SIX CHAIRS BOOKS – art & theory bookstore

In the Shadow of Forward Motion

Author: David Wojnarowicz
Title: In the SHadow of Forward Motion
Publisher: Primary Information
Subject: Artists' Writings, Art History, Cultural History

David Wojnarowicz’s In the Shadow of Forward Motion was originally published in 1989 as a limited-run zine/catalog to accompany an exhibition by the artist at P.P.O.W gallery.

Despite its meager print run of just 50 copies, the publication has garnered a legendary status, and for good reason. In it we find Wojnarowicz’s writing and visual art—two mediums for which the artist is renowned—sitting side by side for the first time, playing off each other in equal measure. We glimpse the artist’s now-iconic mixed media works, with motifs of ants, locomotives, money, tornadoes, and dinosaurs, juxtaposed with journal entries and other texts that examine historical and global mechanisms of power symbolized through the technology of their times. Wojnarowicz uses the fractured experience of his day-to-day life (including dreams, which he recorded fastidiously) to expose these technologies as weapons of class, cultural, and racial oppression.

The artist’s experience living with HIV is a constant subject of the work, used to shed light on the political and social structures perpetuating discrimination against not only himself, but against women and people of color, who faced additional barriers in their efforts to receive treatment for the illness. Rooted in the maelstrom of 1980s art, politics, religion and civil rights, the book provides a startling glimpse into an American culture that we have not yet left behind.

*Felix Guattari provides an introduction*

18.00 EUR

Worms (Two)

Authors: Clem Mcleod (ed.)
Title: Worms (Two)
Publisher: Worms
Subject: Literature & Poetry, Periodicals & Reprints

Worms is a bi-annual literary style magazine that celebrates female/non-binary writer culture. Worms (two) the ‘Revolting Women’ issue looks at women who are literally disgusting, figuratively revolting. With a focus on writers who operate on the fringes of literature, ‘revolt' in a Worms context is vast-ranging. This issue includes features with Maggie Nelson, Tilly Lawless, Sarah Schulman, Amelia Abraham, Juliana Huxtable, Juliet Jacques, Olivia Sudjic and more.

17.00 EUR

Festac ‘77: The 2nd World Festival of Black Arts and Culture

Authors: (ed.) Chimurenga
Title: Festac '77: The 2nd World Festival of Black Arts and Culture
Publisher: Chimurenga, Afterall Books
Subject: Periodicals & Reprints, Essays & Non-fiction, Art History
Stock: back to stock ! 

Early in 1977, thousands of artists, writers, musicians, activists and scholars from Africa and the black diaspora assembled in Lagos for FESTAC ’77, the 2nd World Black and African Festival of Arts and Culture. With a radically ambitious agenda underwritten by Nigeria’s newfound oil wealth, FESTAC ’77 would unfold as a complex, glorious and excessive culmination of a half-century of transatlantic and pan-Africanist cultural-political gatherings.

As told by Chimurenga, this is the first publication to address the planetary scale of FESTAC alongside the personal and artistic encounters it made possible. Featuring extensive unseen photographic and archival materials, interviews and new commissions, the book relays the stories, words and works of the festival’s extraordinary cast of characters. w/ Wole Soyinka, Leopold Sedar Senghor, Ahmed Sekou Tpure, Archie Shepp, Miriam Makeba, Allioune Diop, Jeff Donaldson, Louis Farrakhan, Stevie Wonder, Abdias do Nascimento, Keorapetse Kgositsile, Mario de Andrade, Ted Joans, Nadi Qamar,Carlos Moore, Ayi Kwei Armah, Ama Ata Aidoo, Johnny Dyani, Werewere Liking, Marilyn Nance, Barkley Hendricks, Mildred Thompson, Ibrahim El-Salahi, Jayne Cortez, Atukwei Okai, Jonas Gwangwa, Theo Vincent, Lindsay Barrett, Gilberto de la Nuez, Sun Ra and many others.  & featuring new writing by Akin Adesokan, Moses Serubiri, Harmony Holiday, Semeneh Ayalew, Hassan Musa, Emmanuel Iduma, Michael McMillan, Dominique Malaquais and Cedric Vincent, Molefe Pheto, Ugochukwu-Smooth C. Nzewi, Hermano Penna and Alice Aterianus.

25.00 EUR

Yvonne Rainer. Work 1961-73

Author: Yvonne Rainer
Title: Yvonne Rainer. Work 1961-73
Publisher: Primary Information
Subject: Art History, Artists' Writings, Periodicals and Reprints

I have a longstanding infatuation with language, a not-easily assailed conviction that it, above all else, offers a key to clarity. Not that it can replace experience, but rather holds a mirror to our experience, give us distance when we need it. So here I am, in a sense, trying to ‘replace’ my performances with a book, greedily pushing language to clarify what already was clear in other terms. But, alas, gone. This has seemed one good reason to compile a book ‘out of’ the remains of my performances, letting the language fall where it may. Let it be said simply 'She usually makes performances and has also made a book.' - Yvonne Rainer

Originally published in 1974 by the Nova Scotia College of Art and Design, Yvonne Rainer’s Work 1961-73 documents the artist’s landmark early works at the intersection of dance, performance, and art. The publication provides multifaceted insight into some of the artist’s most celebrated choreographic works, including Terrain (1962), Trio A (1966), Continuous Project-Altered Daily (1970), War (1970), Street Action (1970), and This is the story of a woman who … (1973)among many others.

Assembled ostensibly as a survey, Work 1961-73 features a multitude of documentary forms, including scripts, excerpts from the artist’s notebooks, press reviews, correspondence, photographic documentation, literary excerpts, contextualizing texts by the artist, diagrams, film stills, floor plans, scores, and more. As such, the publication resembles an artist book that generously gives the reader access to Rainer’s modes of working, as well as the social and political context around which the work was made. The publication is also a book of writing, with the artist’s frank, witty, and sometimes humorous prose intimately leading the reader through each work.

36.00 EUR

Return of the Repressed: Destroy All Monsters 1974-1977

Authors: Mike Kelley, Dan Nadel (eds.)
Title: Return of the Repressed: Destroy All Monsters 1974-1977
Publisher: PictureBox
Subject: Cultural History, Art History, Music

The influential Detroit 'anti-rock' group Destroy All Monsters (Mike Kelley, Cary Loren, Niagara, Jim Shaw) made raucous music, irreverent art and legendary zines, performing and disseminating their activities through an elaborate self-mythology. The Destroy All Monsters zines have been reprinted in facsimile editions, but the art objects made by the members have never been examined as independent works. 

Return of the Repressed: Destroy All Monsters 1974–1977 is the first retrospective of the artwork itself, as well as a DAM overview. Produced in collaboration with the artists, it collects the work of the collective between circa 1974–1977, almost all of which is previously unpublished. Included are dozens of candid photographs of the group and their environs by DAM member Carey Loren, which serve as both documents of a proto-punk group at its height and snapshots of the collective’s often hilarious attempts to construct identities as characters in the larger Destroy All Monsters mythology; early prints and drawings by Jim Shaw that show the seeds of his later work, and remain powerful images; a voluminous quantity of drawings and etching by Mike Kelley, often of monsters and political personalities, that indicate the artist’s anarchic roots; and hitherto unseen drawings and prints by Niagara that show the heady imagination and sure-footed line that would continue to serve her well. Return of the Repressed leaves off just as DAM shifted into the now legendary rock band with Niagara at the helm.

33.00 EUR

These Are Situationist Times! An Inventory of Reproductions, Deformations, Modifications, Derivations, and Transformations

Author: Ellef Prestsæter (ed.)
Title: These Are Situationist Times ! An Inventory of Reproductions, Deformations, Modifications, Derivations, and Transformations
Publisher: Torpedo Press
Subject: Periodicals & Reprints, Art History, Artists' Writings

I’m proud you call us gangsters, nevertheless you are wrong. We are worse, we are situationists. — Jacqueline de Jong, 1962

The Situationist Times was a magazine edited and published by the Dutch artist Jacqueline de Jong during the years 1962–67. In its multilingual, transdisciplinary, and cross-cultural exuberance, it became one of the most exciting and playful magazines of the 1960s. Throughout its six remarkably diverse issues, The Situationist Times challenges the notion of what it means to be a situationist, as well as traditional understandings of culture in the broader sense and of how culture is created, formatted, and shared. These Are Situationist Times! provides an in-depth history of the magazine while probing its contemporary relevance. The book also presents the material De Jong assembled in the early 1970s in collaboration with Hans Brinkman for a never realized seventh issue of The Situationist Times, devoted to the game of pinball.

Lavishly illustrated and brimming with previously unseen archival material, These Are Situationist Times! presents new and compelling perspectives on situationism, experimental publishing, and artist-run magazines.

Commissioned contributions by 
Eric Alliez, Ruth Baumeister, Christophe Bourseiller, Larry D. Busbea, Eric C. H. de Bruyn, Matthew Fuller, Rodolphe Gasche, Dennis Gottel, Institute for Computational Vandalism, Jakob Jakobsen, Karen Kurczynski, Joao Pedro Leao, Iz Oztat, Juliette Pollet, Ellef Prestsæter, Margriet Schavemaker, Sean Snyder, McKenzie Wark

Historical texts by
Roland Barthes, Hans Brinkman, Max Bucaille, Friedrich Wolfram Heubach, Jacqueline de Jong, Asger Jorn, Friedrich Kittler, Joost Mathijsen, Piero Simondo, Gianni-Emilio Simonetti, Alexander Trocchi, Paolo Virno, Bernd Jürgen Warneken

40.00 EUR

The Against Nature Journal No. 1

Authors: Aimar Arriola, Gregory Castera (eds.)
Title: The Against Nature Journal No. 1 - Summer 2020
Publisher: Council
Subject: Periodicals & Reprints

The Against Nature Journal is a biannual arts and human rights magazine exploring 'crime against nature' laws and their legacies, in print, in person, and online. Authors and readers from law, activism, social sciences, and the arts are brought together to foster dialogue on sexual and reproductive rights and rethink nature anew.

This inaugural issue outlines the intersections between legislation, human rights activism, and spirituality. It celebrates the magical legacy of the late writer Binyavanga Wainaina with his first piece of fiction, accompanied by an essay on his lifework by Amatesiro Dore. The issue also includes legal scholar Vivek Divan’s commentary on a seminal verdict in the history of 'crime against nature' laws from India, essays on non-normative approaches to spirituality and religion by Mardi Nissinen and Linn Marie Tonstad, poetry by Abu Nuwas and Chekwube Danladi, an inspiring text on the moral authority of 'nature' by science historian Lorraine Daston, images from the colonial period in Vietnam by artist Danh Vo, and columns on recent events in Barbados, Brazil and Abya Yala, India, Kenya, Lebanon, Malaysia, Morocco, and Poland.

15.00 EUR

Dictionary of Color Combinations vol. 2

Author: Sanzo Wada 
Title: Dictionary of Color Combinations vol. 2
Publisher: Seigensha
Subject: Periodicals & Reprints
Stock: sold out !

From 1933 to 1934 Sanzo Wada published a collection of colour combinations that was the first of its kind in Japan. Following on that enduring bestseller, ‘A Dictionary of Color Combinations’ Vol. 2 brings back two more works by Wada published in 1935–1936 and 1938, respectively. The book presents 72 colour patterns themed on the Japanese seasons and another 165 drawn from early to mid-twentieth-century fashion, interior, and graphic design, making it an indispensable reference for designers, fashion and interior specialists, illustrators, photographers, writers, and indeed anyone engaged in creative work.

*billingual (Japanese / English)

17.00 EUR

The Lip Anthology: An Australian Feminist Arts Journal 1976–1984

Author: Vivian Ziherl (ed.)
Title: The Lip Anthology: An Australian Feminist Arts Journal 1976-1984
Publisher: Kunstverein Publishing
Subject: Periodicals & Reprints, Art History

Lip magazine was self-published by women in Melbourne from 1976 to 1984 and stood as a lightning rod for Australian feminist artistic practice over the Women’s Liberation era. The art and ideas expressed over Lip’s lifetime track with groundbreaking moves into performance, ecology, social-engagement and labor politics; all at an intersection with local realities.

Collecting and presenting the materials of Lip for the first time since their original appearance, The Lip Anthology, edited by Vivian Ziherl, privileges the range and dynamism of contesting feminisms that comprised the Lip project. Selected interviews, artist-pages, essays and activist reports are re-produced in facsimile, preserving Lip’s graphic experimentation.

20.00 EUR

Trigger 01 - Impact

Author: Donald Weber (ed.) 
Title: Trigger 01 - Impact
Publisher: Fw Books, FOMU
Subject: Photography, Periodicals & Reprints

The first issue on ‘impact and photography’ is made in close collaboration with The Royal Academy of Fine Arts (KABK), The Hague, The Netherlands, and guest editor Donald Weber, teacher and researcher at KABK. The question that guides us through this TRIGGER issue on ‘Impact’: Can we still assume photography’s (age-old) impact in an image-saturated world, where fake news, the questioning of representative democracy and the return of colonial pasts are engaging different political cultures, publics, action and pression groups?

Through 20 contributions TRIGGER aims to cast impact as a re-enactment or assertion of radical intimacy, initiates a different gaze on the world and shows that impact can exist within an ecology or geography of photography too. Impact is social, participative, conflictual.

With contributions by Donald Weber, Steven Humblet, Ariella Azoulay, Simone Kalkman, Lewis Bush, Wilco Versteeg, Oliver Vodeb, Chris Becher and Mads Holm, Shahidul Alam, Alberto Garcia del Castillo, Andrea Stultiens, Andrew Jackson and Savannah Dodd, Sarah Dominici, M. Neelika Jayawardane, Peter Bouckaert, Rutger van der Hoeven, Florian Gottke, Taco Hidde Bakker, Walter Costa, Stefan Vanthuyne

16.00 EUR

Graphic 44: Berlin Issue - Studio Rental Guide

Authors: Bernd Grether, Kim Young Sam, Lee Aram, Shin Dokho (eds.)
Title: Graphic 44: Berlin Issue - Studio Rental Guide
Publisher: Propaganda
Subject: Graphic Design, Periodicals & Reprints

Berlin is considered as one of the most desirable cities for young creatives. But the average wage in Berlin is significantly lower than any other city in Germany, and the city has long suffered from deficit spending. Reasonable living costs and rents actually pushed Berlin to become a powerhouse of creativity, and yet a recent surge in rent prices threatens to fundamentally change the city’s cultural ecology. Fourteen different studios from all over the city, from iconic studios to lesser-known practices, share stories about Berlin from their own perspectives, about what has and has not changed, and about their expectations and worries, preconceptions and realities.

Contributors: Büro Bum Bum, David Benski, Dinamo, Eps51, Fehras Publishing Practices, FM Aussenwerbung, Ham Minjoo, Kim Jungyun, Kulturplakatierung, Madeleine Morley, Martin Conrads, preggnant, Rimini Berlin, Ruohan Wang, Schick Toikka, Serge Rompza (NODE), Stahl R, Studio Pandan, Studio Santiago da Silva, Studio Yukiko

24.00 EUR

It’s Freezing in LA - Ozone (issue 5)

Author: Martha Dillon (ed.)
Title: It's Freezing in LA - Ozone (issue 5)
Publisher: It's Freezing in LA
Subject: Periodicals & Reprints

Nothing should have flourished here, in this desert, in this country, under this reactionary government – and yet it did, and doesAlexander Harris, IFLA! issue 5

As green commentators speculate about the future of environmentalism in the wake of the COVID-19 crisis, it is more important than ever that green thinking should grow and evolve. In issue 5, we explore new approaches to ideas about climate change. Some articles propose big green changes which might fit into a ‘post-corona’ portfolio of green proposals. Some reflect on the outcomes of existing green approaches, and others interrogate the purpose and ethics of new technologies that aim to improve the environment.

8.00 EUR

Changes, Notes on Choreography

Author: Merce Cunningham
Title: Changes, Notes on Choreography
Publisher: The Song Cave, Merce Cunningham Trust
Subject: Artists' Writings, Periodicals & Reprints

Originally published in 1968 by Dick Higgins’ iconoclastic Something Else Press, the book can be viewed as a 170-page print version of an art performance piece. Just as Cunningham spent most of his career approaching choreography and movement in time and space from an original point of view, this book offers notes, images, and drawings of his work in a non-linear, non-traditional way. Taken together, they form a rich panorama of his ideas, work, and impulses, shown through a lens particular to the time and place of its initial publication.

This new edition, co-published with the Merce Cunningham Trust, coincides with nationwide events, presentations, and discussions about Cunningham, dance, and his influence on culture, and will introduce a new generation to one of the most original choreographers and artists of the 20th century.

25.00 EUR

Carolee’s Magazine

Authors: Carolee Schneemann, Jenny Jaskey, A. E. Benenson  (eds.)
Title: Carolee's Magazine
Publisher: Koenig Books, The Artist's Institute
Subject: Artists's Books, Periodicals & Reprints

Carolee’s is the second issue of The Magazine of the Artist’s Institute. Dedicated to Carolee Schneemann, it features a previously unpublished image archive from Schneemann’s studio that documents half a century of morphological connections between her work and other visual material, including art, advertising, and popular culture. A new long-form profile of Schneemann by writer Maggie Nelson accompanies this project and considers the artist’s relationship to the history of her reception and Schneemann’s significant influence on subsequent generations of feminists.

30.00 EUR

Four Basic Kinds of Lines and Color

Author: Sol LeWitt
Title: Four Basic Kinds of Lines & Colour
Publisher: Primary Information, Printed Matter
Subject: Artists' Books, Periodicals & Reprints

This publication is a facsimile edition of Sol LeWitt’s iconic Four Basic Kinds of Lines & Colour. Originally published in 1977, the publication stands as an enduring example of LeWitt’s rigorous process-driven practice, which utilized simple conceptual parameters to generate complex and formally-diverse visual works.

Four Basic Kinds of Lines & Colour is a composite of two earlier publications—Four Basic Kinds of Straight Lines (1969) and Four Basic Colours and Their Combinations (1971). Each left-hand page offers a black and white study of four types of lines (vertical, horizontal, right-facing diagonal, left-facing diagonal) executed in all possible combinations, while right-hand pages present a combinatory system of lines in four colors (yellow, black, red, blue). The book opens with a two-page key overviewing all permutations that follow.

It is no secret that as a founder of American Conceptualism and one of its early theoreticians, LeWitt valued the idea and logical formulations of an artwork over the art-object. However, while one might suspect that such an adherence would prevent the creation of an aesthetically pleasing work, LeWitt’s efforts here and beyond prove otherwise.

Sol LeWitt was an American artist who worked across a variety of media, including drawing, painting, photography, and sculpture. His early formulations around conceptualism helped to define a generation of artists who prioritized ideas and concepts rather than subjective decision-making in the creation of an artwork. These ideas are most clearly noted in his 'Paragraphs on Conceptual Art' (1967) and 'Sentences on Conceptual Art' (1969) and he is perhaps best-known for pioneering the wall drawing, a work derived from a series of formal operations applied directly to the wall. Throughout his life, LeWitt produced artists’ books and was a co-founder of Printed Matter in 1976.

14.00 EUR

Diagram of Historical Development of Fluxus and Other 4 Dimentional, Aural, Optic, Olfactory, Epithelial, and Tactile Art Forms

Author: George Maciunas
Title: Diagram of Historical Development of Fluxus and Other 4 Dimentional Aural, Optic, Olfactory, Epithelial, and Tactile Art Forms
Publisher: Primary Information
Subject: Art History, Artists' Books, Periodicals and Reprints

George Maciunas’ Diagram of Historical Development of Fluxus and Other 4 Dimentional, Aural, Optic, Olfactory, Epithelial and Tactile Art Forms, was released in 1979 in the Swedish magazine Kalejdoskop (Issue 3). This issue of the magazine consisted of three versions of Fluxus, one being Maciunas’ historical diagram and the others being two essays (one in English and one in Swedish) summarizing the movement by Mats B. on the poster’s sleeve. Primary Information’s edition recreates all three as they originally appeared in 1979.

Maciunas’ Diagram of Historical Development outlines the development of Fluxus while situating it within a wider cultural and art historical spectrum, sometimes to humorous effect. The timeline begins with Roman circuses, medieval fairs, and Futurist theater and moves into Dada, Surrealism, and Vaudeville before addressing developing genres like Earth Art and Happenings and finally ending with FLUXGAMES in 1973. Maciunas’ vast outline dedicates a great deal of space to Fluxus activities, detailing both well-known and obscure performances, publications, and artists from 1961 through 1973. This diagram is one of several versions that Maciunas made that traces the influences that he viewed as fundamental to Fluxus’ development and operation. As the movement’s founder, figurehead, and graphic designer, Maciunas was responsible for Fluxus’ strong graphic identity, which is evident here, and one can also see Diagram of Historical Development through the lens of Maciunas’ Learning Machines, which consisted of diagrams, maps, and lists that prized non-linearity and correlative overlap between various historical fields of knowledge.

14.00 EUR

The Ghetto Lane in Vilnius. Žydų gatvė

Authors: Moi Ver (Moišė Ravivas Vorobeičikas); Mindaugas Kvietkauskas (ed.)
Title: The Ghetto Lane in Wilna / Žydų gatvė
Publisher: The Institute of Lithuanian Literature and Folklore / Lietuvių literatūros ir tautosakos institutas
Subject: Periodicals & Reprints, Photography

‘The Ghetto Lane in Wilna’ was first published in Zürich and Leipzig in 1931. Written in four languages, for a long time already its first edition is considered a real bibliophile treasure, full of its legends and uncertain presumptions. The lovers of photography, Judaica or the history of Vilnius appreciate this mini-album as a remarkable publication where Vilnius – the Jerusalem of Lithuania  is turned into the space for the avant-garde photographical experiments.

*facsimile edition

33.00 EUR

Womens Work

Authors: Alison Knowles and Annea Lockwood (eds.)
Title: Womens Work
Publisher: Primary Information
Subject: Art History, Periodicals & Reprints

Originally published in the mid-1970s, Womens Work was a magazine that sought to highlight the overlooked work of female artists working at the cusp of the visual arts, music, and performance. The magazine was edited by Alison Knowles and Annea Lockwood and featured text-based and instructional performance scores by the following 25 artists, composers, and choreographers:

Beth Anderon, Ruth Anderson, Jacki Apple, Barbara Benary, Sari Dienes, Nye Ffarrabas (participating as Bici Forbes), Simone Forti, Wendy Greenberg, Heidi Von Gunden, Françoise Janicot, Alison Knowles, Christina Kubisch, Carol Law, Annea Lockwood (also included as Anna Lockwood), Mary Lucier, Lisa Mikulchik, Ann Noël (included as Ann Williams), Pauline Oliveros, Takako Saito, Carolee Schneemann, Mieko Shiomi, Elaine Summers, Carole Weber, Julie Winter, and Marilyn Wood.

The magazine was designed by Alison Knowles, who deliberately chose off-white paper and brown inks as a contrast to the sterile, white-paged publications prevalent at the time. The works contained in the magazine range in scope and take on a multitude of forms, employing both typed and written text, often with visual elements such as diagrams, drawings, and photographic images. The editors were and remain adamant that the work should be performed; that they not remain static as an artifact.

We wanted to publish work which other people could pick up and do: that aspect of it was really important…this was not anecdotal, this was not archival material, it was live material. You look at a score, you do it. - Annea Lockwood

23.00 EUR

The Story of Bern, [or] Showing Colors

Authors: Dorothy Iannone; Clement Dirie (ed.)
Title: The Story of Bern, [or] Showing Colors
Publisher: JRP|Editions
Subject: Periodicals & Reprints, Artists' Books

'As much as Love and Eros have defined my work since its beginnings, so too has censorship or its shadow, accompanied it,' recalls Dorothy Iannone in her introduction to this facsimile publication of her legendary 'The Story of Bern, [or] Showing Colors.'

First published in 1970, the book documents the censorship of Iannone's work 'The (Ta)Rot Pack' (1968–1969) and the subsequent removal of all his works by her then companion, artist Dieter Roth, from a collective exhibition at the Kunsthalle Bern. For his exhibition entitled 'Freunde,' Harald Szeemann invited Karl Gertsner, Roth, Daniel Spoerri, and Andre Thomkins who all decided to exhibit their artists friends; Roth chose Iannone alongside Emmett Williams. The censorship of Iannone, and Roth's protest, eventually led to Harald Szeemann's resignation as the director of the institution. 

Telling the story of this act of censorship as well as the context of the exhibition in Bern and its iteration in a non-censored version in Düsseldorf, 'The Story of Bern' is emblematic of Iannone's distinctive, explicit, and comic book style, and of her openness about sexuality and the strengthening of female autonomy

Accompanied by a 4-page insert that includes a new text by Dorothy Iannone and an essay about the context of the book publication by Centre Pompidou curator Frederic Paul, this publication is a facsimile of the original 1970 book. 

40.00 EUR


Authors: Edit DeAk, Walter Robinson (eds.)
Title: Art-Rite
Publisher: Primary Information
Subject: Art History, Periodicals & Reprints

Edited by Walter Robinson, Edit DeAk, and Joshua Cohn, Art-Rite was published in New York City between 1973 and 1978. The periodical has long been celebrated for its underground/overground position and its cutting, humorous, on-the-streets coverage and critique of the art world. Art-Rite moved easily through the expansive community it mapped out, paying homage to an emergent generation of artists, including many who were—or would soon become—the defining voices of the era. Through hundreds of interviews, reviews, statements, and projects for the page—as well as artist-focused and thematic issues on video, painting, performance, and artists’ books—Art-Rite’s sharp editorial vision and commitment to spotlighting the work of artists stands as a meaningful and lasting contribution to the art history of New York City and beyond.


Featured artists include Vito Acconci, Kathy Acker, Bas Jan Ader, Laurie Anderson, John Baldessari, Gregory Battcock, Lynda Benglis, Mel Bochner, Marcel Broodthaers, Trisha Brown, Chris Burden, Scott Burton, Ulises Carrión, Judy Chicago, Lucinda Childs, Christo, Diego Cortez, Hanne Darboven, Agnes Denes, Ralston Farina, Richard Foreman, Peggy Gale, Gilbert & George, John Giorno, Philip Glass, Leon Golub, Peter Grass, Julia Heyward, Nancy Holt, Ray Johnson, Joan Jonas, Richard Kern, Lee Krasner, Shigeko Kubota, Les Levine, Sol LeWitt, Lucy Lippard, Babette Mangolte, Brice Marden, Agnes Martin, Gordon Matta-Clark, Rosemary Mayer, Annette Messager, Elizabeth Murray, Alice Neel, Brian O’Doherty,Genesis P-Orridge, Nam June Paik, Charlemagne Palestine, Judy Pfaff, Lil Picard, Yvonne Rainer, Judy Rifka, Dorothea Rockburne, Ed Ruscha, Robert Ryman, David Salle, Carolee Schneemann, Richard Serra, Jack Smith, Patti Smith, Robert Smithson, Holly Solomon, Naomi Spector, Nancy Spero, Pat Steir, Frank Stella, Alan Suicide (Vega), David Tremlett, Richard Tuttle, Andy Warhol, William Wegman, Lawrence Weiner, Hannah Wilke, Robert Wilson, Yuri, and Irene von Zahn.

38.00 EUR

Žurnalas Kaunui ‘Į’ #4

Authors: Akvilė Anglickaitė,Viktoras Bahmetjevas, Miglė Ceinorytė, Gintaras Česonis, Gintarė Krasuckaitė, Viktorija Mašanauskaitė-Rinkšelė (eds.)
Title: Žurnalas Kaunui 'Į': įvairiatautis Kaunas
Publisher: Kaunas Photography Gallery
Subject: Periodicals & Reprints

Kaunas pastarąją pusę amžiaus gyvavo įsitikinimu, kad yra lietuviškiausias miestas pasaulyje. Tai buvo tiesa. Lyginant su Vilniumi, Klaipėda ar Panevėžiu, Kaune iš tiesų buvo didžiausias lietuvių nuošimtis. Tačiau tai ne visa tiesa. Iki pat Antrojo pasaulinio karo šis miestas buvo itin mišrios tautinės sudėties, tokiu jis po truputį virsta ir dabar.

Šiame numeryje bandome apžvelgti daugiakultūrį Kauną. Žydai, rusai, lenkai, vokiečiai, indai, totoriai, italai atsiskleidžia pačiais įvairiausiais rakursais ir pjūviais. Kaunas, pasirodo, nėra toks vienalytis, kokiu save laiko. Tai buvo vienas atradimas, nuspėjamas, tačiau vis tiek įdomus.

Tačiau rengiant šį numerį nutiko ir kitas dalykas. Bandydami atkapstyti kitas, nelietuviškas, kultūras Kaune, neišvengiamai turėjome priimti ir pamatyti tų kultūrų žvilgsnį į save. Tai, ką laikome duotybe, lietuviškumu, norma, čia mums grįžo tarsi veidrodžio atspindy – kitų kultūrų atstovai atvėrė Kauną, kuris mums gal šiek tiek neįprastas ir naujas, tačiau įdomus ir vis tiek savas. Čia aptikome ir indus, žaidžiančius kriketą, ir kenijietę, sudėjusią meilės dainą Kaunui, ir net indišką šventyklą Rotušės aikštėje.

15.00 EUR

Talker #3. Richard Maxwell

Authors: Richard Maxwell; Giles Bailey (ed.)
Title: The Talker #3
Publisher: self-published / Giles Bailey / Talker
Subject: Periodicals & Reprints, Essays & Non-fiction

This is issue #3. It features a conversation with the director and playwright Richard Maxwell. 

Since 1999 he has worked with his company New York City Players producing theatre work for the stage, for galleries and as moving image. His plays are set in the everyday environments of lobbies, living rooms, karaoke bars and highway intersections. Often non-professionals, his actors portray American archetypes through spare, stylised dialogue and occasionally sing. Recent productions include Queens Row at ICA London, Paradiso at Greene Naftali Gallery and Good Samaritans at Abrons Arts Centre. 

TALKER is an interview zine about performance produced by artist Giles Bailey

6.00 EUR

Talker #2. Kate Valk

Authors: Kate Valk; Giles Bailey (ed.)
Title: The Talker #2
Publisher: self-published / Giles Bailey / Talker
Subject: Periodicals & Reprints, Essays & Non-fiction

It features a conversation with performer Kate Valk. As a founding member of experimental theatre company the Wooster Group, she has contributed to some of the most vital and exploratory live work of the past three decades. This interview took place in October 2016 as her first directorial contribution to the company Early Shaker Spirituals was being performed at the Pompidou Centre. 

TALKER is an interview zine about performance produced by artist Giles Bailey.

6.00 EUR

Talker #4. Sue Tompkins

Authors: Sue Tompkins; Giles Bailey (ed.)
Title: The Talker #4
Publisher: self-published / Giles Bailey / Talker
Subject: Periodicals & Reprints, Essays & Non-fiction

Tompkins is based in Glasgow and at the heart of her practice is a unique treatment of language. This finds form as typed works on paper, installations, paintings and live performances.

The interview focuses on how the performances are made and the situations in which they are experienced. We speak about movement, migraines, parenthood and a desire not to leave the visual world.

TALKER is an interview zine about performance produced by artist Giles Bailey.

6.00 EUR

Talker #1. Ian White

Authors: Ian White; Giles Bailey (ed.)
Title: The Talker #1
Publisher: self-published / Giles Bailey / Talker
Subject: Periodicals & Reprints, Essays & Non-fiction

Issue #1 features a conversation with artist, writer and curator of film , Ian White. The interview took place in January 2012 and focuses on Ian’s live work — from early experimental collaborations to his landmark solo trilogy Ibiza Black Flags Democracy and hybrid curatorial projects.

TALKER is an interview zine about performance produced by artist Giles Bailey.

Each issue features a long-form interview with a performance-maker and is produced as an extension of my own work with the aim of opening up discourse around live practices.

6.00 EUR

Talker #5. Kathy Acker and Spalding Gray

Authors: Kathy Acker, Spalding Gray; Giles Bailey (ed.)
Title: The Talker #5
Publisher: self-published / Giles Bailey / Talker
Subject: Periodicals & Reprints, Essays & Non-fiction

This is Issue #5. It is a transcript of an event hosted by the writer Kathy Acker at the ICA, London in February 1987 in which the performer Spalding Gray discussed his work.

A founding member of the Wooster Group, Spalding Gray gained fame for his autobiographical monologue performances. At the time of this conversation, he had just completed filming Jonathan Demme’s movie adaptation of his work Swimming to Cambodia, a performance in which he describes experiences surrounding a trip to Southeast Asia to play a small role in the film The Killing Fields (1984). In this dialogue with Acker, Gray focuses on the process of developing work and compares his experience of writing with making live performance.

TALKER is an interview zine about performance produced by artist Giles Bailey. 

6.00 EUR

Žurnalas Kaunui "Į" #3 / Magazine for Kaunas "Į" #3

Publisher: Kaunas Photography Gallery
Subject: Periodicals & Reprints

In Kaunas it is still possible to find an aged, diminishing, species: giants of 20th century industry. Next to these fallen giants – i.e., the large Kaunas factories, that used to determine  urban development – have remained the communities that formed around them. Members of these communities, the loyal workers, keep a small part of the remaining industry’s mammoths alive. Old giants of industry are replaced by modern ones. A different kind of organism is born in the city and its surroundings. These new organisms are set in close proximity to residential buildings, which were themselves supposed to be in the refuge of nature, but as industry expands, it takes the place of this nature. 

Brackets are useful when talking about (post)industrial Kaunas, because the phenomena being signified is not complete. In other words, 'post' has not happened yet. There are manifold signs of industry’s prosperity in Kaunas; the diminishing of industry is an ongoing process, and the memory is still alive of those that were, or still are, affected by these changes. The magazine hence does not provide final answers about post-industrial reality, but is rather an attempt to search for starting points of a discussion by selecting the particular case of Kaunas and the dynamics of the ongoing processes of transformation inside of it – a process that encompasses the city’s past, present and future perspectives. 

15.00 EUR

The Happy Hypocrite 10 - Tolstoyevsky

Author: Virginija Januškevičiūtė (ed.)
Title: The Happy Hypocrite 10 - Tolstoyevsky
Publisher: Bookworks
Subject: Periodicals 

‘Tolstoyevsky is not a Russian writer; it is a monster of sorts – a chimera, a composite of two and true to neither one nor a sum. It can make jokes (and threats) fly so fast they skip the funny parts. Here it lends its name to an issue that is about how humour is often not humour, or about how it sometimes doesn’t work, and how half our lives are filled with things that don’t work. Which probably means they work, right?’ – Virginija Januškevičiūtė, from the Outro

The Happy Hypocrite – Tolstoyevsky is, ideally, like a room full of high-spirited people playing a game, trying to do or say some nonsense, folding embarrassment and losses in translation into part of the exchange. The main portion of the journal is made up of responses to an open call; submissions picked up on cues within two short stories: ‘Moles & Mice’ by Candice Lin, and ‘Tolstoyevksy’, written by Virginija Januškevičiūtė about a hospitable man with a house full of books who exclaimed ‘Oh I have read all your Tolstoyevskys!’ when asked what he had read.

With contributions and new work by ateate, David Bernstein, Monika Kalinauskaitė, Zoe Kingsley, Erika Lastovskyte, Michael Lawton, Candice Lin, Elena Narbutaitė, Nick Norton, Kim Schoen, Isabel Waidner, and Jonas Žakaitis. Complemented by old work (images, illustrations) from Pierre Bonnard, Giovanni di Paolo, Felix Vallotton, and Edouard Vuillard.

12.00 EUR

Abstraction creation art non figuratif 1932

Author: Riet Wijnen
Title: Abstraction Creation Art Non Figuratif 1932
Publisher: Kunstverein Publishing
Subject: Periodicals & Reprints, Art History, Artists' Writings

Between 1932 and 1936 five edition of the cahier Abstraction Creation: Art Non-Figuratif was published in Paris by the eponymous association, uniting all movements who worked abstractly. The magazine not only formalised a new tendency for language in visual art, but also became a form of explicit self-promotion and opposition against the growing force of figurative Surrealism, led by Andre Breton. Two minimal yet clear criteria needed to be fulfilled to become a member of the association: you had to be an artist and work non-figuratively. This resulted in a list of members of long-forgotten artists mingled with names such as Kandinsky, Mondrian, Calder, Delaunay, Van Doesburg and Brancusi.

A year after the establishment of the association the first issue of the cahier Abstraction Creation: Art non-figuratif was published. Most of the members handed in documentation of work along with self-written texts. Those writings were visions about their own work, detailed explanations of the documentation, short viewing instructions, epistles about the true meaning of abstract art, essays on the relation between abstract art and evolution, straight forward explanations why a locomotive is not a work of art, and a poem about God being a copycat.

30.00 EUR

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