SIX CHAIRS BOOKS – art & theory bookstore

I Can't Work Like This

Author: Joanna Warsza (ed.)
Title: I Can't Work Like This. A Reader on Recent Boycotts and Contemporary Art
Publisher: Sternberg Press, Salzburg International Summer Academy for Fine Arts
Subject: Essays & Non-Fiction, Theory & Philosophy
Stock: 

In recent years, artists and curators have often been confronted with the political dilemma of engagement or disengagement. The ideological, economic, or ethically objectionable circumstances of certain biennials and art exhibitions have raised the question of whether to continue and, if so, under what circumstances, with what consequences, and to what ends? From 2013 to 2015, biennials in Istanbul, St. Petersburg, Sydney, and Sao Paulo demonstrated that curating and art production can’t just carry on as if nothing had happened.

Contributions by Corina L. Apostol, Julieta Aranda, Burak Arikan, Dave Beech, Boris Buden, Brad Butler & Karen Mirza, Libia Castro & Olafur Olafsson, Tony Chakar, Chto Delat?, Ekaterina Degot, Galit Eilat, Charles Esche, Lara Fresko, Maria Galindo, Erdem Gunduz, Thomas Hirschhorn, Clara Ianni, Alevtina Kakhidze, Matthew Kiem, Kasper Konig, Vasif Kortun, Maria Kulikovska, Pablo Lafuente, Ana Lira, Vesna Madžoski, Angela Mitropoulos, Ahmet Ogut, Andrea Phillips, Natascha Sadr Haghighian, Christoph Schafer, Gregory Sholette, Jonas Staal, Hito Steyerl, Chen Tamir, Nato Thompson, Gabrielle de Vietri, Dmitry Vilensky, Joanna Warsza, Tirdad Zolghadr

20.00 EUR

No Reservation: New York Contemporary Native American Art Movement

Author: David Bunn Martine
Title: No Reservation: New York Contemporary Native American Art Movement
Publisher: Amerinda Inc.
Subject: Theory & Philosophy
Stock: 

The encounter of Native practices and influences with mainstream art created a community in which the relationship between art and indigenous sensibility was recognized and nurtured. These artists have shown in galleries in the heart of SoHo, written articles for publications such as Art in America, and produced work that incorporates the visual strategies of Abstract Expressionism, pop, conceptualism and various strains of postmodernism. Among the artists represented here are Leon Polk Smith, George Morrison, Jimmie Durham, Jaune Quick-to-See Smith, G. Peter Jemison, Jeffrey Gibson, Brad Kahlhamer and Lloyd R. Oxendine.

29.00 EUR

Carceral Capitalism

Author: Jackie Wang
Title: Carceral Capitalism
Publisher: Semiotext(e)
Subject: Essays & Non-fiction, Theory & Philosophy
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What we see happening in Ferguson and other cities around the country is not the creation of livable spaces, but the creation of living hells. When people are trapped in a cycle of debt it also can affect their subjectivity and how they temporally inhabit the world by making it difficult for them to imagine and plan for the future. What psychic toll does this have on residents? How does it feel to be routinely dehumanized and exploited by the police?—from Carceral Capitalism

In this collection of essays in Semiotext(e)'s Intervention series, Jackie Wang examines the contemporary incarceration techniques that have emerged since the 1990s. The essays illustrate various aspects of the carceral continuum, including the biopolitics of juvenile delinquency, predatory policing, the political economy of fees and fines, cybernetic governance, and algorithmic policing. Included in this volume is Wang's influential critique of liberal anti-racist politics, 'Against Innocence,' as well as essays on RoboCop, techno-policing, and the aesthetic problem of making invisible forms of power legible.

13.00 EUR

The Love of Painting

Authors: Isabelle Graw
Title: The Love of Painting. Genealogy of a Success Medium
Publisher: Sternberg Press
Subject: Essays & Non-Fiction, Theory & Philosophy
Stock: 

Painting seems to have lost its dominant position in the field of the arts. However, looking more closely at exhibited photographs, assemblages, installations, or performances, it is evident how the rhetorics of painting still remain omnipresent. Following the tradition of classical theories of painting based on exchanges with artists, Isabelle Graw’s The Love of Painting considers the art form not as something fixed, but as a visual and discursive material formation with the potential to fascinate owing to its ability to produce the fantasy of liveliness. Thus, painting is not restricted to the limits of its own frame, but possesses a specific potential that is located in its material and physical signs. Its value is grounded in its capacity to both reveal and mystify its conditions of production. Alongside in-depth analyses of the work of artists like Edouard Manet, Jutta Koether, Martin Kippenberger, Jana Euler, and Marcel Broodthaers, the book includes conversations with artists in which Graw’s insights are further discussed and put to the test.

'It’s about time for a book declaring 'the love of painting' to appear, afer the aridity of postmodernism’s announcement of painting’s demise. Isabelle Graw’s argument in favor of this love turns on what she terms 'vitalistic fantasies': the perception of artworks as 'quasi subjects' saturated with the life of their creator. This notion of the work of art as a quasi subject relates directly to the philosopher Stanley Cavell’s consideration that 'the possibility of fraudulence, and the experience of fraudulence, is endemic in the experience of contemporary art.' To understand this we must ask: Why do we relate to works of art in the same way we relate to people? The Love of Painting works on this question—and does so with success.'Rosalind E. Krauss

25.00 EUR

Is the Living Body the Last Thing Left Alive?

Authors: Cosmin Costinaș, Ana Janevski (Eds.)
Title: Is the Living Body the Last Thing Left Alive? The New Performance Turn, Its Histories and Its Institutions
Publisher: Sternberg Press, Para Site
Subject: Essays & Non-Fiction, Theory & Philosophy

Contributions by Belkis Ayon, Claire Bishop, Boris Buden, Amy Cheng, Bojana Cvejic, Adrienne Edwards, Patrick D. Flores, Gauri Gill, Simryn Gill, Inti Guerrero, Tetsuya Ishida, Eisa Jocson, Firenze Lai, Andre Lepecki, Xavier Le Roy, Miguel A. Lopez, Carol Yinghua Lu, Rabih Mroue, Ruth Noack, Fernanda Nogueira, Manuel Pelmuș, Goran Sergej Pristaš, Nelly Richard, David Riff, Emily Roysdon, Simon Soon, Marten Spangberg, Catherine Wood, Yangjiang Group, Anthony Yung

The choreographic turn in the visual arts from 1958 to 1965 can be identified by the sudden emergence of works created by very different visual artists in very different places—artists such as Allan Kaprow, Robert Morris, Carolee Schneeman, and Robert Rauschenberg in the United States; Lygia Pape and Helio Oiticica in Brazil; the Gutai group in Japan; and Yves Klein in France. Each explicitly or implicitly used dance or choreographic procedures to reinvent, reimagine, and reimage how the visual arts produced and conceived its images and objects—and therefore conceived itself both as practice and as discourse. Dedicated to the renewed encounter between dance and performance and the institutions of global contemporary art, Is the Living Body the Last Thing Left Alive? proposes that a 'new performance turn' has emerged in the second decade of the century, and looks at its correlations with other shifts in practices, discourses, and broader society. 

The new performance turn is closely related to, on one hand, the increasing tendency to bring contemporary dance into the museum, with more artists working in and around dance, and more museums, art centers, and biennials striving to deepen their commitment to performance in order to develop new aesthetic forms and new modes of production; on the other hand, this 'turn' is also related to specific developments in dance and choreography that took place in the mid-1990s. This publication tries to think about performance as more than a medium, beyond its liveness and ephemerality, and rather as a series of questions and reflections about how art mediates social relations among people. 

39.00 EUR

Vis-a-vision. Conversations with Russian Conceptual Artists, 1979-2013

Author: Victor Tupitsyn
Title:Vis-a-vision. Conversations with Russian Conceptal Artists, 1979-2013
Publisher: Spector Books
Subject: Essays & Non-Fiction, Theory & Philosophy
Stock: 

In the Soviet era Victor Tupitsyn had already begun making recordings in Moscow kitchens and studios of conversations with Russian conceptual artists. They were intended for readers who had no access to these artists, as their work ran foul of official conceptions of art in the Soviet Union and were not shown in exhibitions. Today Russian conceptualism is considered as one of the most influential art tendencies of the late twentieth century. Like many other Russian intellectuals
and artists, Tupitsyn emigrated to New York in the 1970s, where he continued the conversations he had begun. In Vis-a-vision he emerges as an astute interview partner who knows how to build connections between the separate worlds. The conversations, which are here published in full for the first time, feature Ilya Kabakov, Boris Mikhailov, Komar & Melamid, Erik Bulatov, and the groups Collective Actions and Inspection Medical Hermeneutics as well as many others.

28.00 EUR

Goodbye, World! Looking at Art in the Digital Age

Author: Omar Kholeif
Title: Goodbye, World!  Looking at Art in the Digital Age
Publisher: Sternberg Press 
Subject: Theory & Philosophy

The way we see the world has changed drastically since NASA released the 'blue marble' image of the earth taken by Apollo 17 in 1972. No longer a placid slow-moving orb, the world is now perceived as a hothouse of activity and hyper-connectivity that cannot keep up with its inhabitants. The internet has collectively bound human society, replacing the world as the network of all networks. In Goodbye, World! Looking at Art in the Digital Age, writer and curator Omar Kholeif traces the birth of a culture propagated but also consumed by this digitized network. Has the internet transformed the way we see and relate to images? How has the field of perception been altered by evolving technologies, pervasive distribution, and our interaction with screens? How have artists working in diverse contexts, from eBay auctions to augmented reality, created new ways of emoting that are determined by these technologies? Focusing on a cultural and artistic landscape that has taken shape since the year 2000, Kholeif aims to put into context a new language for seeing, feeling, and being that has emerged through post-millennial technologies, and argues for a nuanced understanding of the post-digital condition. Taking cues from John Berger’s Ways of Seeing and Alvin Toffler’s Future Shock, this book—part memoir, part critical analysis—should prove essential for anyone interested in the changing world of the internet.

22.00 EUR

The Love of Painting. Genealogy of a Success Medium

Author: Isabelle Graw
Title: The Love of Painting. Genealogy of a Success Medium
Publisher: Sternberg Press
Subject: Theory & Philosophy
Stock: ✔

Painting seems to have lost its dominant position in the field of the arts. However, looking more closely at exhibited photographs, assemblages, installations, or performances, it is evident how the rhetorics of painting still remain omnipresent. Following the tradition of classical theories of painting based on exchanges with artists, Isabelle Graw’s The Love of Painting considers the art form not as something fixed, but as a visual and discursive material formation with the potential to fascinate owing to its ability to produce the fantasy of liveliness. Thus, painting is not restricted to the limits of its own frame, but possesses a specific potential that is located in its material and physical signs. Its value is grounded in its capacity to both reveal and mystify its conditions of production. Alongside in-depth analyses of the work of artists like Edouard Manet, Jutta Koether, Martin Kippenberger, Jana Euler, and Marcel Broodthaers, the book includes conversations with artists in which Graw’s insights are further discussed and put to the test.

25.00 EUR

On Writing a Literary History of the Contemporary, or What is, or was, "the Contemporary," and should we keep calling it that?

Author: Margaret-Anne Hutton
Title: On Writing a Literary History of the Contemporary, or What is, or was, "the Contemporary,” and should we keep calling it that?
Publisher: Sternberg Press, Aarhus University, ARoS Art Museum
Subject: Essays & Non-fiction, Theory & Philosophy
Stock: ✔ 

'The contemporary' is an established term in a range of scholarly and disciplinary discourses, but what does it mean? Interweaving sections drawn from an (apparently) hypothetical and oxymoronic project—the writing of a literary history of 'the contemporary'—with a critical analysis of the term(s) 'the contemporary' and 'contemporary' in the work of a range of theorists, Margaret-Anne Hutton sets out to expose the inconsistencies and ambiguities in its terminological usage, and to unpick some of the knots which bind the substantive and adjective. How can '(the) contemporary' function as a critical term, and how might we map its history?

8.00 EUR

Sonic Somatic: Performances of the Unsound Body

Author: Christof Migone
Title: Sonic Somatic: Performances of the Unsound Body
Publisher: Errant Bodies
Subject: Theory & Philosophy 
Stock: 

This book delineates a territory of investigation for sound art and its various manifestations through historical, theoretical, polemical and critical analyses of artistic, musical and literary works. In doing so, Migone gives radical definition to an auditory study that includes the complexity of silence and mutism, identity and abjecthood, and language and its stutterances. The recurring site of these stagings is the somatic under all its forms: embodied and disembodied, fragmented and amplified, vocal and mute.

Concrete sites that are investigated include: Antonin Artaud’s writings, Alvin Lucier’s recording I am sitting in a room, Erik Satie’s composition Vexations, Marina Abramovic’s performance Rhythm 0, Adrian Piper’s Untitled Performance for Max’s Kansas City, Melville’s short story Bartleby, the Scrivener, Bob Connolly and Robin Anderson’s documentary film First Contact, and John Cage’s composition 4’33”.

Christof Migone is an artist, curator and writer. He obtained an MFA from the Nova Scotia College of Art & Design in 1996 and a PhD from the Department of Performance Studies at the Tisch School of the Arts of New York University in 2007. He currently is a Lecturer at the Department of Visual Studies and the Director/Curator of the Blackwood Gallery (University of Toronto).

21.00 EUR

Hegel after Occupy

Author: Mikkel Bolt Rasmussen
Title: Hegel after Occupy
Publisher: Sternberg Press, Aarhus University, ARoS Art Museum
Subject: Essays & Non-fiction, Theory & Philosophy
Stock: 

Hegel after Occupy is a Western Marxist analysis of different attempts to understand the present historical situation and the way theories of postmodernity, globalization, and contemporaneity implicitly or explicitly conceptualize the relationship between the historical present and political action. They all persuasively describe a breakdown of former historical categories but paradoxically end up understanding this breakdown as the end of politics tout court. Analysis and 'position' thus merge, and the analytic diagnosis of a disavowal of the future (and the past) ends up as a disavowal of politics.

8.00 EUR

What’s Love (or Care, Intimacy, Warmth, Affection) Got to Do with It?

Authors: Julieta Aranda, Brian Kuan Wood, Stephen Squibb, Anton Vidokle (eds.)
Title: What's Love (or Care, Intimacy, Warmth, Affection) Got to Do with It?
Publisher: Sternberg Press
Subject: Essays & Non-Fiction, Theory & Philosophy
Stock: 

With contributions by Paul Chan, Keti Chukhrov, Cluster, Antke Engel, Hu Fang, Brian Kuan Wood, Lee Mackinnon, Chus Martínez, Tavi Meraud, Fred Moten and Stefano Harney, Elizabeth A. Povinelli and Kim Turcot DiFruscia, Paul B. Preciado, Martha Rosler, Virginia Solomon, Jalal Toufic, Jan Verwoert, Slavoj Žižek

It is often said that we no longer have an addressee for our political demands. But that’s not true. We have each other. What we can no longer get from the state, the party, the union, the boss, we ask for from one another. And we provide. Lacan famously defined love as giving something you don’t have to someone who doesn’t want it. But love is more than a YouTube link or a URL. Love’s joy is not to be found in fulfillment, it is to be found in recognition: even though I can never return what was taken away from you, I may be the only person alive who knows what it is.

18.00 EUR

The School of Public Life: Doormats No. 4

Author: Fred Dewey
Title: The School of Public Life
Publisher: Errant Bodies, Doormats Series
Subject: Theory & Philosophy
Stock: ✔

Drawing on two decades of interventions in politics and culture, Fred Dewey's The School of Public Life records the author's efforts to revive and rethink public space from Los Angeles to Berlin and beyond. Drawing on manifestoes, lectures, letters and experimental texts, the book chronicles one person's efforts to secure a space for public reality, culture, appearance and power. From helping to found neighborhood councils in Los Angeles to directing Beyond Baroque, a public space for poetry, art, sound work, publishing and debate, featuring discussions of the 1992 LA riots, Black Mountain College and the Montgomery Bus Boycott, Dewey recounts a lived experience of self-government face to face with the rise of manufactured reality and an unknown political history. How can we answer the falsehoods of economics, parties and a new slavery of constructed powerlessness? Working from the examples of Hannah Arendt, poet Charles Olson, writer John Berger, Rosa Parks, Martin Luther King, Jr. and others, Dewey's account of life experiences and thinking, public gesture proposes a new kind of school, one powerful enough to address all our conditions-a school for the people and their life.

12.00 EUR

The Incidents. Abstract from the Concrete

Author: David Harvey
Title:  Abstract from the Concrete
Publisher: Sternberg Press, Harvard University Graduate School of Design
Subject: Essays & Non-fiction
Stock: 

Edited by Jennifer Sigler and Leah Whitman-SalkinFeaturing an interview with David Harvey by Mariano Gomez Luque and Daniel Ibanez

Marxist geographer David Harvey opened his lecture with a fact: between 2011 and 2013 China consumed 50 percent more cement than the United States had in the entire twentieth century. In Abstract from the Concrete, he asks why. Spiraling outward—geographically and materially—Harvey travels from the building industry in China to the foreclosed housing market in the United States to the automobile industry in Sao Paolo and back again. The why emerges as a direct result of 'anti-value,' of capital in crisis—intrinsic, he contends, to capital and capital cities today. 

 

12.00 EUR

Forensic Architecture. Violence at the Threshold of Detectability

Author: Eyal Weizman
Title: Forensic Architecture.  Violence at the Threshold of Detectability
Publisher: The MIT Press
Subject: Architecture, Theory & Philosophy
Stock: 

In recent years, the group Forensic Architecture began using novel research methods to undertake a series of investigations into human rights abuses. Today, the group provides crucial evidence for international courts and works with a wide range of activist groups, NGOs, Amnesty International, and the UN. Forensic Architecture has not only shed new light on human rights violations and state crimes across the globe, but has also created a new form of investigative practice that bears its name. The group uses architecture as an optical device to investigate armed conflicts and environmental destruction, as well as to cross-reference a variety of evidence sources, such as new media, remote sensing, material analysis, witness testimony, and crowd-sourcing.

In Forensic Architecture, Eyal Weizman, the group's founder, provides, for the first time, an in-depth introduction to the history, practice, assumptions, potentials, and double binds of this practice. The book includes an extensive array of images, maps, and detailed documentation that records the intricate work the group has performed. Traversing multiple scales and durations, the case studies in this volume include the analysis of the shrapnel fragments in a room struck by drones in Pakistan, the reconstruction of a contested shooting in the West Bank, the architectural recreation of a secret Syrian detention center from the memory of its survivors, a blow-by-blow account of a day-long battle in Gaza, and an investigation of environmental violence and climate change in the Guatemalan highlands and elsewhere.

35.00 EUR

ABC

Author: Bruno Munari
Title: ABC
Publisher: Corraini Edizioni
Subject: Artists' Books, Kids
Stock: 

ABC is an alphabet book written and designed by Bruno Munari in 1960 with his characteristic, colourful humour. Originally conceived for the United States, it has become a simple and entertaining English lesson for Italian children and adults.

25.00 EUR

Distributed

Author: David Blamey, Brad Haylock (eds.)
Title: Distributed
Publisher: Open Editions
Subject: Theory & Philosophy
Stock: 

This new volume in the Occasional Table series of critical anthologies focusses attention on the act of distribution as a subject for serious creative consideration and one of great social and economic importance. Contributors from a variety of backgrounds paint a big picture that embraces the actions of the individual along-side the workings of global markets. From the attention-seeking impulse of the poseur to the democratisation of art and knowledge through books, digital networks, pop music and self-organised libraries, and to the question of what can be known and by whom, the urge to disseminate is explored here as an elemental phenomenon of our time.

Contributions by Ahmed Ansari, Stuart Bertolotti-Bailey, Justin Clemens, Alex Coles, Jonathan Lindley, Neil Cummings, Arnaud Desjardin, Markus Miessen, Bille Muraben, Patricia Reed, Adrian Shaughnessy, Freek Lomme, Eva Weinmayr et al.

25.00 EUR

The Autobiography of Video

Author:  Ina Blom
Title:  The Autobiography of Video. The Life and Times of a Memory Technology
Publisher: Sternberg Press
Subject: Theory & Philosophy
Stock: 

In this innovative take on early video art, Ina Blom considers the widespread notion that analog video was endowed with lifelike memory and agency. Reversing standard accounts of artistic uses of video, she follows the reflexive unfolding of a technology that seemed to deploy artists and artistic frameworks in the creation of new technical and social realities. She documents, among other things, video’s emergence through the framework of painting, its identification with biological life, its exploration of the outer limits of technical and mental time control, and its construction of new realms of labor and collaboration.

24.00 EUR

Whites, Jews And Us. Towards A Politics of Revolutionary Love

Author: Houria Bouteldja
Title: Whites, Jews and Us. Toward a Politics of Revolutionary Love
Publisher: Semiotext(e)
Subject: Theory & Philosophy

Why am I writing this book? Because I share Gramsci's anxiety: 'The old are dying and the new cannot be born; in this interregnum a great variety of morbid symptoms appear.' The fascist monster, born in the entrails of Western modernity. Of course, the West is not what it used to be. Hence my question: what can we offer white people in exchange for their decline and for the wars that will ensue? There is only one answer: peace. There is only one way: revolutionary love.

With Whites, Jews, and Us, Houria Bouteldja launches a scathing critique of the European Left from an indigenous anti-colonial perspective, reflecting on Frantz Fanon's political legacy, the republican pact, the Shoah, the creation of Israel, feminism, and the fate of postcolonial immigration in the West in the age of rising anti-immigrant populism. Drawing upon such prominent voices as James Baldwin, Malcolm X, and Jean Genet, she issues a polemical call for a militant anti-racism grounded in the concept of revolutionary love.

14.00 EUR

A Slow, Contemporary Violence: Damaged Environments of Technological Culture

Author:  Jussi Parikka
Title:  A Slow, Contemporary Violence: Damaged Environments of Technological Culture (The Contemporary Condition)
Publisher: Sternberg Press
Subject: Essays & Non-fiction, Theory & Philosophy
Stock: 

The contemporary moment is comprised of many overlapping speeds, rhythms, and periods of time. A central theme of Jussi Parikka’s book concerns slowness instead of acceleration: a different sort of a temporal horizon in order to understand some of the environmental temporalities that media and technological arts are involved in. This is approached through art and design practices that unfold this multiplicity of time, closely entwined with contemporary concerns in aesthetic theory, to understand and engage with the planetary time scales of slow environmental violence. 

8.00 EUR

The Long 80s

Author: Nick Aikens, Teresa Grandes, Nav Haq, Beatriz Herraez, Nataša Petrešin-Bachelez (eds.)
Title: The Long 80s. Constellations of Art, Politics, and Identities: A Collection of Microhistories
Publisher: Valiz
Subject: Theory & Philosophy
Stock: 

The 1980s triggered a fundamental reorientation in the relationship between governments and their publics, in turn shaping the imaginative landscape of the 21st century. Art and culture played a central role in responding to, pre-empting, and articulating these changes. Although globalisation has produced greater inequality and mixed economic results, it has also permitted the emergence of new regional cultural and activist networks, along with the possibility of a new global or transnational culture. How the effects of this shift have impacted our contemporary condition is told in diverse microhistories which compare very different geopolitical situations in Europe and beyond.

Contributions by Nick Aikens, Henry Andersen, Zdenka Badovinac, Barıs Gencer Baykan, Cristina Camara Bello, Hakim Bey, Manuel Borja-Villel, Rosi Braidotti, Boris Buden, Jesus Carrillo, Bojana Cvejić, Luc Deleu, Ayşe Düzkan, Diedrich Diederichsen, Nazım Hikmet Richard Dikbaş, Corinne Diserens, Merve Elveren, Charles Esche, Marcelo Expósito, Božidar Flajšman, Annie Fletcher, Diana Franssen, June Givanni, Lisa Godson, Teresa Grandas, Nav Haq, Beatriz Herraez, Lubaina Himid, Lola Hinojosa, Antony Hudek, Tea Hvala, Gal Kirn, Neža Kogovšek Šalamon, Anders Kreuger, Elisabeth Lebovici, Rogelio López Cuenca, Geert Lovink, Amna Malik, Pablo Martínez, Lourdes Mendez, Aleš Mendiževec, Ana Mizerit, Alexei Monroe, Meric Oner, Nataša Petrešin-Bachelez, Bojana Piškur, Marta Popivoda, Carlos Prieto del Campo, Pedro G. Romero, Rafael Sanchez Ferlosio, Igor Španjol, Chris Straetling, Erman Ata Uncu, Jelena Vesić, Mar Villaespesa, Vladimir Jerić Vlidi, Ana Vujanovic.

27.50 EUR

The Ordinary Man of Cinema

Author: Jean Louis Schefer
Title: The Ordinary Man of Cinema
Publisher: Semiotext(e)
Subject: Theory & Philosophy

When it was first published in French in 1980, The Ordinary Man of Cinema signaled a shift from the French film criticism of the 1960s to a new breed of film philosophy that disregarded the semiotics and post-structuralism of the preceding decades. Schefer describes the schizophrenic subjectivity the cinema offers us: the film as a work projected without memory, viewed by (and thereby lived by) a subject scarred and shaped by memory. The Ordinary Man of Cinema delineates the phenomenology of movie-going and the fleeting, impalpable zone in which an individual’s personal memory confronts the cinema’s ideological images to create a new way of thinking.

It is also a book replete with mummies and vampires, tyrants and prostitutes, murderers and freaks—figures that are fundamental to Schefer’s conception of the cinema, because the worlds that cinema traverses (our worlds, interior and exterior) are worlds of pain, unconscious desire, decay, repressed violence, and the endless mystery of the body. Fear and pleasure breed monsters, and such are what Schefer’s emblematic 'ordinary man' seeks and encounters when engaging in the disordering of the ordinary that the movie theater offers him.

16.00 EUR

Facing Gaia. Eight Lectures on the New Climatic Regime

Author: Bruno Latour
Title: Facing Gaia. Eight Lectures on the New Climatic Regime
Publisher: Polity Press
Subject: Theory & Philosophy
Stock: 

The emergence of modern sciences in the seventeenth century profoundly renewed our understanding of Nature. For the last three centuries new ideas of Nature have been continuously developed by theology, politics, economics, and science, especially the sciences of the material world. The situation is even more unstable today, now that we have entered an ecological mutation of unprecedented scale. Some call it the Anthropocene, but it is best described as a new climatic regime. And a new regime it certainly is, since the many unexpected connections between human activity and the natural world oblige every one of us to reopen the earlier notions of Nature and redistribute what had been packed inside. So the question now arises: what will replace the old ways of looking at Nature?


This book explores a potential candidate proposed by James Lovelock when he chose the name 'Gaia' for the fragile, complex system through which living phenomena modify the Earth. That he was immediately misunderstood proves simply that his readers have tried to fit this new notion into an older frame, transforming Gaia into a single organism, a kind of giant thermostat, some sort of New Age goddess, or even divine Providence.

22.00 EUR

Public Sphere by Performance

Author: Bojana Cvejic, Ana Vujanovic
Title: Public Sphere by Performance
Publisher: b_books
Subject: Theory & Philosophy
Stock: 

"There are few questions as politically pressing as that of the public - who it is, what it desires, and perhaps more crucially, who wants to destroy it in the name of neoliberal privatisation and the order imposed by the state’s own image of a ‘public’ mobilised against its own people. By addressing the question of the public through the prism of performance, Bojana Cvejić and Ana Vujanović acutely outline the past, present and future of the ‘public’ in an era when all of its supports—the welfare state, a strong image of democracy, collective movements—have been marginalised or destroyed." Nina Power, senior lecturer in philosophy at Roehampton University, London.

16.00 EUR

We Are Here, But Is It Now? (The Submarine Horizons of Contemporaneity)

Author: Raqs Media Collective
Title: The Contemporary Condition: We Are Herem But Is It Now? (The Submarine Horizons of Contemporaneity)
Publisher: Sternberg Press, Aarhus University, ARoS Art Museum 
Subject: Artists' writings, Theory & Philosophy
Stock

It is said that we know more about far-away galaxies than we do about the bottom of the oceans on earth. One could say something similar about our relationship to the future and to the contemporary. The distant future can seem more familiar than the deep present. We know it will come, regardless of whether or not we are around to witness it. Searching for the present is a bit like deep sea diving. How to dive without drowning in the turbulent waters of now? How to find and share sources of illumination in submarine darkness? When to surface and how to ride a strong current? Why stay afloat on the present moment at all? And what to look for while beachcombing the sea-floor of our time? These are some of the questions that Raqs Media Collective address in their account of contemporaneity, guided by a motley collection of figures lost and found in the turbulence of their practice.

8.00 EUR

Visual Pleasure and Narrative Cinema (Rose / Mulvey)

Author:  Rachel Rose
Title: Laura Mulvey: Visual Pleasure and Narrative Cinema
Publisher: Afterall Books
Subject:  Theory & Philosophy, Artists' Writings

Since it first appeared in Screen in 1975, Laura Mulvey's essay ‘Visual Pleasure and Narrative Cinema’ has been an enduring point of reference for artists, film-makers, writers and theorists. Mulvey’s compelling, structured and polemical analysis of visual pleasure has provoked and encouraged others to take positions, challenge pre-conceived ideas and produce new works that owe their possibility to the generative qualities of this key essay.

In this book, the artist Rachel Rose has produced an innovative work that extends and adds to the essay’s frame of reference. Drawing on eighteenth and nineteenth-century fairy tales, and observing that their flat narratives matched the flatness of their depictions, Rose has drawn a connection between what happened in these illustrations before cinema, and what Mulvey describes in her essay – cinema flattening sexuality into visuality. Rose’s intricately layered work, with its mixing of genres and histories, is a complex and playful reformation.

This title is a unique Two Works book: an artist responds to a key text that has informed their understanding of art and its histories.

13.00 EUR

Against the Anthropocene

Author: T.J. Demos
Title: Against the Anthropocene: Visual Culture and the Environment Today
Publisher: Sternberg Press
Subject: Theory & Philosophy
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Addressing the current upswing of attention in the sciences, arts, and humanities to the new proposal that we are in a human-driven epoch called the Anthropocene, this book critically surveys that thesis and points to its limitations. It analyzes contemporary visual culture—popular science websites, remote sensing and SatNav imagery, eco-activist mobilizations, and experimental artistic projects—to consider how the term proposes more than merely a description of objective geological periodization. This book argues that the Anthropocene terminology works ideologically in support of a neoliberal financialization of nature, anthropocentric political economy, and endorsement of geoengineering as the preferred—but likely disastrous—method of approaching climate change. To democratize decisions about the world’s near future, we urgently need to subject the Anthropocene thesis to critical scrutiny and develop creative alternatives in the present.

18.00 EUR

The Flood of Rights

Author: Thomas Keenan, Suhail Malik, Tirdad Zolghadr (eds.)
Title: The Flood of Rights
Publisher: Sternberg Press
Subject: Essays & Non-Fiction, Theory & Philosophy
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It is difficult to imagine making claims for human rights without using images. For better or worse, images of protest, evidence, and assertion are the lingua franca of struggles for justice today. And they seem to come in a flood, more and more, day and night. But through which channels does the torrent pass? The Flood of Rights examines the pathways through which these images and ideas circulate—routes that do not merely enable, but actually shape human-rights claims and their conceptual background. What are the technologies and languages that structure the global distribution of humanism and universalism, and how do they leave their mark on these ideas themselves? Which narratives and imageries have proven easier to export and import, and whose interests are at stake in the configurations in question? 

Contributions by Amanda Beech, Rony Brauman, David Campbell, Olivia Custer, Rosalyn Deutsche, Thomas Keenan, Eric Kluitenberg, David Levine, Suhail Malik, Sohrab Mohebbi, Sharon Sliwinski, Hito Steyerl, Bernard Stiegler, Tirdad Zolghadr

26.00 EUR

Public Space? Lost and Found

Authors: Gediminas Urbonas, Ann Lui, Lucas Freeman  (eds.)
Title: Public Space? Lost and Found
Publisher: The MIT Press
Subject: Architecture, Theory & Philosophy
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atelier d'architecture autogeree * Dennis Adams * Bik Van Der Pol * Adrian Blackwell, Ina Blom * Christoph Brunner with Gerald Raunig * Nestor Garcia Canclini * Colby Chamberlain * Beatriz Colomina * Teddy Cruz with Fonna Forman * Jodi Dean * Juan Herreros * Brian Holmes * Andres Jaque * Caroline Jones * Coryn Kempster with Julia Jamrozik * Gyorgy Kepes * Rikke Luther * Matthew Mazzotta * Metahaven * Timothy Morton * Antoni Muntadas * Otto Piene* Marjetica Potrč * Nader Tehrani * Troy Therrien * Gedminas and Nomeda Urbonas * Angela Vettese * Mariel Villere * Mark Wigley * Krzysztof Wodiczko * Ana María León * T. J. Demos * Doris Sommer and Catherine D'Ignazio

37.00 EUR

Decolonizing Nature

Author: T. J. Demos
Title: Decolonizing Nature. Contemporary Art and the Politics of Ecology
Publisher: Sternberg Press
Subject: Theory & Philosophy
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While ecology has received little systematic attention within art history, its visibility and significance has grown in relation to the threats of climate change and environmental destruction. By engaging artists’ widespread aesthetic and political engagement with environmental conditions and processes around the globe—and looking at cutting-edge theoretical, political, and cultural developments in the Global South and North—Decolonizing Nature offers a significant, original contribution to the intersecting fields of art history, ecology, visual culture, geography, and environmental politics. Art historian T. J. Demos, author of Return to the Postcolony: Specters of Colonialism in Contemporary Art (2013), considers the creative proposals of artists and activists for ways of life that bring together ecological sustainability, climate justice, and radical democracy, at a time when such creative proposals are urgently needed.

22.00 EUR

The Contemporary Composition

Author:  Terry Smith
Title:  The Contemporary Composition (The Contemporary Condition)
Publisher: Sternberg Press
Subject: Essays & Non-fiction, Theory & Philosophy

Can we speak of composition when we are in a state of unfathomable decomposition? Art being made today defies coherent categorization, and the world presents itself, day after day, as spinning into confused chaos, structural disintegration, and violent disorder. Revising his well-known histories of contemporary art, Terry Smith argues that we must respond to the compelling need for coeval composition at a time defined by the contemporaneity of divisive difference. This book traces how—despite many obstacles—visual artists across the globe are rising to this challenge.

The second volume of the Contemporary Condition series continues the investigation into contemporaneity as a defining condition of our historical present. The series aims to question the formation of subjectivity and concept of temporality in the world now. It begins from the assumption that art, with its ability to investigate the present and make meaning from it, can lead to an understanding of wider developments within culture and society. Addressing a perceived gap in existing literature on the subject, the series focuses on three broad strands: the issue of temporality, the role of contemporary media and computational technologies, and how artistic practice makes epistemic claims.

8.00 EUR

e-flux journal. Art Without Death: Conversations on Russian Cosmism

Author: Julieta Aranda, Brian Kuan Wood, Stephen Squibb, Anton Vidokle (eds.)
Title: e-flux journal. Art Without Death: Conversations on Russian Cosmism
Publisher: Sternberg Press
Subject: Essays & Non-fiction, Theory & Philosophy

Contributions by Bart De Baere, Franco 'Bifo' Berardi, Boris Groys, Elena Shaposhnikova, Marina Simakova, Hito Steyerl, Anton Vidokle, Brian Kuan Wood, Arseny Zhilyaev, Esther Zonsheim 

According to the nineteenth-century teachings of Nikolai Fedorov—librarian, religious philosopher, and progenitor of Russian cosmism—our ethical obligation to use reason and knowledge to care for the sick extends to curing the dead of their terminal status. The dead must be brought back to life using means of advanced technology—resurrected not as souls in heaven, but in material form, in this world, with all their memories and knowledge. 

his book of interviews and conversations with today’s most compelling living and resurrected artists and thinkers seeks to address the relevance of Russian cosmism and biocosmism in light of its influence on the Russian artistic and political vanguard as well as on today’s art-historical apparatuses, weird materialisms, extinction narratives, and historical and temporal politics. This unprecedented collection of exchanges on cosmism asks how such an encompassing and imaginative, unapologetically humanist and anthropocentric strain of thinking could have been so historically and politically influential, especially when placed alongside the politically inconsequential—but in some sense equally encompassing—apocalypticism of contemporary realist imaginaries.   

18.00 EUR

The Artist as Curator. An Anthology

Author:  Elena Filipovic (ed.)
Title:  The Artist as Curator. An Anthology
Publisher: Mousse, Koenig Books
Subject: Theory & Philosophy

This is an anthology of essays that first appeared in The Artist as Curator, a series that occupied eleven issues of Mousse from no. 41 (December 2013/January 2014) to no. 51 (December 2015/January 2016). It set out to examine what was then a profoundly influential but still under-studied phenomenon, a history that had yet to be written: the fundamental role artists have played as curators. Taking that ontologically ambiguous thing we call 'the exhibition' as a critical medium, artists have often radically rethought conventional forms of exhibition making. This anthology surveys seminal examples of such exhibitions from the postwar to the present, including rare documents and illustrations.

It includes an introduction and the twenty essays that first appeared in Mousse, a newly commissioned afterword by Hans Ulrich Obrist, and two additional essays that appear here for the first time, discussing twenty-two exhibitions by the Avant-Garde Argentinian Visual Artists Group; Mel Bochner; Marcel Broodthaers; Hank Bull, Shen Fan, Zhou Tiehai, Shi Yong, and Ding Yi; John Cage; Judy Chicago, Miriam Schapiro, and the CalArts Feminist Art Program; Collaborative Projects Inc. (Colab); Alice Creischer, Andreas Siekmann, and Max Jorge Hinderer; Liam Gillick and Philippe Parreno; Group Material; Richard Hamilton and Victor Pasmore; David Hammons; Martin Kippenberger; Mark Leckey;  Goshka Macuga; Lucy McKenzie and Paulina Ołowska; Helio Oiticica; Walid Raad and Akram Zaatari; Martha Rosler; Avdey Ter-Oganyan; Philippe Thomas; and Andy Warhol.

25.00 EUR

Radical Museology

Author: Claire Bishop
Title: Radical Museology: Or What's Contemporary in Museums of Contemporary Art?
Publisher: Koening Books
Subject: Essays & Non-Fiction, Theory & Philosophy

With austerity cuts to public funding, many contemporary art museums have been forced to scale down their budgets, staff and acquisitions. In Radical Museology, New York–based art historian Claire Bishop argues that the incommensurability of fiscal and cultural temporality--one fast, the other slower--points to an alternative world of values in which museums (and by extension, culture, education and democracy in general) are not subject to the banalities of a spreadsheet, but enable us to access a rich and diverse history, to question the present and to realize a different future. She discusses creative solutions implemented at the Van Abbemuseum in Eindhoven, the Museo Nacional de Reina Sofía in Madrid and MSUM in Ljubljana. This book is a manifesto for the importance of a politicized representation of the contemporary in today’s art.

13.00 EUR

What Is Different? Jahresring 64

Authors: Wolfgang Tillmans, Brigitte Oetker (eds.)
Title: What Is Different? Jahresring 64
Publisher: Sternberg Press
Subject: Theory & Philosophy, Essays & Non-fiction
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Since the early 2000s Tillmans has been working on truth study centre, a cycle of works concerned with absolute claims of truth in social and political contexts. Circling around contemporary issues of newly resurfaced right-wing populism, the phenomenon of fake news, and psychological findings such as the backfire effect, Tillmans, rather than analyzing the status quo, focuses on what has changed in the past ten, twenty, thirty, forty years. Why are societal consensus and institutions now under attack? 

Tillmans interviewed scientists, politicians, journalists, and social workers, highlighting the issues at stake from various angles. The publication also contains analytic texts and studies that shed further light on what happens in our brain, ethics, and online behavior when we are confronted with statements that oppose our political beliefs. Tillmans associated these texts with his own images as well as visual material found in print and online. While designing this year’s Jahresring, he has created photocopy works using the four-color scan process on a machine from the 1990s—an early digital collage technique that resonates with the complexity of the situation we find ourselves in today.

25.00 EUR

Miamification

Author: Armen Avanessian
Title: Miamification
Publisher: Sternberg Press
Subject: Essays & Non-Fiction, Theory & Philosophy
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Strange how many deja vus you have here. 

How might we conceive of comradeship with a present that is increasingly predetermined by algorithms and governed by techno-politics? Armen Avanessian chronicles his stay in Miami as an experiment in writing about our times of individual optimization and digitization. An inventory of the self in the second person—and a philosopher’s reflections in the infinity pool of the art world—this book reckons with a new time complex as well as the aesthetics and infrastructures of the contemporary. Can we advance from conditions of financial feudalism and climate change to a progressive poetics of the digital? The city of tropical noir becomes a case study for a geopolitics and economics of the future—Miami vision, Miami vacation, Miami fiction, Miamification.

18.00 EUR

What Was I Thinking?

Author: Jalal Toufic
Title: What Was I Thinking?
Publisher: Sternberg Press
Subject: Essays & Non-Fiction, Theory and Philosophy

What Was I Thinking? is an initiation into thinking. With a mind that is extremely analytical and yet extremely capable of rendering all kinds of knowledge and experiences permeable to each other, Jalal Toufic creates here a 'summa,' but an open-ended one. He looks into the arts as if they were the privileged site of thinking, even when they inevitably fail, and still confronts his insights/thoughts with texts taken from the traditional religions and mystics of the past. He has reached in this work an Olympian attitude—tuned to his basically Dionysian temperament—that announces the beginning of a detachment, of a remarkable serenity (a joy in thinking that Nietzsche had already understood) (...) To imagine the best possible worlds, to go into uncharted territory; these worlds are eminently those of the arts (as he practices them, as he delves into their layers, their paradoxes, their darings, ever admitting their maddening inbuilt inaccessibility). His kind of an endeavor takes a tremendous courage. And a unique freedom: letting his mind go into unpredicted ascertainments, so that his writing 'does not fall apart two days later.'(...)  —Etel Adnan

Ah İstanbul from Jalal Toufic on Vimeo.

18.00 EUR

Object-Oriented Feminism

Author: Katherine Behar (ed.)
Title: Object- Oriented Feminism
Publisher: Minnesota UP
Subject: Theory & Philosophy
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 The essays in Object-Oriented Feminism explore OOF: a feminist intervention into recent philosophical discourses—like speculative realism, object-oriented ontology (OOO), and new materialism—that take objects, things, stuff, and matter as primary. Object-oriented feminism approaches all objects from the inside-out position of being an object too, with all of its accompanying political and ethical potentials. 

This volume places OOF thought in a long history of ongoing feminist work in multiple disciplines. In particular, object-oriented feminism foregrounds three significant aspects of feminist thinking in the philosophy of things: politics, engaging with histories of treating certain humans (women, people of color, and the poor) as objects; erotics, employing humor to foment unseemly entanglements between things; and ethics, refusing to make grand philosophical truth claims, instead staking a modest ethical position that arrives at being “in the right” by being “wrong.” 

26.00 EUR

The New Existentialism

Author: (ed.) Tim Griffin
Title: The New Existentialism
Publisher: Les Presses du Reel
Subject: Theory & Philosophy, Essays & Non-Fiction
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In the face of radical transitions in social organization, technology, and the living environment, numerous thinkers have moved away from semiotic and psychoanalytic critical models in order to question human agency and imagine a broader material one existing in the world. Yet the language attending such endeavors—often put forward in the spirit of 'scientific' or 'objective' exercise—suggests we would benefit from revisiting another era's interrogations of rationalism to engage the dilemmas of our own time. The New Existentialism takes stock of contemporary art in light of these philosophical dialogues, proposing how the tenuous human subject is again faced with the prospect of defining its parameters and context in order to arrive at different terms for ethical thinking, conduct, and meaning.

Features contributions by Emily Apter, Patricia Falguières, Tristan Garcia, Patrice Maniglier, and Matthew Ritchie.

20.00 EUR

Manifestly Haraway

Author: Donna Haraway
Title: Manifestly Haraway
Publisher: Minnesota UP
Subject: Theory & Philosophy
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Electrifying, provocative, and controversial when first published thirty years ago, Donna Haraway’s Cyborg Manifesto is even more relevant today, when the divisions that she so eloquently challenges—of human and machine but also of gender, class, race, ethnicity, sexuality, and location—are increasingly complex. The subsequent Companion Species Manifesto, which further questions the human–nonhuman disjunction, is no less urgently needed in our time of environmental crisis and profound polarization.

Manifestly Haraway brings together these momentous manifestos to expose the continuity and ramifying force of Haraway’s thought, whose significance emerges with engaging immediacy in a sustained conversation between the author and her long-term friend and colleague Cary Wolfe. 

18.00 EUR

When Species Meet

AuthorDonna Haraway
Title: When Species Meet
Publisher: Minnesota UP
Subject: Theory & Philosophy
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In 2006, about 69 million U.S. households had pets, giving homes to around 73.9 million dogs, 90.5 million cats, and 16.6 million birds, and spending more than 38 billion dollars on companion animals. As never before in history, our pets are truly members of the family. But the notion of "companion species"—knotted from human beings, animals and other organisms, landscapes, and technologies—includes much more than "companion animals."

In When Species Meet, Donna Haraway digs into this larger phenomenon to contemplate the interactions of humans with many kinds of critters, especially with those called domestic. At the heart of the book are her experiences in agility training with her dogs Cayenne and Roland, but Haraway’s vision here also encompasses wolves, chickens, cats, baboons, sheep, microorganisms, and whales wearing video cameras.

23.00 EUR

When The World Becomes Flesh

Author: Paolo Virno
Title: When The World Becomes Flesh. Language and Human Nature
Publisher: Semiotext(e)
Subject: Theory & Philosophy
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When the Word Becomes Flesh provides a compelling contribution to the understanding of language and its relation to human nature and social relationships. Adopting Aristotle’s definition of the human being as a linguistic and political animal, Paolo Virno frames the act of speech as a foundational philosophical issue—an act that in its purely performative essence ultimately determines our ability to pass from the state of possibility to one of actuality: that is, from the power to act to action itself. As the ultimate public act, speech reveals itself to be an intrinsically political practice mediating between biological invariants and changing historical determinations. In his most complete reflection on the topic to date, Virno shows how language directly expresses the conditions of possibility for our experience, from both a transcendental and a biological point of view.

17.00 EUR

Improper Life

Author: Timothy C. Cambell
Title: Improper Life. Technology and Biopolitics from Heidegger to Agamben
Publisher: Minnesota UP
Subject: Theory & Philosophy
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Has biopolitics actually become thanatopolitics, a field of study obsessed with death? Is there something about the nature of biopolitical thought today that makes it impossible to deploy affirmatively? If this is true, what can life-minded thinkers put forward as the merits of biopolitical reflection? These questions drive Improper Life, Timothy C. Campbell’s dexterous inquiry-as-intervention.

Campbell argues that a "crypto-thanatopolitics" can be teased out of Heidegger’s critique of technology and that some of the leading scholars of biopolitics—including Michel Foucault, Giorgio Agamben, and Peter Sloterdijk—have been substantively influenced by Heidegger’s thought, particularly his reading of proper and improper writing. In fact, Campbell shows how all of these philosophers have pointed toward a tragic, thanatopolitical destination as somehow an inevitable result of technology.

20.00 EUR

Humanity's End

Author: Nicholas Agar
Title: Humanity's End
Publisher: MIT Press
Subject: Theory & Philosophy
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Proposals to make us smarter than the greatest geniuses or to add thousands of years to our life spans seem fit only for the spam folder or trash can. And yet this is what contemporary advocates of radical enhancement offer in all seriousness. They present a variety of technologies and therapies that will expand our capacities far beyond what is currently possible for human beings. In Humanity’s End, Nicholas Agar argues against radical enhancement, describing its destructive consequences. 

Agar examines the proposals of four prominent radical enhancers: Ray Kurzweil, who argues that technology will enable our escape from human biology; Aubrey de Grey, who calls for anti-aging therapies that will achieve 'longevity escape velocity' Nick Bostrom, who defends the morality and rationality of enhancement; and James Hughes, who envisions a harmonious democracy of the enhanced and the unenhanced.

23.00 EUR

Object Oriented Environs

Author: Jeffrey Jerome CohenJulian Yates (ed.) 
Title: Object Oriented Environs
Publisher: punctum books
Subject: Theory & Philosophy
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Contributions by Lizz Angello, Sallie Anglin, Keith M. Botelho, Patricia A. Cahill, Jeffrey Cohen, Drew Daniel, Christine Hoffmann, Neal Klomp, Julia Lupton, Vin Nardizzi, Tara Pedersen, Tripthi Pillai, Karen Raber, Pauline Reid, Emily Rendek, Lindsey Row-Heyveld, Debapriya Sarkar, Rob Wakeman, Jennifer Waldron, Luke Wilson, and Julian Yates.

Object Oriented Environs is the lively archive of a critical confluence between the environmental turn so vigorous within early modern studies, and thing theory (object oriented ontology, vibrant materialism, the new materialism and speculative realism). The book unfolds a conversation that attempts to move beyond anthropocentrism and examine nonhumans at every scale, their relations to each other, and the ethics of human enmeshment within an agentic material world. The diverse essays, reflections, images and ephemera collected here offer a laboratory for probing the mystery and potential autonomy of objects, in their alliances and in performance.

19.00 EUR

Collapse Volume VII

Author: Reza Negarestani, Robin Mackay (eds.)
Title: Culinary Materialism
Publisher: Urbanomic
Subject: Theory & Philosophy, Periodicals & Reprints
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Cookery has never been so high on the agenda of Western popular culture. And yet the endlessly-multiplying TV shows, the obsessive interest in the provenance of ingredients, and the celebration of ‘radical’ experiments in gastronomy, tell us little about the nature of the culinary. Is it possible to maintain that cookery has a philosophical pertinence without merely appending philosophy to our burgeoning gastroculture? 

Drawing on resources ranging from anthropology to chemistry, from hermetic alchemy to contemporary mathematics, Collapse VII: Culinary Materialism undertakes a trans-modal experiment in culinary thinking. A wide range of contributors including philosophers, chefs, artists, historians, and synaesthetes examine the cultural, industrial, physiological, alchemical and even cosmic dimensions of cookery, and propose new models of culinary thought for the future.

Contributions by Iain Hamilton Grant, John Gerrard, Michael A. Morris, FIELDCLUB, Rick Doljphin, Manabrata Guha, Carol Goodden, Gordon Matta-Clark, AO&, John Cochran, Richard Wrangham, Vanina Leschziner, Andrew Dakin, Sean A. Day, Jeremy Millar, Dan Mellamphy, Nandita Biswas Mellamphy, Eugene Thacker, Eduardo Viveiros de Castro, Dorothee Legrand, Gabriel Catren, Fernando Zalamea.

SPLASH SALE PRICE*

17.00 EUR

Collapse Volume VI

Author: Robin Mackay (ed.)
Title: Geo/Philosophy
Publisher: Urbanomic
Subject: Theory & Philosophy, Periodicals & Reprints
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Real and imaginary geographies and cartographies have played a dual role in philosophy, serving both as governing metaphor and as ultimate grounding for philosophical thought; but urgent contemporary concerns introduce new problems for geophilosophy: planetary political, technological, military, and financial mutations have scrambled territorial formations, and scientific predictions now present us with the apocalyptic scenario of a planet without human thought.

Collapse VI brings together philosophers, theorists, eco-critics, leading scientific experts in climate change, and artists whose work interrogates the link between philosophical thought, geography and cartography, in order to create a portrait of the present state of ‘planetary thought’.

Contributions by Charles Avery, Angela Detanico, Rafael Lain, Stephen Emmott, Renee Green, Gilles Grelet, Manabrata Guha, Owen Hatherley, Nicola Masciandaro, Timothy Morton, Greg Mclnerny, Reza Nagerastani, Drew Purves, F.W.J. Schelling, Eyal Weizman, Rich WIlliams.

SPLASH SALE PRICE*

17.00 EUR

Collapse Volume IV

Author: Robin Mackay (ed.)
Title: Concept Horror
Publisher: Urbanomic
Subject: Theory & Philosophy, Periodicals & Reprints.
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Collapse IV features a series of investigations by philosophers, writers and artists into Concept Horror. Contributors address the existential, aesthetic, theological and political dimensions of horror, interrogate its peculiar affinity with philosophical thought, and uncover the horrors that may lie in wait for those who pursue rational thought beyond the bounds of the reasonable.

Contributions by Kristen Alvanson, Jake and Dinos Chapman, Iain Hamilton Grant, Graham Harman, Michel Houellebecq, Oleg Kulik, Thomas Ligotti, Quentin Meillassoux, China Mieville, Reza Negarastani, Benjamin Noys, Steven Shearer, George Sieg, Eugene Thacker, Keith Tilford, Todosch, James Trafford.

SPLASH SALE PRICE*

17.00 EUR