SIX CHAIRS BOOKS – art & theory bookstore

Real Review #8

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Is the strategy of the Trojan Horse viable? We interview CHELSEA MANNING on identity and autonomy, while VIRGIL ABLOH and JACK SELF review how to dissolve power structures. Meanwhile, WOLFGANG TILLMANS presents a 16-page special insert reviewing contemporary life. Comedian ELF LYONS reviews austerity Britain (with readymades by NICOLE MCLAUGHLIN), and JACOB DREYER reviews the current state of globalisation from the border of China and North Korea (with DPRK photography by YUYANG LIU). In two poems, SVETLANA MARICH reviews her desire for a doctor.

Also in the issue: JOHANN HARRI reviews depression and SHUMON BASAR reviews our obsession with fame. JACK SELF reviews 'low batt' while EFE reviews the NYC blackout. PIER VITTORIO AURELI reviews the Italian radical Marxist autonomia movement, and SOPHIA ALAMI reviews the hijab. The rise and rise of streetwear is reviewed by JOHN-PAUL TRANG, meanwhile COLBY VEXLER and JUSTIN CLEMENS review the millennial obsession with houseplants. HOLLAND DRURY and DAMIAN FOPP review the power politics of the chaise longue.

11.00 EUR

Womens Work

Authors: Alison Knowles and Annea Lockwood (eds.)
Title: Womens Work
Publisher: Primary Information
Subject: Art History, Periodicals & Reprints
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Originally published in the mid-1970s, Womens Work was a magazine that sought to highlight the overlooked work of female artists working at the cusp of the visual arts, music, and performance. The magazine was edited by Alison Knowles and Annea Lockwood and featured text-based and instructional performance scores by the following 25 artists, composers, and choreographers:

Beth Anderon, Ruth Anderson, Jacki Apple, Barbara Benary, Sari Dienes, Nye Ffarrabas (participating as Bici Forbes), Simone Forti, Wendy Greenberg, Heidi Von Gunden, Françoise Janicot, Alison Knowles, Christina Kubisch, Carol Law, Annea Lockwood (also included as Anna Lockwood), Mary Lucier, Lisa Mikulchik, Ann Noël (included as Ann Williams), Pauline Oliveros, Takako Saito, Carolee Schneemann, Mieko Shiomi, Elaine Summers, Carole Weber, Julie Winter, and Marilyn Wood.

The magazine was designed by Alison Knowles, who deliberately chose off-white paper and brown inks as a contrast to the sterile, white-paged publications prevalent at the time. The works contained in the magazine range in scope and take on a multitude of forms, employing both typed and written text, often with visual elements such as diagrams, drawings, and photographic images. The editors were and remain adamant that the work should be performed; that they not remain static as an artifact.

We wanted to publish work which other people could pick up and do: that aspect of it was really important…this was not anecdotal, this was not archival material, it was live material. You look at a score, you do it. - Annea Lockwood

23.00 EUR

The Legend of Barbara Rubin. Film Culture 80

Authors:  Jonas Mekas, Barbara Rubin, Chuck Smith, Charity Coleman, Christian Hiller, Sebastian Mekas, Anne Koenig, Sarai Meyron, Marc Siegel (eds.)
Title: The Legend of Barbara Rubin: Film Culture 60
Publisher: Spector Books
Subject: Essays & Non-fiction, Artists' Writings, Periodicals & Reprints
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Having entered the New York underground in the 1960s while still a teenager, filmmaker Barbara Rubin quickly became one of its key figures. Her pioneering 1963 double-projection film Christmas on  Earth was both sexually provocative and aesthetically innovative. She worked regularly with Jonas Mekas and Andy Warhol, introduced Bob Dylan to Allen Ginsberg, and connected Warhol with The Velvet Underground. During an intense period of activity and travel, Rubin wrote passionate letters about film and the underground to Mekas. This special eightieth issue of the magazine Film Culture features her previously unpublished letters to Mekas. It also includes interviews and Rubin’s script, Christmas on Earth Continued, a planned sequel to her notorious film.

28.00 EUR

The New Woman’s Survival Catalog

Authors: Kirsten Grimstad and Susan Rennie (eds.)
Title: The New Woman's Survival Catalog
Publisher: Primary Information
Subject: Art History, Periodicals & Reprints
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Published in 1973, The New Woman’s Survival Catalog is a seminal survey of Second Wave feminist efforts, which, as the editors noted in their introduction, represented an 'active attempt to reshape culture through changing values and consciousness.'

Assembled by Kirsten Grimstad and Susan Rennie in only five months, The New Woman’s Survival Catalog makes a nod to Stewart Brand’s influential Whole Earth Catalog to map a vast network of feminist alternative cultural activity in the 1970s. Grimstad and Rennie set out on a two month road trip in the summer of 1973, meeting and interviewing all the featured organizations and individuals, and gathering information and further references along the way to complete the publication.

From arts organizations to bookstores and independent presses, health, parenting, and rape crisis centers, and educational, legal and financial resources, this book provides crucial insight into feminist initiatives and activism nationwide during the Women’s Movement. Styled as a sales catalog, The New Woman’s Survival Catalog comprises listings and organizational descriptions, articles, and extensive illustrations, as well as a 'Making the Book' section, detailing the publication’s production.

28.00 EUR

Extra Extra #13

Title: Extra Extra 13
Subject: Periodicals & Reprints
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Simply, pure sexiness: Extra Extra n°13 is in full swing, for the dashing glares to glow on your gut feelings, we are hungry for the lovely sensuality-makers around us

Unspeakable hours of summer linger serenely as Timen Jan Veenstra, Mia You, Mensje van Keulen, Karin Amatmoekrim, Sarah Arnolds, Thomas Heerma van Voss, Hannah van Binsbergen present erotic short stories on the hotel. If life hands you watermelons, make love to them, caress the darker side of lust in an emotionally close talk between Taiwanese filmmaker Tsai Ming-liang and Manuel Betancourt. Enter the beautiful imagination, dreams and wonders of dancer and choreographer Meg Stuart who, in an intimate conversation with Susan Gibb, shares on bodies daring to embrace unknown forces. Follow the rhythm of brega musicians and dancers of frevo in Recife through the lens of brilliant artist-duo Bárbara Wagner & Benjamin de Burca in a talk on empathy and urban desires with Matteo Lucchetti. Critical thinker Armen Avanessian never lost touch with his long-time friend Anja Aronowsky Cronberg; they meet in Berlin to share glimpses of friendships and explore intimacy as a valid alternative to love.

AND MUCH MUCH MORE 

15.00 EUR

Art-Rite

Authors: Edit DeAk, Walter Robinson (eds.)
Title: Art-Rite
Publisher: Primary Information
Subject: Art History, Periodicals & Reprints
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Edited by Walter Robinson, Edit DeAk, and Joshua Cohn, Art-Rite was published in New York City between 1973 and 1978. The periodical has long been celebrated for its underground/overground position and its cutting, humorous, on-the-streets coverage and critique of the art world. Art-Rite moved easily through the expansive community it mapped out, paying homage to an emergent generation of artists, including many who were—or would soon become—the defining voices of the era. Through hundreds of interviews, reviews, statements, and projects for the page—as well as artist-focused and thematic issues on video, painting, performance, and artists’ books—Art-Rite’s sharp editorial vision and commitment to spotlighting the work of artists stands as a meaningful and lasting contribution to the art history of New York City and beyond.

ALL ISSUES OF ART-RITE ARE COLLECTED AND PUBLISHED HERE

Featured artists include Vito Acconci, Kathy Acker, Bas Jan Ader, Laurie Anderson, John Baldessari, Gregory Battcock, Lynda Benglis, Mel Bochner, Marcel Broodthaers, Trisha Brown, Chris Burden, Scott Burton, Ulises Carrión, Judy Chicago, Lucinda Childs, Christo, Diego Cortez, Hanne Darboven, Agnes Denes, Ralston Farina, Richard Foreman, Peggy Gale, Gilbert & George, John Giorno, Philip Glass, Leon Golub, Peter Grass, Julia Heyward, Nancy Holt, Ray Johnson, Joan Jonas, Richard Kern, Lee Krasner, Shigeko Kubota, Les Levine, Sol LeWitt, Lucy Lippard, Babette Mangolte, Brice Marden, Agnes Martin, Gordon Matta-Clark, Rosemary Mayer, Annette Messager, Elizabeth Murray, Alice Neel, Brian O’Doherty,Genesis P-Orridge, Nam June Paik, Charlemagne Palestine, Judy Pfaff, Lil Picard, Yvonne Rainer, Judy Rifka, Dorothea Rockburne, Ed Ruscha, Robert Ryman, David Salle, Carolee Schneemann, Richard Serra, Jack Smith, Patti Smith, Robert Smithson, Holly Solomon, Naomi Spector, Nancy Spero, Pat Steir, Frank Stella, Alan Suicide (Vega), David Tremlett, Richard Tuttle, Andy Warhol, William Wegman, Lawrence Weiner, Hannah Wilke, Robert Wilson, Yuri, and Irene von Zahn.

38.00 EUR

Fantastic Architecture

Authors: Dick Higgins, Wolf Vostell (eds.)
Title: Fantastic Architecture
Publisher: Primary Information
Subject: Artists' Writings, Essays & Non-fiction, Periodicals & Reprints

Primary Information is reprinting the seminal book, Fantastic Architecture, making the book widely available for the first time since it was originally published: first in 1969 by Droste Verlag in German (with the title Pop Architektur) and later in 1970 by Something Else Press as Fantastic Architecture. Edited by Dick Higgins and Wolf Vostell, this artist’s book/anthology explores the boundaries between pop art and architecture through writings and projects by key artists and thinkers of the 1960s and earlier—from John Cage and Buckminster Fuller to Kurt Schwitters and Joseph Beuys.  It will retain the book’s unique design, specifically its Mylar inserts, which add unique depth and elaborate the publication’s content.

Contributors to this publication are Ay-O, Joseph Beuys, Erich Buchholz, Pol Bury, John Cage, Philip Corner, Jan Dibbets, Robert Filliou, Buckminster Fuller, Geoffrey Hendricks, Richard Hamilton, Raoul Hausmann, Michael Heizer, Jan Jacob Herman, Bici Hendricks, Dick Higgins, K.H. Hoedicke, Hans Hollein, Douglas Huebler, Milan Knizak, Alison Knowles, Addi Koepcke, Franz Mon, Claes Oldenburg, Dennis Oppenheim, Gerhard Rühm, Diter Rot, Carolee Schneemann, Kurt Schwitters, Daniel Spoerri, Frances Starr, Jean Tinguely, Ben Vautier, Wolf Vostell, Lawrence Weiner, Stefan Wewerka.

25.00 EUR

The Serving Library Annual 2019/20

Authors: Francesca Bertolotti-Bailey, Stuart Bertolotti-Bailey, Vincenzo Latronico, and David Reinfurt (eds.)
Title: The Serving Library Annual 2019/20 (Bruno Munari Obvious Code)
Publisher: Roma Publications
Subject: Essays & Non-fiction, Periodicals & Reprints
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The 2019/20 issue of The Serving Library Annual is entirely devoted to the late Italian designer, artist, inventor and polymath Bruno Munari. The core of the annual is the first English translation of Obvious Code, the 1971 collection of Munari‘s own writings, sketches and poems about his own work, published by arrangement with Corraini, who issued the book's anastatic edition in 2017. It includes iconic design objects such as the Abitacolo, ground-breaking artworks such as his 1952 series of hand-made projection slides, and little known rhymes about the art market, as well as an original piece from his 'unreadable books' series. In the margins, dozens of artists, designers, writers and curators have been invited to annotate Munari‘s texts — with a sketch or a quotation, an in-depth analysis, a fragment of conversation, a free association — as a testament to the depth of the influence exerted on international art by an often under acknowledged pioneer, whose visual experiments were so iconic as to become a self-evident part of visual culture, an anonymous invention: an obvious code.

Marginalia is provided by: Giovanni Anceschi, Thom Andersen, Paola Antonelli, Leonor Antunes, Justin Beal, Eugenia Bell, Stuart Bertolotti-Bailey, Robert Bresson, Barbara Casavecchia, Celine Condorelli, Matali Crasset, Michael Crowe, Valerie Da Costa, Umberto Eco, Morgan Fisher, Davide Fornari, Jason Fulford, Rob Giampietro, Shannon Harvey & Adam Michaels, Anthony Huberman, Jenny Jaskey, Emily King, James Langdon, Louis Lüthi, Lauren Mackler, Marco Meneguzzo, Laszló Moholy-Nagy, Jenny Monick, Rosalind Nashashibi, Julie Peeters, Arturo Carlo Quintavalle, David Reinfurt, João Ribas, Elodie Royer & Yoann Gourmel, Giovanni Rubino, Alberto Salvadori, Tamara Shopsin, Saul Steinberg, Franciszka & Stefan Themerson, Joseph Weizenbaum, Orson Welles, Luca Zaffarano, and Olimpia Zagnoli. 

29.00 EUR

What do people do?

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This is a travel magazine about creative life & unconventional work

We know the feeling of loneliness related to freelance work and not having someone to help out or offer a compassionate advice when times get difficult. So we created this textbook-like magazine! While talking to bright and creative minds we share practical advice and discuss how to make your (and our) dreams and hobbies into a sustainable career path.

We also see that young and creative people are leaving their home countries for cities like Berlin and London in search for better opportunities and a more creative life. Places like these have created a reputation of being full of potential. Yet, people often overlook the struggles they may face by moving to such places and the very real opportunities and unique lifestyle they can have back home.

So we travel to explore undiscovered creative economies in search for a balanced and happy life where one can live and work without exhaustion, insomnia and anxiety.

17.00 EUR

Talker #3. Richard Maxwell

Authors: Richard Maxwell; Giles Bailey (ed.)
Title: The Talker #3
Publisher: self-published / Giles Bailey / Talker
Subject: Periodicals & Reprints, Essays & Non-fiction
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This is issue #3. It features a conversation with the director and playwright Richard Maxwell. 

Since 1999 he has worked with his company New York City Players producing theatre work for the stage, for galleries and as moving image. His plays are set in the everyday environments of lobbies, living rooms, karaoke bars and highway intersections. Often non-professionals, his actors portray American archetypes through spare, stylised dialogue and occasionally sing. Recent productions include Queens Row at ICA London, Paradiso at Greene Naftali Gallery and Good Samaritans at Abrons Arts Centre. 

TALKER is an interview zine about performance produced by artist Giles Bailey

6.00 EUR

Broken Music

Author: Ursula Block, Michael Glasmeier (eds.)
Title: Broken Music
Publisher: Primary Information
Subject: Periodicals & Reprints, Artists' Writings

Broken Music is an essential compendium for records created by visual artists. The publication was edited by Ursula Block and Michael Glasmeier and originally published in 1989 by DAAD. Broken Music focuses on recordings, record-objects, artwork for records, and record installations made by thousands of artists between WWII and 1989.

It also includes essays by both editors as well as Theodor W. Adorno, René Block, Jean Dubuffet, Milan Knizak, László Moholy-Nagy, Christiane Seiffert, and Hans Rudolf Zeller, as well as a flexi disc of the Arditti Quartet performing Knizak’s "Broken Music." The centerpiece of the publication is a nearly 200-page bibliography of artists’ records.

Works chosen for the publication revolved around four criteria: (1) record covers created as original work by visual artists; (2) record or sound-producing objects (multiples/editions/sculptures); (3) books and publications that contain a record or recorded-media object; and (4) records or recorded media that have sound by visual artists.

30.00 EUR

Animal Shelter 5

Author: Hedi El Kholti, Chris Kraus, Janique Vigier (eds.)
Title: Animal Shelter 5
Publisher: Semiotext(e)
SubjectPeriodicals and Reprints

Conceived as the journal’s final issue, Animal Shelter 5 closes a decade of publication and hovers, fittingly, around issues of mortality, loss, and trauma—charting existential drift, but also finding new eddies of belonging, homecoming, and hospitality. As Chris Kraus reflects, 'Things have to move elsewhere. So I think this issue is like smoke, or signal blocking.' 

Contributions by Bruce Hainley (on Herve Guibert), Masha Tupitsyn (on Ingmar Bergman), Jean Louis Schefer (on Vertigo); also War Diaries by Michel Leiris, poems by Ariana Reines,  and a story by Colm Tóibín.

Other contirbutors includeNikki Darling, Guillaume Dustan, Charlie Fox, Herve Guibert, Raquel Gutierrez, Jeff Jackson, Bernard-Marie Koltes, Chris Kraus, Clara López Menendez,  Nicole Miller, Julietta Singh, Natasha Soobramanien & Luke Williams, Mattilda Bernstein Sycamore, Natasha Stagger, McKenzie Wark, Abdellah Taïa, and Janique Vigier.

Art by: Soufiane Ababri, Jean-Luc Blanc, Nicole Chambers, Hedi El Kholti, Matt Fishbeck, Kathryn Garcia, Herve Guibert, Jessica Dean Harrison, Galen Johnson, Krisjanis Kaktins-Gorsline, Alan Kleinberg, Patrick Kwon, Michael Oblowitz, Evan Sabourin, Valerie Schultz, Elaine Stocki, and Torbjorn Vejvi.

11.00 EUR

BILL 2

Author: Julie Peeters
Title: Bill 2
Publisher: Roma Publications
Subject: Periodicals & Reprints
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Bill 2 is the second issue of an annual magazine of photographic stories, edited and designed by Julie Peeters. Twelve contributors present new or previously unpublished work. The images in the magazine are printed without any accompanying text: Bill prioritizes visual reading without distraction. Contributors to the second issue are: Gintaras Didziapetris, Jason Dodge, Archiv Hans Hollein, Inge Ketelers, Tadashi Kurahashi by Tadanori Yokoo - Tadanori Yokoo by Tadashi Kurahashi, Jochen Lempert, Raimundas Malasauskas, Bart Julius Peters / T L P S, Reto Schmid, Megan Francis Sullivan, Linda van Deursen, Ann Woo, and Jiajia Zhang.

22.00 EUR

Talker #2. Kate Valk

Authors: Kate Valk; Giles Bailey (ed.)
Title: The Talker #2
Publisher: self-published / Giles Bailey / Talker
Subject: Periodicals & Reprints, Essays & Non-fiction
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It features a conversation with performer Kate Valk. As a founding member of experimental theatre company the Wooster Group, she has contributed to some of the most vital and exploratory live work of the past three decades. This interview took place in October 2016 as her first directorial contribution to the company Early Shaker Spirituals was being performed at the Pompidou Centre. 

TALKER is an interview zine about performance produced by artist Giles Bailey.

6.00 EUR

Talker #4. Sue Tompkins

Authors: Sue Tompkins; Giles Bailey (ed.)
Title: The Talker #4
Publisher: self-published / Giles Bailey / Talker
Subject: Periodicals & Reprints, Essays & Non-fiction
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Tompkins is based in Glasgow and at the heart of her practice is a unique treatment of language. This finds form as typed works on paper, installations, paintings and live performances.

The interview focuses on how the performances are made and the situations in which they are experienced. We speak about movement, migraines, parenthood and a desire not to leave the visual world.

TALKER is an interview zine about performance produced by artist Giles Bailey.

6.00 EUR

Talker #1. Ian White

Authors: Ian White; Giles Bailey (ed.)
Title: The Talker #1
Publisher: self-published / Giles Bailey / Talker
Subject: Periodicals & Reprints, Essays & Non-fiction
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Issue #1 features a conversation with artist, writer and curator of film , Ian White. The interview took place in January 2012 and focuses on Ian’s live work — from early experimental collaborations to his landmark solo trilogy Ibiza Black Flags Democracy and hybrid curatorial projects.

TALKER is an interview zine about performance produced by artist Giles Bailey.

Each issue features a long-form interview with a performance-maker and is produced as an extension of my own work with the aim of opening up discourse around live practices.

6.00 EUR

Talker #5. Kathy Acker and Spalding Gray

Authors: Kathy Acker, Spalding Gray; Giles Bailey (ed.)
Title: The Talker #5
Publisher: self-published / Giles Bailey / Talker
Subject: Periodicals & Reprints, Essays & Non-fiction
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This is Issue #5. It is a transcript of an event hosted by the writer Kathy Acker at the ICA, London in February 1987 in which the performer Spalding Gray discussed his work.

A founding member of the Wooster Group, Spalding Gray gained fame for his autobiographical monologue performances. At the time of this conversation, he had just completed filming Jonathan Demme’s movie adaptation of his work Swimming to Cambodia, a performance in which he describes experiences surrounding a trip to Southeast Asia to play a small role in the film The Killing Fields (1984). In this dialogue with Acker, Gray focuses on the process of developing work and compares his experience of writing with making live performance.

TALKER is an interview zine about performance produced by artist Giles Bailey. 

6.00 EUR

Girls Like Us #11 - Economy

Framed as inescapable, indescribable, uncontrollable and essential, economies are everywhere. Oppressive and enabling, lucrative and undervalued, there are economies that trade our emotional labour, desires, love, fertility, time, minds, queerness, politics and clicks. There are economies that we can control and that control us, and those that we can subvert to serve our collectives. A mark, a yen, a buck or a pound, in a conversation with a cat, an app-enabled journey through a rainy Shanghai night, in the margins between intimacy and power, in the kitchen, with your record collection, under the tip of the iceberg, at the foot of a tower she built, dancing at the lesbian bar.

Featuring an expose of feminist fashion, an poem by HANNE LIPPARD, a queer dollar by VIRGIL TAYLOR & VIRGIL TAYLOR, an interview with environmentalist MINNA GILLBERG, a conversation with 3 cats on marx, a discussion about sex work moderated by MELANIE BONAJO, 8 Q&S's by lesbian bars worldwide, an interview by CATHRIN MEYER with LISE SOSKOLNE about W. A.G.E, a poetic research called Makers of their Own Time, Towers of Thanks by Res, 3 Drivers – 3 Cities, an Uber investigation, artwork by ELIF ERKAN, a conversation between CAMILLA WILLS and ISALINE BERGAMASCHI on education, a script by NORA TURATO, Not All There, Cruising Olivia by BERNADETTE HOUDE and a dispatch report by Display Distribute.

8.00 EUR

PRVNC RRT AW 18/19

Author: Tobias Kaspar, Hannes Loichinger (eds.)
Title: PRVNC RRT Autumn Winter 2018-2019
Publisher: Provence, Spector Books
Subject: Periodicals and Reprints
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The PROVENCE REPORT AW 18/19 focal point is Art in the service of... We look at moments when artists use their practice and skills in the service of something or someone else. In the backdrop, we are confronted with an artistic field triggering 'descriptions' and suggestions like the Content Industrial Complex’s false sublation of art into life or—on the other end of the spectrum— the self-abolition of all art and art workers. While the former is some sort of Kulturindustrie takeover, the latter is drafted as a left political practice. Paradoxically, with both comes the end of the art world. In this highly volatile period of criticism, how might a re­newed interest in services comment on art’s relative autonomy? As thoughts without content are empty, primary research forms the basis for this issue of PROVENCE REPORT: where possible, we have elected for conversations held or reports written by practitioners in the field.

Contributions by Anke Dyes, Edgars Gluhovs, Dominique Gonzalez-Foerster and Philip Pilekjær, Raphael Gygax, Nina Hollensteiner with Nadine Fraczkowski, Tobias Kaspar, Inka Meissner, Karl Holmqvist and Rirkrit Tiravanija, Inga Lace and Katerina Gregos, Matthew Linde Passageways, Adam Linder and Hannes Loichinger, llya Lipkin and Marc Asekhame, Tobi Maier and Jac Leirner, Emanuele Marcuccio, Isabel Mehl and Lynne Tillman Lynne Tillman's Critical Fictions, Inka Meissner and LaKela Brown, Julia Moritz, Shahryar Nashat and Anne Dressen, Miss Needle, Cecilie Norgaard and Karsten Pflum, Silvia Simoncelli, Hisachika Takahashi by Yuki Okumura.

19.00 EUR

Hamburger Eyes. The Continuing Story Of Life On Earth

Authors: Chris Fitzpatrick, Julie Peeters (eds.)
Title: Hamburger Eyes.The Continuing Story Of Life On Earth
Publisher: Roma Publications
Subject: Periodicals & Reprints
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Published on the occasion of an exhibition at Kunstverein München, this volume begins by recounting the prospectus written by American publishing magnate Henry Luce, outlining what would become Life magazine. Today, "to see, and to be shown" is an almost universal obsession for all. Founded in 2001 by David and Ray Potes, Hamburger Eyes has grown into a magazine, publisher, and distributor of zines by an international photographers’ network.

This particular publication complies facsimiles of spreads from back issues, plus images by such names as Ricky Adam, Stevie Dacanay, Ryan Florig, Troy Holden, Lele Saveri, Jai Tanju, David Uzzardi, and many more.

18.00 EUR

The Serving Library Annual 2018/19

Authors: Francesca Bertolotti-Bailey, Stuart Bertolotti-Bailey, Vincenzo Latronico, and David Reinfurt (eds.)
Title: The Serving Library Annual 2018/19 (Translation)
Publisher: Roma Publications
Subject: Periodicals & Reprints
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This year’s Annual is guest-edited by Italian novelist and translator Vincenzo Latronico and explores how *translation* is fast becoming a significant site for the negotiation of identities and power dynamics in an increasingly English-centered cultural scene. Departing from literature and the visual arts, the issue soon veers off into mathematics, music, architecture, and religion.

The Serving Library Annual 2018/19 includes contributions by Meehan Crist, Katrina Dodson, Lucile Dupraz, Claudia Durastanti, Joseph Grigely, Meg Miller, Minae Mizumura, the National Security Agency, Philip Ording, David Osbaldeston, David Reinfurt, Anna Della Subin, The Annotated Fall, and Emily Wilson.

25.00 EUR

The Lip Anthology: an Australian Feminist Arts Journal 1976-1984

Author: Vivian Ziherl (ed.)
Title: The Lip Anthology: an Australian Feminist Arts Journal 1976-1984
Publisher: Macmilian, Kunstverein Publishing
Subject: Periodicals & Reprints, Theory & Philosophy, Artists' Writings, Art History

'Lip' magazine was self-published by women in Melbourne from 1976 to 1984 and stood as a lightning rod for Australian feminist artistic practice over the Women’s Liberation era. The art and ideas expressed over Lip’s lifetime track with groundbreaking moves into performance, ecology, social-engagement, and labour politics; all at an intersection with local realities.

Collecting and presenting the materials of 'Lip' for the first time since their original appearance, 'The Lip Anthology', edited by Vivian Ziherl, privileges the range and dynamism of contesting feminisms that comprised the Lip project.Selected interviews, artist-pages, essays and activist reports are re-produced in facsimile, preserving Lip’s graphic experimentation.

20.00 EUR

The Source Digest

Author: Cory Arcangel
Title: The Source Digest 
Publisher: Archangel Surfware
Subject: Artists' Books, Periodicals & Reprints

The Source Digest, a paperback collection of Issues #1–10 of The Source (2006–), is an ongoing archival zine project of annotated computer source code from Cory Arcangel’s software-based works from the past 15 years.

 The Source Digest includes the two newest issues which are currently only available in this book.

26.00 EUR

Carolee's Magazine

Author: Carolee Schneemann, Jenny Jaskey and A. E. Benenson (eds.)
Title: Carolee's Magazine
Publisher: Walther Koenig, The Artists' Institute
Subject: Artists' Books, Periodicals & Reprints

Carolee’s is the second issue of The Magazine of the Artist’s Institute. Dedicated to CAROLEE SCHNEEMANN, it features a previously unpublished image archive from Schneemann’s studio that documents half a century of morphological connections between her work and other visual material, including art, advertising, and popular culture. A new long-form profile of Schneemann by writer MAGGIE NELSON accompanies this project and considers the artist’s relationship to the history of her reception and Schneemann’s significant influence on subsequent generations of feminists.

30.00 EUR

Žurnalas Kaunui "Į" #3 / Magazine for Kaunas "Į" #3

Publisher: Kaunas Photography Gallery
Subject: Periodicals & Reprints
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In Kaunas it is still possible to find an aged, diminishing, species: giants of 20th century industry. Next to these fallen giants – i.e., the large Kaunas factories, that used to determine  urban development – have remained the communities that formed around them. Members of these communities, the loyal workers, keep a small part of the remaining industry’s mammoths alive. Old giants of industry are replaced by modern ones. A different kind of organism is born in the city and its surroundings. These new organisms are set in close proximity to residential buildings, which were themselves supposed to be in the refuge of nature, but as industry expands, it takes the place of this nature. 

Brackets are useful when talking about (post)industrial Kaunas, because the phenomena being signified is not complete. In other words, 'post' has not happened yet. There are manifold signs of industry’s prosperity in Kaunas; the diminishing of industry is an ongoing process, and the memory is still alive of those that were, or still are, affected by these changes. The magazine hence does not provide final answers about post-industrial reality, but is rather an attempt to search for starting points of a discussion by selecting the particular case of Kaunas and the dynamics of the ongoing processes of transformation inside of it – a process that encompasses the city’s past, present and future perspectives. 

15.00 EUR

The Blind Man - New York Dada, 1917

Author: Marcel Duchamp, Beatrice Wood, Henri-Pierre Roche. Sophie Seita (ed.)
Title: The Blind Man - New York Dada, 1917
Publisher: Ugly Duckling Press
Subject: Periodicals and Reprints
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The Blind Man and rongwrong were seminal New York Dada magazines edited and published by Marcel Duchamp, Henri-Pierre Roche, and Beatrice Wood in 1917. This facsimile edition, introduced by Sophie Seita, celebrates the 100th anniversary of their publication. The box set also includes a two-color offset reproduction of Beatrice Wood’s poster for The Blind Man’s Ball (1917) and a letterpress facsimile of Man Ray’s The Ridgefield Gazook (1915). Translations of the French texts by Elizabeth Zuba accompany the facsimile reprints. 

The Blind Man and rongwrong were part of a network of little magazines that introduced audiences to avant-garde movements in art and literature; they featured contributions of poetry, prose, and visual art by Mina Loy, Louise Norton, Robert Carlton Brown, Erik Satie, Walter Arensberg, Francis Picabia, Alfred Stieglitz, and others. The Blind Man was the first print publication to circulate an image of Duchamp’s (OR MOST PROBABLY NOT - SEE: Baroness Elsa von Freytag-Loringhoven) 'Fountain'  (photographed by Stieglitz) after its rejection from the first annual exhibition of the Society of Independent Artists, presenting a public challenge to the accepted definition of art during this time. 

74.00 EUR

F. R. David Autumn 2018 - What I Mean Is -

Author: (ed.) Will Holder
Title: F.R. David Spring 2018 - Flurry
Publisher: Uh Books, KW Institute of Contemporary Art
Subject: Periodicals & Reprints
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This issue examines the impartation of meaning through visible language, whether informative, instructive, transformative, narrative, or other. Contributions include Peter Culley’s restructuring of a botanical text as lyrical poetry, a vignette by Octavia E. Butler, a preface to ‘The Art of Science Writing’ by Worsley and Mayer, Daniel Victor’s report on an Oxford comma dispute, a wall text for ‘High Speed Geology’ at Museum für Naturkunde, ‘In the Shadow of the American Dream’ by David Wojnarowicz, ‘26 Theses on Craft’ by Sharon H. Poggenpohl, a report Charles and Ray Eames drew up for the Indian government to promote quality in small industries, and much more.

10.00 EUR

Extra Extra 11

 

Turn your senses upside down. Extra Extra’s issue 11 transforms a tender gesture into a dance of stirring desire. Seeing bodies as monsters, Lucrecia Martel talks about unruly desires, suffering, and the geography of the body on the left bank of the Paraguay river in a candid talk with with Manuel Betancourt. The light of Tim Etchells’ neon signs flickers in Samuel Saelemakers’ head. Together they talk about the eroticism of semantic, phone sex, and ventriquolism. Anicka Yi’s conversation with Rosa de Graaf has a flavour that can spur longing, form sense memories, and reconfigure the sensuous politics of taste. QUINN LATIMER wonders how to live in another body by unmasking the erotic relationship between the performer and the audience. Out of sight, Fatos Ustek elaborates an exciting reading of Alain Badiou’s In Praise of Love in the essay titled Event Horizon. Cruising for discretion, Richard John Jones unravels the history of poppers, shares glimpses of Vito Acconci, amongst other provocative sparks. Nathalie Hartjes imagines the unnamed archetypal city inspired by the pathways and crevices of the Extra Extra archive. The sultry sound of the Paris suburbs by Tshegue uplifts our bodies beyond the fusion of vivid afros rhythm, garage rock, electro trance, and club-culture music. Through the eyes of ADOMAS NARKEVIČIUS ❤️, we witness the breakthrough of the hidden sensuality of VILNIUSand its liberation from the constraints of the past.

 

15.00 EUR

The Happy Hypocrite 10 - Tolstoyevsky

Author: Virginija Januškevičiūtė (ed.)
Title: The Happy Hypocrite 10 - Tolstoyevsky
Publisher: Bookworks
Subject: Periodicals 
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‘Tolstoyevsky is not a Russian writer; it is a monster of sorts – a chimera, a composite of two and true to neither one nor a sum. It can make jokes (and threats) fly so fast they skip the funny parts. Here it lends its name to an issue that is about how humour is often not humour, or about how it sometimes doesn’t work, and how half our lives are filled with things that don’t work. Which probably means they work, right?’ – Virginija Januškevičiūtė, from the Outro

The Happy Hypocrite – Tolstoyevsky is, ideally, like a room full of high-spirited people playing a game, trying to do or say some nonsense, folding embarrassment and losses in translation into part of the exchange. The main portion of the journal is made up of responses to an open call; submissions picked up on cues within two short stories: ‘Moles & Mice’ by Candice Lin, and ‘Tolstoyevksy’, written by Virginija Januškevičiūtė about a hospitable man with a house full of books who exclaimed ‘Oh I have read all your Tolstoyevskys!’ when asked what he had read.

With contributions and new work by ateate, David Bernstein, Monika Kalinauskaitė, Zoe Kingsley, Erika Lastovskyte, Michael Lawton, Candice Lin, Elena Narbutaitė, Nick Norton, Kim Schoen, Isabel Waidner, and Jonas Žakaitis. Complemented by old work (images, illustrations) from Pierre Bonnard, Giovanni di Paolo, Felix Vallotton, and Edouard Vuillard.

12.00 EUR

Spike Art Quarterly #56 - Summer 2018

CULTURE WARS The culture wars are raging. Neoliberalism and right-wing populism have co-opted the critique of the 1960s and turned it against art, science and the democratic public sphere, while the left is consumed by infighting. This issue is about the return to battle, strategies of (dis-)engagement, and the question of what art is capable of in the aftermath of the great weirding.

Along with pieces on Christoph Schlingensief, Sandra Mujinga, Marianna Simnett, new American rappers, and the influence of the right on culture across Europe, Spike #56 features an essay by Alison Gingeras and Jamieson Webster on the failed experiment of Otto Muehl’s commune and what it can tell us about our own time.

9.50 EUR

PHILE 2

Title: Phile 2
Subject: Periodicals & Reprints
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the international journal of DESIRE AND CURIOSITY

Issue No. 2 will feature 130 pages of cerebral content and thought provoking imagery. Our contributors range in ethnic background as well as gender and sexual identities. PHILE contains articles, interviews, photo essays and creative writing which explore how communities reject societal structures and create space to explore sexuality.

The publication combines elements of an academic journal, an art book and an erotic magazine. Phile dissects forms and practices of sexuality with the aim to encourage a more empathetic understanding towards people and communities who live outside of normative or binary structures. - PHILE

18.00 EUR

F.R. David Spring 2018 - Flurry

Author: (ed.) Will Holder
Title: F.R. David Spring 2018 - Flurry
Publisher: Uh Books, KW Institute of Contemporary Art
Subject: Periodicals & Reprints
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Included are writings by Emmie McLuskey, Krist Gruijthuijsen, Bitsy Knox, Maurin Dietrich, Camille Pageard, Frances Stark, Eileen Myles, and more.

According to editor Will Holder, ‘Flurry’ came about after being asked to propose ten books for acquisition by the Gerrit Rietveld Academie library in Amsterdam. He gave a talk about that selection, for which he preferred reproducing original material over commentary, and wanted to allow others to speak. The outcome was a reading back and forth between the ten books. It soon became clear that this reading would readily lend itself to an issue of ‘F.R. David’. Associated material came up in the process of transcription. 

10.00 EUR

F. R. David Spring 2017 - Inverted Commas

Author: (eds.) Will Holder, Riet Wijnen
Title: F.R. David Spring 2017 - INVERTED COMMAS
Publisher: Uh Books, KW Institute of Contemporary Art
Subject: Periodicals & Reprints
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Contibutions by Michael Asher, Joan Didion, Harun Farocki, Lucy Lippard, Amiri Baraka, Stanley Brown, Silvia Federici and many more !

F.R.DAVID is a typographical journal, edited by Will Holder, dealing with the organisation of reading and writing in contemporary art practises. This 13th issue of F.R.DAVID is edited with Riet Wijnen, and has its origins in her Registry of Pseudonyms, an online database which accounts for who is who and why who is who. ‘Inverted Commas’ follows ‘pseudonym’ through names, naming, bodies, brains, self, author, other, reader, labour.

10.00 EUR

F. R. David Autumn 2017

Author: Will Holder, Scott Rogers (eds.)
Title:  F. R. David (Autumn 2017): RECOGNITION
Publisher: Uh Books, KW Institute for Contemporary Art
Subject: Periodicals & Reprints
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Texts by Mason Leaver-Yap, Scott Rogers, Reza Negarestani, Ian White, Eileen Myles, Ayesha Siddiqi, Marcel Broodthaers, Donna Haraway and more !

'Recognition' is concerned with bodies, ecology, empathy, gazing at the world, and reading (environments) from non-anthropocentric POVs—nonetheless described and written by humans. Animals, birds, and trees feature heavily.

Copernicus told us that the earth was not the center. Darwin told us that man is not the center. If we listened to the anthropologists we might hear them telling us, with appropriate indirectness, that the White West is not the center. The center of the world is a bluff on the Klamath River, a rock in Mecca, a hole in the ground in Greece, nowhere, its circumference everywhere. Perhaps the utopist should heed this unsettling news at last. Perhaps the utopist would do well to lose the plan, throw away the map, get off the motorcycle, put on a very strange-looking hat, bark sharply three times, and trot off looking thin, yellow, and dingy across the desert and up into the digger pines.

Ursula K. Le Guin, A Non-Euclidean View of California as a Cold Place to Be (1982)

10.00 EUR

PHILE 1

Title: Phile 1
Subject: Periodicals & Reprints
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the international journal of DESIRE AND CURIOSITY

w/ contributions by: AA Bronson, Adrienne Kammerer, Andrew B. Myers, Annie Sprinkle, Bibbe Hansen, Bruce LaBruce, Cait Mckinney, Colby Keller, Darby Milbrath, Dennis Cooper, Daniel Shea, Fan Wu, Mark Peckmezian, Matt Lambert, Matthew Tammaro, Molly Matalon, Tairan An, Sholem Krishtalka, Susanna Paasonen, Whitney Mallett, Yael Malka & more

18.00 EUR