture, geography, and environmental politics. Art historian T. J. Demos, author of Return to the Postcolony: Specters of Colonialism in Contemporary Art (2013), considers the creative proposals of artists and activists for ways of life that bring together ecological sustainability, climate justice, and radical democracy, at a time when such creative proposals are urgently needed.

22.00 EUR

The Contemporary Composition

Author:  Terry Smith
Title:  The Contemporary Composition (The Contemporary Condition)
Publisher: Sternberg Press
Subject: Essays & Non-fiction, Theory & Philosophy

Can we speak of composition when we are in a state of unfathomable decomposition? Art being made today defies coherent categorization, and the world presents itself, day after day, as spinning into confused chaos, structural disintegration, and violent disorder. Revising his well-known histories of contemporary art, Terry Smith argues that we must respond to the compelling need for coeval composition at a time defined by the contemporaneity of divisive difference. This book traces how—despite many obstacles—visual artists across the globe are rising to this challenge.

The second volume of the Contemporary Condition series continues the investigation into contemporaneity as a defining condition of our historical present. The series aims to question the formation of subjectivity and concept of temporality in the world now. It begins from the assumption that art, with its ability to investigate the present and make meaning from it, can lead to an understanding of wider developments within culture and society. Addressing a perceived gap in existing literature on the subject, the series focuses on three broad strands: the issue of temporality, the role of contemporary media and computational technologies, and how artistic practice makes epistemic claims.

8.00 EUR

How to Train Your Virgin

Author: Wednesday Black
Title:  How to Train Your Virgin (New Lovers 1)
Publisher:  Badlands Unlimited
Subject: Literature

14.00 EUR

Pontus Hulten and Moderna Museet: The Formative Years

Author:  Anna Tellgren (ed.)
Title: Pontus Hulten and Moderna Musset. The Formative Years
Publisher: Koenig Books
Subject: Monographs
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The legendary curator Pontus Hulten (1924-2006) worked at Moderna Museet in Stockholm between 1958 and 1973. In 1960 he was appointed director. It was in this role that he built the collection and the museum's international reputation, with exhibitions such as Movement in Art (1961), American Pop Art (1964), Niki de Saint-Phalle's She-A Cathedral (1966) and Warhol's first European solo exhibition (1968). In 2005 Hultén donated his art collection, library and archives to Moderna Museet. 

Pontus Hulten and Moderna Museet: The Formative Years explores Hultén's practice as a curator and director. In addition to new essays, the book contains archival photographs and documents as well as a previously unpublished 1962 text by Hultén outlining his ideas on how an art museum should run.

 

24.00 EUR

KUNTALINI

Author: Tamara Faith Berger
Title: KUNTALINI (New Lovers 7)
Publisher:  Badlands Unlimited
Subject: Literature

Eat ass, pray, love. Twenty-five year-old Yoo-hoo experiences a sexual awakening in her yoga class. She breaks up with her boyfriend and travels to Niagara Falls where she meets a cold-fish teen prostitute and an ex-army troglodyte deep in the falls. Yoo-hoo's unforgettable yogic journey sweeps across the realms of hysteria, asana and enlightenment.

Kuntalini is the latest volume in Badlands Unlimited's New Lovers series of short erotic fiction. Inspired by Maurice Girodias' legendary Olympia Press, New Lovers features the raw and uncut writings of authors new to the erotic romance genre. Each story has its own unique take on relationships, intimacy and sex, as well as the complexities that bedevil contemporary life and culture today. 

14.00 EUR

PHILE 2

Title: Phile 2
Subject: Periodicals & Reprints
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the international journal of DESIRE AND CURIOSITY

Issue No. 2 will feature 130 pages of cerebral content and thought provoking imagery. Our contributors range in ethnic background as well as gender and sexual identities. PHILE contains articles, interviews, photo essays and creative writing which explore how communities reject societal structures and create space to explore sexuality.

The publication combines elements of an academic journal, an art book and an erotic magazine. Phile dissects forms and practices of sexuality with the aim to encourage a more empathetic understanding towards people and communities who live outside of normative or binary structures. - PHILE

18.00 EUR

F.R. David Spring 2018 - Flurry

Author: (ed.) Will Holder
Title: F.R. David Spring 2018 - Flurry
Publisher: Uh Books, KW Institute of Contemporary Art
Subject: Periodicals & Reprints
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Included are writings by Emmie McLuskey, Krist Gruijthuijsen, Bitsy Knox, Maurin Dietrich, Camille Pageard, Frances Stark, Eileen Myles, and more.

According to editor Will Holder, ‘Flurry’ came about after being asked to propose ten books for acquisition by the Gerrit Rietveld Academie library in Amsterdam. He gave a talk about that selection, for which he preferred reproducing original material over commentary, and wanted to allow others to speak. The outcome was a reading back and forth between the ten books. It soon became clear that this reading would readily lend itself to an issue of ‘F.R. David’. Associated material came up in the process of transcription. 

10.00 EUR

F. R. David Spring 2017 - Inverted Commas

Author: (eds.) Will Holder, Riet Wijnen
Title: F.R. David Spring 2017 - INVERTED COMMAS
Publisher: Uh Books, KW Institute of Contemporary Art
Subject: Periodicals & Reprints
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Contibutions by Michael Asher, Joan Didion, Harun Farocki, Lucy Lippard, Amiri Baraka, Stanley Brown, Silvia Federici and many more !

F.R.DAVID is a typographical journal, edited by Will Holder, dealing with the organisation of reading and writing in contemporary art practises. This 13th issue of F.R.DAVID is edited with Riet Wijnen, and has its origins in her Registry of Pseudonyms, an online database which accounts for who is who and why who is who. ‘Inverted Commas’ follows ‘pseudonym’ through names, naming, bodies, brains, self, author, other, reader, labour.

10.00 EUR

Treinte Ban

Author: Bhanu  Kapil
Title: Treinte Ban. A Psychiatric Handbook to Accompany a Work Undone
Publisher: New Herring Press
Subject: Literature & Poetry
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8.00 EUR

Burning Blue

Author: Cara Benedetto
Title: Burning Blue (New Lovers 6)
Publisher: Badlands Unlimited
Subject: Literature

Josey, an ex-model and struggling artist, leaves her loveless husband behind in New York to focus on her work upstate. Her retreat is interrupted when she meets brash and alluring Trish, who opens Josey up to a new sexual awakening. But when she gets her big break back in city, will Josey's ambitions pull the new lovers apart?

Burning Blue by Cara Benedetto is one of the New Lovers, a series of short erotic fiction published by Badlands Unlimited. Inspired by Maurice Girodias' legendary Olympia Press, New Lovers features the raw and uncut writings of authors new to the erotic romance genre. Each story has its own unique take on relationships, intimacy and sex, as well as the complexities that bedevil contemporary life and culture today.

14.00 EUR

Friendship of Nations: Polish Shi'ite Showbiz (New Edition 2017)

Author: Slavs and Tatars
Title: Friendship of Nations: Polish Shi'ite Showbiz (New Edition 2017)
Publisher: Bookworks
Subject: Monographs, Exhibition Catalogues

Beginning as an investigation into the apparently disparate events that bookend the twentieth and twenty-first century – the collapse of Communism and the Islamic Revolution in Iran – Friendship of Nations: Polish Shi’ite Showbiz traces unlikely points of convergence in Iran and Poland’s economic, social, political, religious and cultural histories. Drawing on Slavs and Tatars’ multi-disciplinary practice encompassing research, installations, lecture-performances and print media, this publication embraces new contributions in the form of essays, interviews, and archival presentation on subjects that range from seventeenth-century Sarmatism to the twenty-first-century Green Movement, taking in along the way, tales of the Polish Exodus, Wojtek the bear, craft, hospitality, Passion plays and taziyeh, and the political lessons of a Polish slow burn revolution for contemporary Iran.

Slavs and Tatars is a faction of polemics and intimacies devoted to an area east of the former Berlin Wall and west of the Great Wall of China and is joined here by Agata Araszkiewicz, Ramin Jahanbegloo and Adam Michnik, Mara Goldwyn, Shiva Balaghi and Michael D. Kennedy.

29.00 EUR

The Long Road to Xico

Author: Pedro de Llano (ed.)
Title: The Long Road to Xico / El Largo Camino a Xico. Maria Thereza Alves 1991-2015
Publisher: Sternberg Press
Subject: Monographs, Catalogues
Stock: 

The Long Road to Xico, 1991–2015 is the first monograph of Brazilian artist Maria Thereza Alves, and the outcome of her solo show at the Centro Andaluz de Arte Contemporaneo in Seville in 2015. It gathers more than twenty projects realized between 1991 and 2015, including rarely viewed early works that help us see her most recent production from a new perspective. This publication also collects a selection of Alves’s writings and contextualizes her work in the political and cultural debates from the 1980s, when she became an activist—in the United States and Brazil—and an early participant in discourses around 'postcolonialism' and 'ecology'. Together with these materials, the book contains essays by the editor, Pedro de Llano, and T. J. Demos, professor of art and visual culture at the University of California, Santa Cruz. 

20.00 EUR

Workshop of the Film Form

Authors: Marika Kuźmicz, Łukasz Ronduda (eds.)
Title: Workshop of the Film Form
Publisher: Sternberg Press, Fundacja Arton 
Subject: Monographs
Stock: 

Workshop of the Film Form provides an in-depth overview of the achievements of Warsztat Formy Filmowej (WWF; Workshop of the Film Form), a group of avant-garde artists who were working at the Leon Schiller National Higher School of Film, Television and Theatre in Lodz, Poland, between 1970 and 1977. WWF was founded by the students and graduates of the school, now known as the National Film School, and included: Wojciech Bruszewski, Paweł Kwiek, Andrzej Różycki, Józef Robakowski, Zbigniew Rybczyński, Kazimierz Bendkowski, Antoni Mikołajczyk, Janusz Połom, and Ryszard Waśko. As pioneers of video art in Poland and structural cinema in Central and Eastern Europe, the artists refused classical narrative and traditional film media, working instead somewhere between cinematography and contemporary art. 
 
This publication examines all aspects of WFF’s activity, from their films, photographic experiments, video art, and performative actions to their teaching work, which includes previously unexplored pedagogical contributions to the National Film School. Drawing on the private archives and oral testimonies of the WWF, Workshop of the Film Form attempts to provide a full account of the group’s history as well as a comprehensive survey of each member’s practice. The writers who were invited to respond to the WWF for this book provide insightful new readings of the group’s output and activities, contextualizing their work in the history of the prewar Polish avant-garde and the politics of experimental filmmaking in Poland under the rule of the Polish United Workers’ Party (PZPR).

25.00 EUR

I Watch the Human

Author: Laurie Weeks
Title: I Watch the Human
Publisher: New Herring Press
Subject: Literature & Poetry

Laurie Weeks’ fiction and other writings have been published in The BafflerViceNestIndexLA Weekly, Semiotext(e)’s The New Fuck You, and Dave Eggers’ The Best American Nonrequired Reading 2008. She has taught in writing programs at UC San Diego and the New School, and has toured the US with the girl-punk group Sister Spit.

8.00 EUR

I Would Do Anything for Love

Author: Al Bedell
Title: I Would Do Anything for Love (New Lovers 5)
Publisher: Badlands Unlimited
Subject: Literature

High school freshman Cecily Nicole Scott is looking for love in all the wrong places. She finds it first with Mike A in the back of his car. Then she meets Mike B, a "Professional Devirginizer." Smart, tender and depraved, IWDAFL is Spring Breakers meets Judy Blume.

I Would Do Anything for Love by Al Bedell is one of the New Lovers, a series of short erotic fiction published by Badlands Unlimited. Inspired by Maurice Girodias' legendary Olympia Press, New Lovers features the raw and uncut writings of authors new to the erotic romance genre. Each story has its own unique take on relationships, intimacy and sex, as well as the complexities that bedevil contemporary life and culture today.

14.00 EUR

We Love Lucy

Author: Lilith Wes
Title:We Love Lucy (New Lovers 2)
Publisher: Badlands Unlimited
Subject: Literature

On the night of her 30th birthday, Lucy's best friend Nicholas gives her just what she's always wanted-the chance to watch him and his handsome boyfriend James get it on in the flesh. But what happens when Nicholas' gift merely whets her appetite? When a feast for the eyes leaves her heart and body famished, how far will Lucy go to satisfy her hunger? And what will it mean for their friendship? 

We Love Lucy by Lilith Wes is the second book of New Lovers, a series of short erotic fiction published by Badlands Unlimited. Inspired by Maurice Girodias' legendary Olympia Press, New Lovers features the raw and uncut writings of authors new to the erotic romance genre. Each story has its own unique take on relationships, intimacy and sex, as well as the complexities that bedevil contemporary life and culture today.

14.00 EUR

Word, Image and Institutional Critique

Author: (ed.) Christa-Maria Lerm Hayes
Title:  Brian O'Doherty / Patrick Ireland.Word, Image and Institutional Critique
Publisher: Valiz
Subject: Essays & Non-fiction
Stock: 

This collection of essays assembles investigations of Brian O’Doherty’s / Patrick Ireland’s seminal work: his visual art practice, art criticism, institutional leadership and critique, media work, and literary writing. The international authors provide fresh perspectives on an oeuvre that has resonance on both sides of the Atlantic. 
O’Doherty’s role in and for conceptual art and minimalism in New York through, among others, publication of a box-shaped journal, Aspen 5+6 (1967) is as much a theme as his seminal critique of the Modernist white cube gallery (Inside the White Cube, 1976), his art-historical ventures, and Irish origins. O’Doherty’s key role in creating funding mechanisms for conceptual and live art in the US (as a Director of the National Endowment for the Arts) is featured, together with his differentiation and calling into question of many categories, such as landscape, drawing, the senses, and word and image relations. 

Features contributions by:  Alexander Alberro, Hans Belting, Anne-Marie Bonnet, Lucy Cotter, Patricia Falguières, Christina Kennedy, Ingmar Lähnemann, Christa-Maria Lerm Hayes, Thomas McEvilley, Brenda Moore-McCann, Barbara Novak, Whitney Rugg, Yvonne Scott, Mary-Ruth Walsh

25.00 EUR

Edgewise. A Picture of Cookie Mueller

Author:  Chloe Griffin (ed.)
Title: Edgewise. A Picture of Cookie Mueller
Publisher: b_books
Subject: Essays & Non-Fiction

Cookie Mueller was a firecracker, a cult figure, a wit, a WILD child, a writer, a go go dancer, a mother, an unlikely queer icon, an alchemist, a lightning rod in dark times. A child of suburban 50‘s Maryland and post-beatnik 60’s freakdom, she made her name first as an actress in the films of John Waters, and then as an art critic and columnist, a writer of hilarious and sublime stories and short fiction and a maven of the Downtown art world. Edgewise tells the story of Cookie‘s life through an oral history composed from over 80 interviews with the people who knew her. After tracing back some of the steps of the author’s 7-year trip in search of Cookie, the voices take us from the late 60’s artist communes of Baltimore to 70’s Provincetown where romantics and queers crawled the dunes and discos, to the sleepless creative high of post-industrial Bohemian New York, through 80‘s West Berlin and Positano, and into the depths and contradictions of Cookie’s life and loves.

22.00 EUR

Object-Oriented Feminism

Author: Katherine Behar (ed.)
Title: Object- Oriented Feminism
Publisher: Minnesota UP
Subject: Theory & Philosophy
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 The essays in Object-Oriented Feminism explore OOF: a feminist intervention into recent philosophical discourses—like speculative realism, object-oriented ontology (OOO), and new materialism—that take objects, things, stuff, and matter as primary. Object-oriented feminism approaches all objects from the inside-out position of being an object too, with all of its accompanying political and ethical potentials. 

This volume places OOF thought in a long history of ongoing feminist work in multiple disciplines. In particular, object-oriented feminism foregrounds three significant aspects of feminist thinking in the philosophy of things: politics, engaging with histories of treating certain humans (women, people of color, and the poor) as objects; erotics, employing humor to foment unseemly entanglements between things; and ethics, refusing to make grand philosophical truth claims, instead staking a modest ethical position that arrives at being “in the right” by being “wrong.” 

26.00 EUR

The George Kuchar Reader

Author:  Andrew Lampert (ed.)
Title: The George Kuchar Reader
Publisher: Primary Information
Subject: Artists' Writings 
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Despite being a consummate polymath, George Kuchar (1942–2011) is best known as a pioneering underground film and video maker with a disarming do-it-yourself aesthetic and a hilariously eccentric sensibility. Quirky and ingenious, heartfelt and campy, Kuchar’s movies know no boundaries and are an entirely unique development in the history of cinema. The artist’s characteristic instinct for kitsch, his humor and conceptual brilliance, were not confined to the screen alone; they can be glimpsed in all the activities he carried out throughout his life. The George Kuchar Reader, edited by Andrew Lampert, collects a wide swath of previously uncollected and newly unearthed writings and visual work, including essays, comics, drawings, paintings, photographs, film stills, scripts, movie blurbs, correspondence, letters of recommendation for his students, documentation of his UFO sightings, excerpts from his dream journal, selections from his private notebooks and much more.

 

32.00 EUR

The Movement of Clouds around Mount Fuji

Author:  Helmut Volter
Title: The Movement of Clouds around Mount Fuji
Publisher: Spector Books
Subject: Artists' Books

In the late 1920s, the Japanese physicist Masanao Abe built an observatory with a view of Mount Fuji. From it, over the course of fifteen years, he recorded the clouds that surrounded the mountain. He was interested in the scientific question of how the air currents around Fuji could be visualized by means of film and photography. Albeit unintentionally, Abe’s motifs fit into a long iconographic tradition: the mountain and the clouds. For decades his archive was left untouched in a Tokyo garden shed. Helmut Völter, who discovered Abe’s legacy while working on his book »Cloud Studies«, sifted through the images of the passionate cineaste who saw a combination of individual images, moving pictures and stereo recordings as the ideal form of scientific evidence. The mere contemplation of these dynamic cloud photographs centring on snow-covered Fuji seems to lift the viewer into the air.

Photographed and filmed by Masanao Abe

56.00 EUR

F. R. David Autumn 2017

Author: Will Holder, Scott Rogers (eds.)
Title:  F. R. David (Autumn 2017): RECOGNITION
Publisher: Uh Books, KW Institute for Contemporary Art
Subject: Periodicals & Reprints
Stock: 

Texts by Mason Leaver-Yap, Scott Rogers, Reza Negarestani, Ian White, Eileen Myles, Ayesha Siddiqi, Marcel Broodthaers, Donna Haraway and more !

'Recognition' is concerned with bodies, ecology, empathy, gazing at the world, and reading (environments) from non-anthropocentric POVs—nonetheless described and written by humans. Animals, birds, and trees feature heavily.

Copernicus told us that the earth was not the center. Darwin told us that man is not the center. If we listened to the anthropologists we might hear them telling us, with appropriate indirectness, that the White West is not the center. The center of the world is a bluff on the Klamath River, a rock in Mecca, a hole in the ground in Greece, nowhere, its circumference everywhere. Perhaps the utopist should heed this unsettling news at last. Perhaps the utopist would do well to lose the plan, throw away the map, get off the motorcycle, put on a very strange-looking hat, bark sharply three times, and trot off looking thin, yellow, and dingy across the desert and up into the digger pines.

Ursula K. Le Guin, A Non-Euclidean View of California as a Cold Place to Be (1982)

10.00 EUR

Smoking Nurse

Author: Matt Burt
Title: Smoking Nurse
Publisher: TLTRPress
Subject: Artists' Writings, Literature & Poetry

Smoking Nurse is the first printed selection of Matt Burt's poetry. Written during the late 90s for his spoken word performances, the pieces were a continuation of his earlier writings, which he recorded on a semi-broken micro-cassette player. These primitive recordings were later sampled by Burt's musician friend Helge Sten, which is how I found out about his work a decade ago. In the early 90s, Sten (later known as Deathprod) encouraged Burt to leave his job as a farm journalist for the second smallest newspaper in Wisconsin, USA, and move to Trondheim, Norway, to study at the local art academy. In 2004, Burt started his own band (Dog & Sky) and since has written and performed spoken word, music, and short stories, as well as collaborated with Norwegian bands like Motorpsycho and Spidergawd. Susanna and the Magical Orchestra covered his song These Days on their Melody Mountain album (Martin Kolhout)


12.00 EUR

Peer Confession

Authors:  Rachel B. Glaser & John Maradik
Title: Peer Confessions
Publisher: New Herring Press
Subject: Literature & Poetry
Stock: 

Norene and I both want boyfriends. Years ago we just pretended to want them, but now I actually feel achy. My life will totally flip once I get one. It will be like when B.C. switched to A.D. Once I get him, I will pour my love into him like magic in a funnel. Norene and I want tall, hilarious boys. I am going to make mine spin like a statue on a music box. I will shine my flashlight all over him, and understand his penis and why it looks like that. Norene will have hers do her homework.

8.00 EUR

Memories of the Star

Author: Elena Narbutaitė
Title: Memories of the Star
Publisher: CAC Vilnius
Subject: Artists' books
Stock: 

Memories of the Star (Žvaigždės atsiminimai) is a 56-page artist book by Elena Narbutaitė published in two separate Lithuanian and English editions alongside the artist's solo exhibition Prosperity (June 16 – August 13, 2017). It includes writings by Elena Narbutaitė, Candice Lin, Marcel Proust, Bernardo Jose de Souza, Luca Turin and Raimundas Malašauskas.

Three fragments from Les plaisirs et les jours by Marcel Proust, translated from French by Louise Varese, are reprinted from the book’s first English edition (Pleasures and Regrets, Crown Publishers, New York, 1948). The book contains a fragment of Rosalind Nashashibi’s painting Dust (2017) and a photograph from Dalia Dūdėnaitė’s personal album. Cover photograph is by Darius Petrulaitis.

5.00 EUR

PHILE 1

Title: Phile 1
Subject: Periodicals & Reprints
Stock: 

the international journal of DESIRE AND CURIOSITY

w/ contributions by: AA Bronson, Adrienne Kammerer, Andrew B. Myers, Annie Sprinkle, Bibbe Hansen, Bruce LaBruce, Cait Mckinney, Colby Keller, Darby Milbrath, Dennis Cooper, Daniel Shea, Fan Wu, Mark Peckmezian, Matt Lambert, Matthew Tammaro, Molly Matalon, Tairan An, Sholem Krishtalka, Susanna Paasonen, Whitney Mallett, Yael Malka & more

18.00 EUR

Mr. Peanut Drawings

Author:  Vincent Trasov, Jeff Khonsary (ed.)
Title: Mr. Peanut Drawings
Publisher: New Documents
Subject: Artists' Books, Artists' Writings 
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In 1970, Trasov assumed the identity of Mr. Peanut, donning a handmade paper mache replica of the mascot of the Planters Peanut Company. Soon after, he produced The Mr. Peanut Mayoralty Campaign of 1974, a twenty-day performance developed in collaboration with members of the Vancouver arts community. The legume quickly became Trasov’s cipher and central component of his practice. Mr. Peanut Drawings collects nearly a hundred of Trasov’s Peanut drawings together with a text by Nancy Tousley.

40.00 EUR

Grey, But not Grey

Author:  Algirdas Šeškus 
Title: Grey, But not  Grey
Publisher: Kaunas photography gallery, Galerie du Château d'Eau
Subject: Artists' Books
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Vilnius based artist Algirdas Šeškus (b. 1945) is often cited by the texts on art criticism and the history of photography to mark the breaking stage in Lithuanian photography.

The artist made his debut in 1980 during the young photographers’ exhibit in Vilnius, held by the Union of Lithuanian Art Photographers. The very first of his showcased photos revealed a new phenomenon challenging Soviet culture.

However, his art has not as of yet received a comprehensive analytical investigation and appraisal. A recent dialogue with the artist breaking the silence of nearly thirty years was inspired by his retrospective at the National Art Gallery in Vilnius, where the works of Algirdas Šeškus – the pioneer of Lithuanian photography avant-garde were on.

20.00 EUR

Improper Life

Author: Timothy C. Cambell
Title: Improper Life. Technology and Biopolitics from Heidegger to Agamben
Publisher: Minnesota UP
Subject: Theory & Philosophy
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Has biopolitics actually become thanatopolitics, a field of study obsessed with death? Is there something about the nature of biopolitical thought today that makes it impossible to deploy affirmatively? If this is true, what can life-minded thinkers put forward as the merits of biopolitical reflection? These questions drive Improper Life, Timothy C. Campbell’s dexterous inquiry-as-intervention.

Campbell argues that a "crypto-thanatopolitics" can be teased out of Heidegger’s critique of technology and that some of the leading scholars of biopolitics—including Michel Foucault, Giorgio Agamben, and Peter Sloterdijk—have been substantively influenced by Heidegger’s thought, particularly his reading of proper and improper writing. In fact, Campbell shows how all of these philosophers have pointed toward a tragic, thanatopolitical destination as somehow an inevitable result of technology.

20.00 EUR