SIX CHAIRS BOOKS – art & theory bookstore

The ABC of It. Why Children’s Books Matter

Author: Leonard Marcus
Title: The ABC of It. Why Children's Books Matter
Publisher: University of Minnesota Press
Subject: Kids, Cultural History
Stock: 

The story of the origins of children’s literature is a tale with memorable characters and deeds, from Hans Christian Andersen and Lewis Carroll to E. B. White and Madeleine L’Engle, who safeguarded a place for wonder in a world increasingly dominated by mechanistic styles of thought, to artists like Beatrix Potter and Maurice Sendak who devoted their extraordinary talents to revealing to children not only the exhilarating beauty of life but also its bracing intensity. Philosophers like John Locke and Jean-Jacques Rousseau and educators such as Johann Comenius and John Dewey were path-finding interpreters of the phenomenon of childhood, inspiring major strands of bookmaking and storytelling for the young. Librarians devised rigorous standards for evaluating children’s books and effective ways of putting good books into children’s hands, and educators proposed radically different ideas about what those books should include. Eventually, publishers came to embrace juvenile publishing as a core activity, and pioneering collectors of children’s book art, manuscripts, correspondence, and ephemera appeared—the University of Minnesota’s Dr. Irvin Kerlan being a superb example. Without the foresight and persistence of these collectors, much of this story would have been lost forever.

37.00 EUR

Städelschule Lectures 1

Authors: (eds.) Philippe Pirottem Arielle Bier
Title: Städelschule Lectures 1
Publisher: Koenig Books
Subject: Art History, Theory & Philosophy, Essays & Non-fiction
Stock:

!!!!!! 

Städelschule Lectures 1 presents lectures, conversations, and interviews by Monika Baer, Petra Van Brabandt, Douglas Gordon, Mark Leckey, Joshua Oppenheimer, Philippe Parreno, Philippe Pirotte, Lucy Raven, Willem de Rooij, Martha Rosler, Adi Rukun, Georgia Sagri, Mark von Schlegell, Amy Sillman, and Josef Strau. This publication is the first of a series cataloguing selected presentations from the past twenty years. 

20.00 EUR

Afterimages

Author: Laura Mulvey
Title: Afterimages. On Cinema, Women and Changing Times
Publisher: Reaktion Books
Subject: Theory & Philosophy
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Marking a return for Laura Mulvey to questions of film theory and feminism, as well as a reconsideration of new and old film technologies, this urgent and compelling collection of essays is essential reading for anyone interested in the power and pleasures of moving images. 

Its title, Afterimages, alludes to the dislocation of time that runs through many of the films and works it discusses as well as to the way we view them. Beginning with a section on the theme of woman as spectacle, a shift in focus leads to films from across the globe, directed by women and about women, all adopting radical cinematic strategies. Mulvey goes on to consider moving image works made for art galleries, arguing that the aesthetics of cinema have persisted into this environment. 

Structured in three main parts, Afterimages also features an appendix of ten frequently asked questions on her classic feminist essay ‘Visual Pleasure and Narrative Cinema’, in which Mulvey addresses questions of spectatorship, autonomy and identity that are crucial to our era today.

20.00 EUR

A *New* Program for Graphic Design

Author: David Reinfurt
Title: A *New* Program for Graphic Design
Publisher: Inventory Press
Subject: Graphic Design, Theory & Philosophy
Stock: 

A *New* Program for Graphic Design is the first Communication Design text book expressly of and for the 21st century. Synthesizing the pragmatic with the experimental, A *New* Program for Graphic Design builds upon mid- to late-20th-century pedagogical models to convey advanced principles in an understandable form for students of all levels. 

David Reinfurt, a graphic designer, writer, and educator, has developed a design curriculum at Princeton University in which three courses provide a broad and comprehensive introduction to the field for students coming from a range of other disciplines. These courses—Typography, Gestalt, and Interface—are the foundation of this book. 

Through a series of in-depth historical case studies and assignments that progressively build in complexity, the book serves as a practical guide to visually understanding and shaping the increasingly networked world of information and design.

25.00 EUR

Viduramžių ruduo

Author: Johan Huizinga
Title: Viduramžių ruduo
Publisher: Aukso žuvys
Subject: Theory & Philosophy, Cultural History
Stock: ✔

Viduramžių ruduo – bene garsiausia nyderlandų istoriko ir kultūrologo Johano Huizingos studija, pirmą kartą išleista 1919 m. Tai įtraukiantis, vaizdingas, tarsi žodžiais nutapytas pasakojimas, kuriame, remiantis dailės ir literatūros kūriniais, taip pat publicistiniais tekstais, atskleidžiama  XIV–XV a. žmogaus mąstysena ir gyvensenos ypatumai. Pagrindinė veiksmo vieta – Burgundijos hercogo dvaras, pagrindiniai herojai – riteriai ir miestelėnai, kurių aukštieji idealai ir kasdienės godos neatsiejami nuo tikėjimo, meilės, mirties, šventumo vaizdinių.

Huizingos įžvalgos apie vienalaikį Viduramžių ir Renesanso susiliejimą buvo ne tik novatoriškos, bet ir žymėjo naują kryptį istoriografijoje, kurios esmė – aprėpti kultūros formų visumą. Tad ir šioje knygoje nuo socialinės hierarchijos tvarkos ir riterystės idėjos aptarimo nuosekliai pereinama prie gyvenimo stiliaus estetikos ar pokyčių religinėje jausenoje.

SPOILER! This book is in Lithuanian! 
21.00 EUR

Anthropocene Poetics. Deep Time, Sacrifice Zones, and Extinction

Author: David Farried
Title: Anthropocene Poetics. Deep Time, Sacrifice Zones, and Extinction
Publisher: University of Minnesotta Press
Subject: Theory & Philosophy, Literature & Poetry
Stock: 

The Anthropocene describes how humanity has radically intruded into deep time, the vast timescales that shape the Earth system and all life-forms that it supports. The challenge it poses—how to live in our present moment alongside deep pasts and futures—brings into sharp focus the importance of grasping the nature of our intimate relationship with geological time. In Anthropocene Poetics, David Farrier shows how contemporary poetry by Elizabeth Bishop, Seamus Heaney, Evelyn Reilly, and Christian Bok, among others, provides us with frameworks for thinking about this uncanny sense of time.

Looking at a diverse array of lyric and avant-garde poetry from three interrelated perspectives—the Anthropocene and the 'material turn' in environmental philosophy; the Plantationocene and the role of global capitalism in environmental crisis; and the emergence of multispecies ethics and extinction studies—Farrier rethinks the environmental humanities from a literary critical perspective. Anthropocene Poetics puts a concern with deep time at the center, defining a new poetics for thinking through humanity’s role as geological agents, the devastation caused by resource extraction, and the looming extinction crisis

20.00 EUR

Reading Sedwick

Author: Lauren Berlant (ed.)
Title: Reading Sedwick
Publisher: Duke UP
Subject: Theory & Philosophy, Essays & Non-fiction
Stock: 

Over the course of her long career, Eve Kosofsky Sedgwick became one of the most important voices in queer theory, and her calls for reparative criticism and reading practices grounded in affect and performance have transformed understandings of affect, intimacy, politics, and identity. With marked tenderness, the contributors to Reading Sedgwick reflect on Sedgwick's many critical inventions, from her elucidation of poetry's close relation to criticism and development of new versions of queer performativity to highlighting the power of writing to engender new forms of life. As the essays in Reading Sedgwick demonstrate, Sedgwick's work is not only an ongoing vital force in queer theory and affect theory; it can help us build a more positive world in the midst of the bleak contemporary moment.

w/ contributions by Lauren Berlant, Kathryn Bond Stockton, Judith Butler, Lee Edelman, Jason Edwards, Ramzi Fawaz, Denis Flannery, Jane Gallop, Jonathan Goldberg, Meridith Kruse, Michael Moon, Jose Esteban Munoz, Chris Nealon, Andrew Parker, H. A. Sedgwick, Karin Sellberg, Michael D. Snediker, Melissa Solomon, Robyn Wiegman

28.00 EUR

Curating Research

Authors: Paul O'Neil, Mick Wilson (eds.)
Title: Curating Research
Publisher: Open Editions
Subject: Theory & Philosophy
Stock: 

This anthology presents a series of detailed examples of the different kinds of knowledge production that have recently emerged within the field of curatorial practice. The first volume of its kind to provide an overview of the theme of research within contemporary curating, Curating Research marks a new phase in developments of the profession globally. Consisting of case studies and contextual analyses by curators, artists, critics and academics, this publication will be an indispensible resource for all those interested in the current state of art, with particular regard to curating. [*published in 2014]

Texts and contibutions by Hyunjoo Byeon, Carson Chan & Joanna Warsza, Chris Fite-Wassilak, Olga Fernandez Lopez, Kate Fowle, Maja & Reuben Fowkes, Liam Gillick, Georgina Jackson, Sidsel Nelund, Simon Sheikh, Henk Slager, tranzit.hu, Jelena Vesic, Marion von Osten,  Vivian Ziherl

25.00 EUR

Wages Against Artwork

Author: Leigh Claire La Berge
Title: Wages Against Artwork. Decommodified Labor and the Claims of Socially Engaged Art
Publisher: Duke UP
Subject: Theory & Philosophy
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The last twenty years have seen a rise in the production, circulation, and criticism of new forms of socially engaged art aimed at achieving social justice and economic equality. In Wages Against Artwork Leigh Claire La Berge shows how socially engaged art responds to and critiques what she calls decommodified labor—the slow diminishment of wages alongside an increase in the demands of work. Outlining the ways in which socially engaged artists relate to work, labor, and wages, La Berge examines how artists and organizers create institutions to address their own and others' financial precarity; why the increasing role of animals and children in contemporary art points to the turn away from paid labor; and how the expansion of MFA programs and student debt helps create the conditions for decommodified labor. In showing how socially engaged art operates within and against the need to be paid for work, La Berge offers a new theorization of the relationship between art and contemporary capitalism.

26.00 EUR

Anamorfozės: iškreiptos perspektyvos

Author: Jurgis Baltrušaitis
Title: Anamorfozės: iškreiptos perspektyvos
Publisher: Six Chairs Books 
Subject: Art History, Theory & Philosophy
Stock: 

Save vadinęs lietuvių meno teoretiku, dailės istorikas, medievistas Jurgis Baltrušaitis didžiąją savo gyvenimo dalį praleido Paryžiuje, tad ir šiandien jis kur kas labiau žinomas Prancūzijoje nei Lietuvoje. Baltrušaičio tekstuose persipina Kaukazo kraštų meno tyrinėjimai, fantastiškieji vaizdiniai, mįslingi regėjimai, senųjų geometrijos ir perspektyvos tekstų studijos. Tyrinėdamas istorines meno formas ir jų raidą, autorius kartu analizavo ir žmogiškąją vaizduotę bei medijų vartojimo įpročius. 

Pirmą kartą lietuvių kalba išleista autoriaus knyga  „Anamorfozės: iškreiptos perspektyvos” (prancūzų kalba knyga  „Anamorphoses ounperspectives curieuses” išleista 1955 m., vėliau – ne kartą papildyta), kurią iš prancūzų kalbos vertė Daina Habdankaitė, pristato kerinčią anamorfozės reiškinio, istoriją ir atskleidžia monstrišką perspektyvos pusę, paisančią tikslių geometrijos taisyklių ir jungiančią meną ir mokslą, dailę ir filosofiją. 

Kaip knygos įžangoje pastebi vaizdo kultūros tyrinėtoja, menotyrininkė Odeta Žukauskienė: „Baltrušaitis neapsiriko sakydamas, kad anamorfozės priklauso ateities laikui, kuris tikriausiai jau atėjo. Anamorfozių tyrimai persikėlė į architektūrą ir urbanistiką, dizainą, literatūrą, kino ir naujųjų medijų teoriją, psichologiją ir kitas sritis, atskleisdami daugiaperspektyvumo ir daugialypumo principus: daugybės žiūros taškų buvimą ir požiūrio šališkumą, realybės paviršių fiktyvumą ir virtualių įsivaizduojamybės pasaulių santykį su realybe. „Tobulų technologijų sukurtos iliuzijos – taip pat anamorfozių kerai”, teigė jis. Kai anamorfinio formato objektyvai tapo plačiaekranio kino dalimi, anamorfozė įsiliejo ir į kompiuterinį daugiamačio vaizdo modeliavimą.” 

SPOILER ! The book is in Lithuanian! 

17.00 EUR

Self-Organized

Authors: Stine Hebert, Anne Szefer Karlsen (eds.)
Title: Self-Organized
Publisher: Open Editions
Subject: Theory & Philosophy
Stock: 

Exploring one of the most influential methods of contemporary cultural production, Self-Organised takes a broad view on the matter. Artists, curators and critics discuss empirical and theoretical approaches from Europe, Africa and South and North America to how self-organisation today oscillates between the self and the group, self-imposed bureaucratisation and flexibilism, aestheticisation and activism. The contributors identify their time as a crucial moment to propose ways forward for parallel initiatives and institutions alike: from de-organisation and waiting, to rupture and coexistence of aesthetics and politics. However, what they all seem to share is a refreshing search for critical platforms of citizenship, harnessing self-determination in the wake of neo-liberal mainstreaming and right-wing populism alike. [*published in 2013]

Texts and contributions by Julie Ault, Maibritt Borgen, Celine Condorelli & Johan Frederik Hartle, Anthony Davies, Stephan Dillemuth & Jakob Jakobsen, Ekaterina Degot, Charles Esche & David Riff, Barnaby Drabble, Jonas Ekeberg, Linus Elmes, Juan A Gaitan, Abdellah Karroum, Livia Pancu, Jan Verwoert, What, How & For Whom / WHW

25.00 EUR

What’s the Use? On the Uses of Use

Author: Sarah Ahmed
Title: What's the Use? On the Uses of Use
Publisher: Duke UP
Subject: Theory & Philosophy
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In What’s the Use? Sara Ahmed continues the work she began in The Promise of Happiness and Willful Subjects by taking up a single word—in this case, use—and following it around. She shows how use became associated with life and strength in nineteenth-century biological and social thought and considers how utilitarianism offered a set of educational techniques for shaping individuals by directing them toward useful ends. Ahmed also explores how spaces become restricted to some uses and users, with specific reference to universities. She notes, however, the potential for queer use: how things can be used in ways that were not intended or by those for whom they were not intended. Ahmed posits queer use as a way of reanimating the project of diversity work as the ordinary and painstaking task of opening up institutions to those who have historically been excluded.

25.00 EUR

Politics of Study

Authors: Sidsel Meineche Hansen, Tom Vandeputte (eds.)
Title: Politics of Study
Publisher: Open Editions
Subject: Theory & Philosophy
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There's not a single contemporary art college or university today that isn't a battleground. These wars are wars about value, meaning, pedagogy, criticality, and above all, unfortunately, the market. Whether we rise above them, move sideways, go underground, embrace or escape these fights, we did not choose them and their terms generate increasing losses for all those who still desire a relationship to something irreducible to money. This collection of interviews contains passionate visions and analyses that lay bare the stakes of our contemporary political, emotional and educational predicament. [*published in 2015]

Interviews w/ Judy Chicago, Andrea Fraser, Melissa Gordon & Marina Vishmidt, Brian Holmes, Gal Kim, Suhail Malik, The New Centre for Research & Practice, Gerald Raunig, Ruth  Sonderegger

19.00 EUR

How to Make Art at the End of the World

Author: Natalie Loveless
Title: How to Make Art at the End of the World. A Manifesto for Research-Creation
Publisher: Duke UP
Subject: Theory & Philosophy
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In recent years, the rise of research-creation—a scholarly activity that considers art practices as research methods in their own right—has emerged from the organic convergences of the arts and interdisciplinary humanities, and it has been fostered by universities wishing to enhance their public profiles. In How to Make Art at the End of the World Natalie Loveless draws on diverse perspectives—from feminist science studies to psychoanalytic theory, as well as her own experience advising undergraduate and graduate students—to argue for research-creation as both a means to produce innovative scholarship and a way to transform pedagogy and research within the contemporary neoliberal university. Championing experimental, artistically driven methods of teaching, researching, and publication, research-creation works to render daily life in the academy more pedagogically, politically, and affectively sustainable, as well as more responsive to issues of social and ecological justice.

22.00 EUR

Specialism

Author: David Blamey (ed.)
Title: Specialism
Publisher: Open Editions
Subject: Theory & Philosophy
Stock: 

It is widely assumed that everyone is ‘interdisciplinary’ nowadays, that we all work at the intersections of conventional disciplines. But if being flexible, multi-skilled and polymathic are the prerequisites of survival in today’s world, why do educators and art marketeers still find it imperative to maintain conditions of production that advocate specialist outcomes? The aim of this anthology in the Occasional Table series is to critically reflect upon the role of specialism in art and society and to understand better how the claim of those who seek to transcend the parameters of specialisation contrasts to that of others who maintain that deep levels of achievement can only be attained within highly focused methods and forms.

Texts and contributions by David Blamey, Matthew Cornford, Neil Cummings, Dan Fox, Anouchka Grose, Mingyuan Hu, Stephen Knott, Frances Loeffler, Nina Power, Rick Poynor, Alistair Rider, Andrew Robinson, Irit Rogoff & Ruth Sonderegger, Chris Watson & Jon Wozencroft, Ian Whittlesea

23.00 EUR

Earthrise. Ecological Visions on Both Sides of the Wall

Author: Marco Scotini (ed.)
Title: Earthrise. Ecological Visions on Both Sides of the Wall
Publisher: Archive Books
Subject: Theory & Philosophy, Essays & Non-fiction, Exhibition Catalogue
Stock: 

*billingual (Italian / English)

There is no question that ecological ideas have acquired a central role in contemporary episteme. In contrast, the heuristic function that these ideas can assume in the current polarisation is questionable: that which, over the last decade, has identified the environmental crisis with the (categorical and totalitarian) concept of the Anthropocene. Ecological discourse positioned itself inside historically situated trajectories that contributed to the transformation of aesthetical paradigms and political practices.
 
In the scenario that 1968 opened up, the transversal nature of subjectivity allowed it to cover different fields, beginning with the tension between the logic of a unitary discourse and the creation of a multiplicity of possible worlds, between the molar and the molecular, the micro and the macro. Ecological thought, as such, cannot help but conflict with that which is assumed to be homogeneous and constant, with that which forces the earth to be centred, measured, and expropriated, just as life must be biogenetically controlled, colonised, and subjected to patriarchy.

w/ contributions by 9999, Gianfranco Baruchello, Enrico Bonanate, Oriett Brombin, Valeri Ceregini, Antonio D'Avossa, Maja Fowkes, Piero Gilardi, Caterina Iaquinta, Petra K. Kelly, Henry  Martin, Marco Ornella, Daniela  Palazzoli, Marko Pogačnik, Marco Scotini, Ettore Sottsass, Elvira Vannini.

20.00 EUR

The Feminist Bookstore Movement

Author: Kristen Hogan
Title: The Feminist Bookstore Movement. Lesbian Antiracism and Feminist Accountability
Publisher: Duke UP
Subject: Essays & Non-fiction, Theory & Philosophy, Communities
Stock: 

From the 1970s through the 1990s more than one hundred feminist bookstores built a transnational network that helped shape some of feminism's most complex conversations. Kristen Hogan traces the feminist bookstore movement's rise and eventual fall, restoring its radical work to public feminist memory. The bookwomen at the heart of this story—mostly lesbians and including women of color—measured their success not by profit, but by developing theories and practices of lesbian antiracism and feminist accountability. At bookstores like BookWoman in Austin, the Toronto Women’s Bookstore, and Old Wives’ Tales in San Francisco, and in the essential Feminist Bookstore News, bookwomen changed people’s lives and the world. In retelling their stories, Hogan not only shares the movement's tools with contemporary queer antiracist feminist activists and theorists, she gives us a vocabulary, strategy, and legacy for thinking through today's feminisms.

28.00 EUR

Double Lives in Art and Pop Music

Author: Jorg Heiser
Title: Double Lives in Art and Pop Music
Publisher: Sternberg Press
Subject: Art History, Theory & Philosophy, Essays & Non-fiction
Stock: 

Why did Andy Warhol decide to enter the music business by producing the Velvet Underground, and what did the band expect to gain in return? What made Yoko Ono use the skills she developed in the artistic avant-garde in pop music, and what in turn drew John Lennon to visual art? Why, in 1980s West Germany, did Joseph Beuys record a pop single and artists such as Walter Dahn, Albert and Markus Oehlen, and Michaela Melián form bands? What role does utopia play in the pop music and art of Brian Eno, Laurie Anderson, and Fatima Al Qadiri? And, vice versa, did dystopias of transgressive imagery and noise lead the artist group COUM Transmissions to make music as Throbbing Gristle?

In Double Lives in Art and Pop Music, Jorg Heiser argues that context shifting between art and pop music is an attempt to find solutions for contradictions faced in one field of cultural production. Ever since Duchamp’s readymade und Hugo Ball’s sound poetry, the definition of art has widened and dissolved to a point where nearly anything geared toward an art audience can be considered an artwork. Today it has become convention to praise art as a way of questioning conventions, not least in regard to conventional borders between disciplines, media, and genres. However, heroic claims of dissolving borders have become a way of kicking at doors that are already wide open—in a political and economic environment defined by neoliberal deregulation and flexibilization geared toward new markets, and permeating every social and cultural sphere.

24.00 EUR

Hospitality

Authors: Beatrice von Bismarck, Benjamin Meyer-Krahmer (eds.)
Title: Hospitality. Hosting Relations in Exhibitions
Publisher: Sternberg Press
Subject: Theory & Philosophy
Stock: 

A curatorial situation is always one of hospitality. It implies invitations to artists, artworks, curators, audiences, and institutions; people and objects are received, welcomed, and temporarily brought together. It offers resources for material and physical support while also responding to a need for recognition, respect, or attention. Finally, and very importantly, a curatorial situation operates in the space between an unconditional acceptance of the other and exclusions legitimized through various rules and regulations.

This publication analyzes, from the perspective of hospitality, the curatorial within the current sociopolitical context through key topics concerning immigration, conditions along borders, and accommodations for refugees. The contributions in this volume, by international curators, artists, critics, and theoreticians, deal with conditions of decontextualization and displacement, encounters between the local and the foreign, as well as the satisfaction of basic human needs. Hospitality: Hosting Relations in Exhibitions is the third volume in the Cultures of the Curatorial book series.

w/ Beatrice von Bismarck, Nanne Buurman, Alice Creischer, Andrea Fraser, Lorenzo Fusi, Wiebke Gronemeyer, Erik Hagoort, Anthony Huberman, Thomas Locher, Benjamin Meyer-Krahmer, Dieter Roelstraete, Stefan Romer, Jorn Schafaff, Andreas Siekmann, Ruth Sonderegger, Maja Ćirić.

19.00 EUR

Plasticity of the Planet. On Environmental Challenge for Art and Its Institutions

Authors: Magdalena Ziółkowska (ed.)
Title: Plasticity of the Planet. On Environmental Challenge for Art and Its Institutions
Publisher: Mousse Publishing
Subject: Essays & Non-fiction, Theory & Philosophy
Stock: 

Can plastic planetarism replace neoliberal globalization? This publication is informed by Catherine Malabou’s conception of destructive plasticity—an irreversible destruction of form that makes it possible for new phenomena to emerge. Here, the idea provides a framework for reflecting on an environmental crisis that is turning into an increasingly serious social crisis before our very eyes. This is a challenge to which neither contemporary art nor its institutions can remain indifferent; they must urgently develop their responses to it. The theoretical essays contained in this publication shed light on the nature and consequences of the destructive changes taking place in the natural/social environment. They are juxtaposed with artists’, curators’, and art researchers’ comments on more specific practices, protocols, and formats of reaction, with the Ujazdowski Castle Centre for Contemporary Art serving as a particular case study. In a conversation conducted specially for the book, Malabou speaks of the consequences of man’s destructive activities and introduces the notion of ecological plasticity.

w/ contributions by Defne Ayas, Viviana Checchia, Grzegorz Czemiel, Daniel Falb, Cathy Fitzgerald, Mira Gakjina, Alexander Hope, Anne Szefer Karlsen, Jarosław Lubiak, Małgorzata Ludwisiak, Ewa Majewska, Catharine Malabou, Nataša Petrešin-Bachelez, Małgorzata Sugiera, and Magdalena Ziółkowska

25.00 EUR

Productive Universals - Specific Situations

Authors: Anne Kockelkorn, Nina Zschocke (eds.) 
Title: Productive Universals - Specific Situations. Critical Engagements in Art, Architecture, and Urbanism
Publisher: Sternberg Press
Subject: Essays & Non-fiction, Theory & Philosophy, Architecture
Stock: 

In today’s increasingly digitalized and neoliberal societies, debates on universals and specifics have gained new momentum. This volume situates the contemporary return to universal claims and concepts in the fields of art, architecture, and urbanism, and highlights the interrelation of the specific and the universal in diverse historical situations from the nineteenth century to the present. The collection’s essays thus venture an epistemic shift of the concept of universality: from essence to modality, from the abstract and static to the performative and productive.

'To counter the populist pull of a post-truth era this collection dares to return to a thought of universality—and successfully introduces the applicable concept of the productive universal. It must work! Planetary urbanism, the algorithmic management of a global population, and climate crises are all at stake. This thought-provoking book invites architects and urbanists to think through the friction of concrete occasions toward concerns that are universally shared.' Helene Frichot, KTH Royal Institute of Technology, Stockholm

CONTRIBUTIONS BY Ursula Biemann, Ariane Varela Braga, Gaia Caramellino, Manuel Shvartzberg Carrió, Khadija von Zinnenburg Carroll, Johan F. Hartle, Samia Henni, Christa Kamleithner, Anne Kockelkorn, Filippo De Pieri, Katarzyna Ruchel-Stockmans, Emily E. Scott, Laila Seewang, Alla Vronskaya, Andrew Stefan Weiner, Nina Zschocke

25.00 EUR

Allegories of the Anthropocene

Author: Elizabeth M. DeLoughrey
Title: Allegories of the Anthropocene
Publisher: Duke UP
Subject: Theory & Philosophy
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In Allegories of the Anthropocene Elizabeth M. DeLoughrey traces how indigenous and postcolonial peoples in the Caribbean and Pacific Islands grapple with the enormity of colonialism and anthropogenic climate change through art, poetry, and literature. In these works, authors and artists use allegory as a means to understand the multiscalar complexities of the Anthropocene and to critique the violence of capitalism, militarism, and the postcolonial state. DeLoughrey examines the work of a wide range of artists and writers—including poets Kamau Brathwaite and Kathy Jetnil-Kijiner, Dominican installation artist Tony Capellan, and authors Keri Hulme and Erna Brodber—whose work addresses Caribbean plantations, irradiated Pacific atolls, global flows of waste, and allegorical representations of the ocean and the island. In examining how island writers and artists address the experience of finding themselves at the forefront of the existential threat posed by climate change, DeLoughrey demonstrates how the Anthropocene and empire are mutually constitutive and establishes the vital importance of  allegorical art and literature in understanding our global environmental crisis.

25.00 EUR

Wild Blue Media. Thinking Through Seawater

Author: Melody Jue
Title: Wild Blue Media. Thinking Through Seawater
Publisher: Duke UP
Subject: Theory & Philosophy
Stock: 

In Wild Blue Media, Melody Jue destabilizes terrestrial-based ways of knowing and reorients our perception of the world by considering the ocean itself as a media environment—a place where the weight and opacity of seawater transforms how information is created, stored, transmitted, and perceived. By recentering media theory on and under the sea, Jue calls attention to the differences between perceptual environments and how we think within and through them as embodied observers. In doing so, she provides media studies with alternatives to familiar theoretical frameworks, thereby challenging scholars to navigate unfamiliar oceanic conditions of orientation, materiality, and saturation. Jue not only examines media about the ocean—science fiction narratives, documentary films, ocean data visualizations, animal communication methods, and underwater art—but reexamines media through the ocean, submerging media theory underwater to estrange it from terrestrial habits of perception while reframing our understanding of mediation, objectivity, and metaphor.

25.00 EUR

South of Pico

Author: Kellie Jones
Title: South of Pico. African American Artists in Los Angeles in the 1960s and 1970s
Publisher: Duke UP
Subject: Essays & Non-fiction, Art History, Theory & Philosophy
Stock: 

In South of Pico Kellie Jones explores how the artists in Los Angeles's black communities during the 1960s and 1970s created a vibrant, productive, and engaged activist arts scene in the face of structural racism. Emphasizing the importance of African American migration, as well as L.A.'s housing and employment politics, Jones shows how the work of black Angeleno artists such as Betye Saar, Charles White, Noah Purifoy, and Senga Nengudi spoke to the dislocation of migration, L.A.'s urban renewal, and restrictions on black mobility. Jones characterizes their works as modern migration narratives that look to the past to consider real and imagined futures. She also attends to these artists' relationships with gallery and museum culture and the establishment of black-owned arts spaces. With South of Pico, Jones expands the understanding of the histories of black arts and creativity in Los Angeles and beyond.

28.00 EUR

Art and Language International: Conceptual Art Between Art Worlds

Author: Robert Bailey
Title: Art & Language International: Conceptual Art Between Art Worlds
Publisher: Duken UP
Subject: Art History, Theory & Philosophy
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In Art & Language International Robert Bailey reconstructs the history of the conceptual art collective Art & Language, situating it in a geographical context to rethink its implications for the broader histories of contemporary art. Focusing on its international collaborations with dozens of artists and critics in and outside the collective between 1969 and 1977, Bailey positions Art & Language at the center of a historical shift from Euro-American modernism to a global contemporary art. He documents the collective’s growth and reach, from transatlantic discussions on the nature of conceptual art and the establishment of distinct working groups in New York and England to the collective’s later work in Australia, New Zealand, and Yugoslavia. Bailey also details its publications, associations with political organizations, and the internal power struggles that precipitated its breakdown. Analyzing a wide range of artworks, texts, music, and films, he reveals how Art & Language navigated between art worlds to shape the international profile of conceptual art. Above all, Bailey underscores how the group's rigorous and interdisciplinary work provides a gateway to understanding how conceptual art operates as a mode of thinking that exceeds the visual to shape the philosophical, historical, and political.

25.00 EUR

Work! A Queer History of Modelling

Author: Elspeth H. Brown
Title: Work! A Queer History of Modelling
Publisher: Duke UP
Subject: Essays & Non-fiction, Theory & Philosophy
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From the haute couture runways of Paris and New York and editorial photo shoots for glossy fashion magazines to reality television, models have been a ubiquitous staple of twentieth- and twenty-first-century American consumer culture. In Work! Elspeth H. Brown traces the history of modeling from the advent of photographic modeling in the early twentieth century to the rise of the supermodel in the 1980s. Brown outlines how the modeling industry sanitized and commercialized models' sex appeal in order to elicit and channel desire into buying goods. She shows how this new form of sexuality—whether exhibited in the Ziegfeld Follies girls' performance of Anglo-Saxon femininity or in African American models' portrayal of black glamour in the 1960s—became a central element in consumer capitalism and a practice that has always been shaped by queer sensibilities. By outlining the paradox that queerness lies at the center of capitalist heteronormativity and telling the largely unknown story of queer models and photographers, Brown offers an out of the ordinary history of twentieth-century American culture and capitalism.


28.00 EUR

The Glossary of Cognitive Activism – (For a Not So Distant Future)

Author: Warren Neidich
Title: Glossary of Cognitive Activism – (For a Not So Distant Future)
Publisher: Archive Books
Subject: Theory & Philosophy
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This glossary is meant to accompany the three-volume publication The Psychopathologies of Cognitive Capitalism Part 1, 2 and 3. It reflects the concerns contained in those volumes. It marks the beginning of a long-term process of creating a dictionary of terms with which to understand and eventually destabilize the complex ways through which a future Neural Capitalism will work in creating contemporary forms of neural subsumption. Neural subsumption is a future condition brought about by an assemblage of networked neural technologies that will link our brainwaves to the Internet of Everything (IoE) and then encode them to use in advanced data analysis. No thought conscious or unconscious will be left unrecorded, encoded or surveyed. Furthermore this data will be used for a future form of data inscription upon the connectome: the data set describing the connection matrix of the nervous system and which represents the network of anatomical connections linking neural elements together. This in the end constitutes what I have called the Statisticon.—Warren Neidich

18.00 EUR

Rehearsing Hospitalities

Authors: Yvonne Billimore, Jussi Koitela (eds.)
Title: Rehearsing Hospitalities
Publisher: Archive Books, Frame Contemporary Art Finland
Subject: Essays & Non-fiction, Theory & Philosophy
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Upon what kind of power structures of knowledge and knowing are contemporary art and artistic institutions dependent? Do practitioners in the art field reproduce oppressive Western epistemic paradigms through artistic practices and institutional structures, and if so, is there space for emancipatory ways of knowing? What are the ways that intersectional subjectivities open up new epistemic processes within the artistic field? These are among the questions and considerations that provide a critical lens for the 2019 Rehearsing Hospitalities programme by Frame Contemporary Art Finland, Helsinki.

15.00 EUR

Feminist Art Activisms and Artivisms

Author:  Katy Deepwell (ed.)
Title: Feminist Art Activisms and Artivisms
Publisher: Valiz
Subject: Essays & Non-fiction, Theory & Philosophy
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‘Feminisms’ (as a plural) is widely used today to draw attention to inequalities and to critique the status quo in limiting women’s roles/ positions/ lives/ potential. Art can offer a vision of future worlds, manifesting a desire for projecting change, playing with existing realities and conventions. Feminist Art Artivism and Activism, two sides of the same coin, arise where art approaches, develops or transforms into activism and vice versa, where activisms become artivisms. In both, art emerges in differing forms of political intervention, at both an individual, shared or collective level, apparent in actions, events, identifications and practices. 

This volume wants to reveal the diversity of these practices and realities. Representing a range of critical insights, perspectives and practices from artists, activists, curators, academics and writers, it explores and reflects on the enormous variety of feminist interventions in the field of contemporary art, social processes, the public sphere and politics. In doing so, Feminist Art Activisms and Artivisms touches upon broader questions of cultural difference, history, class, economic position, ecology, politics, sexual orientation, and the ways in which these intersect.

Contributions by Linda Aloysius, Marissa Begonia, Sreyashi Tinni Bhattacharyya, Marisa Carnesky, Paula Chambers, Amy Charlesworth, Emma Curd, Katy Deepwell, Tal Dekel, Emma Dick, Lior Elefant, Christine Eyene, Abbe Leigh Fletcher, GraceGraceGrace, Alana Jelinek, Sonja van Kerkhoff, Alexandra Kokoli, Elke Krasny, Loraine Leeson, Laura Malacart, Rosy Martin, Alice Maude-Roxby, Kathleen Mullaniff, Louise O’Hare, Tanja Ostojić, Martina Pachmanová, Gill Park, Pune Parsafar, Roxane Permar, Anne Robinson, Stefanie Seibold, Pam Skelton, Mare Tralla, Christina Vasileiou, Camille Melissa Waring, Michelle Williams Gamaker, Virginia Yiqing Yang. 

28.00 EUR

Modern Typography. An Essay in Critical History

Author: Robin Kinross
Title: Modern Typography. An Essay in Critical History
Publisher: Editions B42
Subject: Graphic Design, Theory & Philosophy
Stock: temporary unavailable

Situating the birth of modern typography around 1700, when it started to be distinct from printing, Robin Kinross introduces in Modern Typography a new understanding of the subject: as something larger and more deeply rooted than a modernism of style, echoing Jürgen Habermas’s proposition that modernity is ‘a continuing project’. Starting with the early years of the Enlightenment in France and Britain, different cultures and countries successively become the focus for the discussion as they gain significance. Examining the social, technical and material contexts in which typographers operate, the argument also considers principles and explanations of practice. This essay is seminal in many ways, providing a lively and critical narrative of historical development, a springboard for further investigation, and reproductions of not-often seen items.

'This is a book to read and reread. It is provocative, dense, opinionated, and thoroughly original. […] It deserves to become a classic.' - Alastair Johnston, Bookways

28.00 EUR

Conceptual Art in a Curatorial Perspective

Author: Nathalie Zonnenberg
Title: Conceptual Art in a Curatorial Perspective
Publisher: Valiz
Subject: Theory & Philosophy, Art History
Stock: temporary unavailable

Conceptual Art in a Curatorial Perspective: Between Dematerialization and Documentation focuses on the curatorial practice of exhibiting conceptual art. The fact that conceptual works are not object-based, creates challenges in exhibiting or re-exhibiting them. This book offers various perspectives on how to handle conceptual art in the context of the museum, based on three detailed case studies and an extensive introduction in which the paradox of conceptual art is analyzed. It also elaborates on the history of exhibiting conceptual artworks, and on the influence of curators in their canonization. 

The aim of the book is not to offer clear-cut practical solutions, but to raise awareness of the issue and the different ways of dealing with it within the traditional curatorial field. It is relevant for students of art and culture (particularly in museum and curatorial studies), art and museum professionals, and everyone interested in the art of the 1960s and 1970s.

27.00 EUR

Composing the Space. Sculptures in the Avant-garde

Authors: (eds.) Malgorzata Jedrzejczyk, Katarzyna Sloboda
Title: Composing the Space. Sculptures in the Avant-garde. A Reader / Anthology
Publisher: Walther Koenig
Subject: Art History, Theory & Philosophy
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Guided in part by the concerns of Polish sculptor Katarzyna Kobro, Composing the Space looks at avant-garde sculpture’s dialogues with various conceptions of space, movement and the human body. Kobro’s artistic experiments are presented in the context of comparable sculptural endeavors by artists such as Naum Gabo, Friedrich Kiesler and El Lissitzky. In Kobro’s view, the dynamism of our motor skills should be counterbalanced with a carefully measured and organized sequence of plastic (sculptural, architectural) rhythms unfolding in both time and space.

According to Kobro, sculpture was becoming a model of the new order to be introduced in our immediate environment, based on a psychophysical coordination of human beings leading to a rationalized and purposeful construction of the space of everyday life. Included here are texts by Naum Gabo, Barbara Hepworth, Katarzyna Kobro, Laszló Moholy-Nagy, Vladimir Tatlin and Georges Vantongerloo, alongside critical commentary by Yve-Alain Bois, Carola Giedion-Welcker, Rosalind Krauss, Megan Luke and Alex Potts.

35.00 EUR

Word, Image and Institutional Critique

Author: (ed.) Christa-Maria Lerm Hayes
Title:  Brian O'Doherty / Patrick Ireland.Word, Image and Institutional Critique
Publisher: Valiz
Subject: Essays & Non-fiction
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This collection of essays assembles investigations of Brian O’Doherty’s / Patrick Ireland’s seminal work: his visual art practice, art criticism, institutional leadership and critique, media work, and literary writing. The international authors provide fresh perspectives on an oeuvre that has resonance on both sides of the Atlantic. 
O’Doherty’s role in and for conceptual art and minimalism in New York through, among others, publication of a box-shaped journal, Aspen 5+6 (1967) is as much a theme as his seminal critique of the Modernist white cube gallery (Inside the White Cube, 1976), his art-historical ventures, and Irish origins. O’Doherty’s key role in creating funding mechanisms for conceptual and live art in the US (as a Director of the National Endowment for the Arts) is featured, together with his differentiation and calling into question of many categories, such as landscape, drawing, the senses, and word and image relations. 

Features contributions by:  Alexander Alberro, Hans Belting, Anne-Marie Bonnet, Lucy Cotter, Patricia Falguières, Christina Kennedy, Ingmar Lähnemann, Christa-Maria Lerm Hayes, Thomas McEvilley, Brenda Moore-McCann, Barbara Novak, Whitney Rugg, Yvonne Scott, Mary-Ruth Walsh

25.00 EUR

Painting Beyond Itself

Authors: Isabelle Graw, Ewa Lajer-Burcharth (eds.)
Title:  Painting Beyond Itself. The Medium in the Post-medium Condition
Publisher: Sternberg Press
Subject: Essays & Non-fiction, Theory & Philosophy
Stock: temporary unavailable

In response to recent developments in pictorial practice and critical discourse, 
Painting beyond Itself: The Medium in the Post-medium Condition seeks new ways to approach and historicize the question of the medium. Reaching back to the earliest theoretical and institutional definitions of painting, this book—based on a conference at Harvard University in 2013—focuses on the changing role of materiality in establishing painting as the privileged practice, discourse, and institution of modernity. Myriad conceptions of the medium and its specificity are explored by an international group of scholars, critics, and artists. Painting beyond Itself is a forum for rich historical, theoretical, and practice-grounded conversation.

With contributions by Carol Armstrong, Benjamin H. D. Buchloh, Sabeth Buchmann, Rene Demoris, Isabelle Graw, David Joselit, Jutta Koether, Ewa Lajer-Burcharth, Jacqueline Lichtenstein, Julie Mehretu, Matt Saunders, Amy Sillman

15.00 EUR

Art and (Bare) Life

Author: Josephine Berry
Title:  Art and (Bare) Life
Publisher: Sternberg Press
Subject: Theory & Philosophy
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Art and (Bare) Life: A Biopolitical Inquiry analyzes modern and contemporary art’s drive to blur with life, and how this is connected to the democratic state’s biologized control of life. Art’s ambition to transform life intersects in striking ways with modern biopower’s aim to normalize, purify, judge, and transform life—rendering it bare. In these intersecting yet different orientations toward life, this book finds the answer to the question: How did autonomous art become such an effective tool of the capitalist state?  

From today’s 'creative cities' to the birth of modern democracy and art in the French Revolution, Art and (Bare) Life explores how the Enlightenment’s discovery of life itself is mirrored in politics and art. The galvanizing revelation that we are, in Michel Foucault’s words, 'a living species in a living world,' free to alter our environment to produce specific effects, is compared here to the discovery that art is an autonomous system that can be piloted toward its own self-determined ends—art for art’s sake. But when both art and the capitalist state seek to change life rather than reflect it, they find themselves set on a collision course.  

'The millennial body of the human is a territory marked by sacred codes, disciplines, and abstractions. To the technologies of biopower Josephine Berry waves the Medusa head of the art of rebellion.'

—Matteo Pasquinelli, Professor in Media Theory, Karlsruhe University of Arts and Design

25.00 EUR

Love and Ethnology

Authors: Diedrich Diederichsen, Anselm Franke (eds.)
Title: Love and Ethnology. The Colonial Dialectic of Sensitivity (after Hubert Fichte)
Publisher: Sternberg Press, Haus der Kulturen der Welt (HKW)
Subject: Theory & Philosophy, Essays & Non-fiction, Artists' Writings
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Can the ethnological observations and feelings on Afro-diasporic cultures of a German writer be 'restituted'? What are the possibilities and limits of using self-reflection and gay sexuality as research tools?

Since 2017, the exhibition and publication project Hubert Fichte: Love and Ethnology has followed these questions through Hubert Fichte’s cycle of novels Die Geschichte der Empfindlichkeit (The History of Sensitivity). Fascinated by Afro-diasporic arts and religions, Fichte (1935–1986) traveled to cities such as Salvador da Bahia, Santiago de Chile, Dakar, New York, and Lisbon. For the project, translations from his Geschichte der Empfindlichkeit became the basis for critical local receptions and new artistic works in these cities. The final exhibition Love and Ethnology – The Colonial Dialectic of  Sensitivity (after Hubert Fichte) at Haus der Kulturen der Welt in Berlin presents these reflections against the background of the relationship between ethnology and the aesthetic avant-garde in post-war West Germany.

w/ contributions by Dulcie Abrahams Altass, Kader Attia, Jan-Frederik Bandel, Jürgen Bock, Max Jorge Hinderer Cruz, Lisa Deml, Diedrich Diederichsen, Rosa Eidelpes, Erhard Eppler, Anselm Franke, Renee Green, Ayrson Heraclito, Koyo Kouoh, Dirck Linck, Tiona Nekkia Mcclodden, Mario Navarro, Amilcar Packer, Marleen Schroder, Denise Ferreira da Silva, David Simo, Kerstin Stakemeier, Yesomi Umolu. 

28.00 EUR

Aesthetics of Standstill

Authors: Barbara Gronau, Reinhold Gorling, Ludger Schwarte     (eds.)
Title: Hospitality. Hosting Relations in Exhibitions
Publisher: Sternberg Press
Subject: Theory & Philosophy
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'Standstill' could be the name for the exact kind of experience that is the hiatus between social expectations and real possibilities of agency. Standstill may also be the name of an aesthetic strategy to instill a non-linear time of resistance and experience into the political protocol of progress. Finally, standstill can be the name for the temporal fissure in the midst of the subject, for the lapse between the subject of the enunciation and the subject of a statement, the limit that is the border between the inside and the outside. It can be the name for the mode of potentiality, for the moment of gesture, or, with Walter Benjamin, the medium of the dialectical image. The essays of this book transverse these dimensions of standstill as an in-between of time. The book includes essays by Georges Didi-Huberman, David Lapoujade, Peter Osborne, Jacques Rancière, Christine Ross, and others as well as conversations with Via Lewandowsky, Aernout Mik and Marcel Odenbach.

22.00 EUR

Thinking Through Painting

Authors: Daniel Birnbaum, Isabelle Graw, Nikolaus Hirsch (eds.)
Title: Thinking Through Painting. Reflexivity and Agency Beyond the Canvas
Publisher: Sternberg Press
Subject: Theory & Philosophy
Stock: temporary unavailable

Painting has demonstrated remarkable perseverance in the expanding field of contemporary art and the surrounding ecology of media images. It appears, however, to have dispelled its own once-uncontested material basis: no longer confined to being synonymous with a flat picture plane hung on the wall, today, painting instead tends to emphasize the apparatus of its appearance and the conduits of its circulation. With contributions by Peter Geimer, Isabelle Graw, and Andre Rottmann, Thinking through Painting investigates painting’s traits and reception in cultural and socioeconomic discourse.

12.00 EUR

The Observer Effect

Author: Barry Schwabsky; Rob Colvin, Sherman Sam (eds.)
Title: The Observer Effect. On Contemporary Painting
Publisher: Sternberg Press
Subject: Theory & Philosophy
Stock: temporary unavailable

In The Observer Effect: On Contemporary Painting, poet and critic Barry Schwabsky looks at the different directions that painting has taken since the turn of the millennium. He deflates the twentieth-century belief that abstraction and figuration in painting are dichotomous. Instead, Schwabsky argues, they are methods of asking or answering the questions: What is painting? What can painting become in an observer’s encounter with it? This wide-ranging selection of texts emphasizes the coextensive work the viewer brings to painting alongside the artist—the construction of form and meaning.

22.00 EUR

Curatorial Things

Authors: Beatrice von Bismarck, Benjamin Meyer-Krahmer (eds.)
Title: Curatorial Things
Publisher: Sternberg Press
Subject: Theory & Philosophy
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The meaning, function, and status of things have changed decisively over the past two decades—a development that stems from increasing skepticism about the ability of things to present culture. This questioning of thingness is an integral part of presentation and has shaped the relevance of the field of the curatorial. Immanent to presentation as a mode of being (public) in the world, the curatorial has the potential to address, visualize, and investigate the central effects of the changing status and function of things. The presentational mode has played a generative role, vitally participating in the mobilization of things through its aesthetic, semantic, social, and, not least, economic dimensions. Intertwining transdisciplinary discourses, transcultural perspectives, and methods of practice, the anthology Curatorial Things provides new insight into the analysis of things.

w/ Arjun Appadurai, Annette Bhagwati, Beatrice von Bismarck, Bill Brown, Sabeth Buchmann,  Clementine Deliss, Andre Lepecki, Maria Lind, Sven Lütticken, Florian Malzacher, Benjamin Meyer-Krahmer, Sarah Pierce, Peter J. Schneemann, Jana Scholze, Kavita Singh, Lucy Steeds, Leire Vergara, Katharina Weinstock, Judith Welter. 

19.00 EUR

The Language of Secret Proof. Indigenous Truth and Representation

Authors: Nina Valerie Kolowratnik; Nikolaus Hirsh, Markus Miessen (eds.)
Title: The Language of Secret Proof. Indigenous Truth and Representation
Publisher: Sternberg Press
Subject: Architecture, Theory & Philosophy
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In The Language of Secret Proof, Nina Valerie Kolowratnik challenges the conditions under which Indigenous rights to protect and regain traditional lands are currently negotiated in United States legal frameworks. The tenth volume in the Critical Spatial Practice series responds to the urgent need for alternative modes of evidentiary production by introducing an innovative system of architectural drawing and notation.

Today, most Western legal forums utilized by Indigenous communities for recognition of their rights continue to employ evidentiary rules that do not allow for Native truths to be accepted as 'reliable' evidence. When tribes are asked to provide proof of their traditional connection to the land, what Western legal forums accept as documentation does not truly represent or respect tribal culture and traditional formats of knowledge transfer.

Kolowratnik’s research focuses on the double bind Pueblo communities in the American Southwest confronted with when they become involved in a legal effort to reclaim and protect ancestral lands, since the process of producing evidence runs counter to their structural organization around oral history and cultural secrecy. The spatial notational systems developed by Kolowratnik with the support of Hemish people, members of Jemez Pueblo in northern New Mexico, and presented in this volume are an attempt to produce evidentiary documentation that speaks Native truths while respecting demands on secrecy. These systems also attempt to instigate a dialogue where there currently is none, deconstructing the fixed opposition between secrecy and disclosure within Western legal systems.

15.00 EUR

Extended French Theory and the Design Field...On Nature and Ecology: a Reader

Authors: Catherine Geel, Clement Gaillard (eds.)
Title: Extended French Theory & the Design Field... On Nature and Ecology: a Reader
Publisher: T&P Publishing
Subject: Theory & Philosophy, Essays & Non-fiction, Graphic Design
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Professor, critic, and curator Catherine Geel directed the anthology of reference texts that comprises this book, which is published to document the common reflections of practitioners and researchers of the French section for ‘Broken Nature’, the 22nd International Exhibition of La Triennale di Milano. Besides an original text by Alain Badiou, the publication contains texts by Quentin Meillassoux, Philippe Descola, Claude Imbert, Gilles Deleuze, Georges Bataille, Andre Gorz, Jean-Baptiste Vidalou, Tristan Garcia, Michel Serres, Vinciane Despret, Emanuele Coccia, Barbara Glowczewski, Henri Lefebvre, Bruno Latour, Andre Corboz, Vildm Flusser, Pierre Damien Huyghe, Andre Leroi Gourhan, Gilbert Simondon, Bernard Stiegler, Gregoire Chamayou, Mathieu K. Abonnenc, Samir Boumediene, Antoinette Rouvroy, Thomas Berns, Edouard Glissant.

19.00 EUR

The Artist as Curator. An Anthology

Author: Elena Filipovic (ed.)
Title:  The Artist as Curator. An Anthology
Publisher: Mousse, Koenig Books
Subject:  Theory & Philosophy, Essays & Non-Fiction
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This is an anthology of essays that first appeared in The Artist as Curator, a series that occupied eleven issues of Mousse from no. 41 (December 2013/January 2014) to no. 51 (December 2015/January 2016). It set out to examine what was then a profoundly influential but still under-studied phenomenon, a history that had yet to be written: the fundamental role artists have played as curators. Taking that ontologically ambiguous thing we call 'the exhibition' as a critical medium, artists have often radically rethought conventional forms of exhibition making. This anthology surveys seminal examples of such exhibitions from the postwar to the present, including rare documents and illustrations.

It includes an introduction and the twenty essays that first appeared in Mousse, a newly commissioned afterword by Hans Ulrich Obrist, and two additional essays that appear here for the first time, discussing twenty-two exhibitions by the Avant-Garde Argentinian Visual Artists Group; Mel Bochner; Marcel Broodthaers; Hank Bull, Shen Fan, Zhou Tiehai, Shi Yong, and Ding Yi; John Cage; Judy Chicago, Miriam Schapiro, and the CalArts Feminist Art Program; Collaborative Projects Inc. (Colab); Alice Creischer, Andreas Siekmann, and Max Jorge Hinderer; Liam Gillick and Philippe Parreno; Group Material; Richard Hamilton and Victor Pasmore; David Hammons; Martin Kippenberger; Mark Leckey;  Goshka Macuga; Lucy McKenzie and Paulina Ołowska; Helio Oiticica; Walid Raad and Akram Zaatari; Martha Rosler; Avdey Ter-Oganyan; Philippe Thomas; and Andy Warhol.

25.00 EUR

Anachrony, Contemporaneity, and Historical Imagination

Author: Jacob Lund
Title: Anachrony, Contemporaneity, and Historical Imagination
Publisher: Sternberg Press, Aarhus University, ARoS Art Museum
Subject: Essays & Non-fiction, Theory & Philosophy
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Taking its point of departure in an 'anachronic' exhibition, 'Soulèvements' (2016–18), this book is a theoretical exploration of how the notion of contemporaneity—understood as the coming together of different times in the same historical present—relates to the end of a certain history of art. Critical of hitherto dominant chronological, ahistorical, and/or culturally restricted notions of the contemporary, Lund’s overall aim is to make an argument for 'the contemporary contemporary' as the point of departure for any anachronic relationship with time today, and as the inescapable point of departure for any possible historical imagination.

8.00 EUR

The Last Resident

Author: Verina Gfader et al.
Title: The Last Resident
Publisher: Sternberg Press, Aarhus University, ARoS Art Museum
Subject: Theory & Philosophy, Essays & Non-fiction
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By Verina Gfader, with Victoria Browne, Rebecca Carson, William Forsythe, Claire Hsu, William Kentridge, Mochu, Monica Narula, Pallavi Paul, Lea Porsager, Gerald Raunig, Sif, Lantian Xie

Hardly a gray matter of catching the spirit of our present. From the sun-drenched-ness of the Dubaian atmosphere, to the feathery encounter in a secret printing workshop, words and materials are discreetly—spectrally, outspokenly—put forward: a bunch of residents cruising the seas of nine temporary realities, the result of an ongoing swapping of facts and speculations from the earthly realm. At one end of the spectrum, players, voyagers, entering the machinery (cacophony) of thought processing. At the other, the anchoring point, The Last Resident, one who opens a possible scene.

8.00 EUR

Theatre, Garden, Bestiary. A Materialist History of Exhibitions

Authors: Tristan Garcia, Vincent Normand (eds.)
Title:  Theatre, Garden, Bestiary. A Materialist History of Exhibitions
Publisher: Sternberg Press, ECAL / University of Art and Design Lausanne
Subject: Essays & Non-fiction, Theory & Philosophy

Contributions by Etienne Chambaud, Elitza Dulguerova, Anselm Franke, Tristan Garcia, Fabien Giraud & Raphael Siboni, Dorothea von Hantelmann, Yuk Hui, Pierre Huyghe, Sami Khatib, Jeremy Lecomte, Stephane Lojkine, Rafael Mandressi, Vincent Normand, Peter Osborne, Filipa Ramos, Juliane Rebentisch, Joao Ribas, Pamela Rosenkranz, Anna-Sophie Springer, Lucy Steeds, Olivier Surel, Etienne Turpin, Kim West, Charles Wolfe


This volume both gathers and expands on the results of the research project 'Theater, Garden, Bestiary: A Materialist History of Exhibitions' held at ECAL/University of Art and Design Lausanne, and proposes to draft a history of exhibitions sourced from a wide corpus reaching beyond the framework of art institutions. It undertakes a transdisciplinary history, at the nexus of art history, science studies, and philosophy, exploring the role the exhibition played in the construction of the conceptual categories of modernity, and outlines a historiographical model that grasps the exhibition as both an aesthetic and epistemic site.

28.00 EUR

What About Activism?

Authors: Steven Henry Madoff (ed.)
Title:  What About Activism?
Publisher: Sternberg Press
Subject: Essays & Non-fiction, Theory & Philosophy
Stock: temporary unavailable

Texts by Defne Ayas, Ute Meta Bauer, Nicolas Bourriaud, Carolyn Christov-Bakargiev, Joshua Decter, Clementine Deliss, Irmgard Emmelhainz, Boris Groys, Hou Hanru, Maria Lind, Steven Henry Madoff, Antonia Majaca, Gabi Ngcobo, Hans Ulrich Obrist, Jack Persekian with Alison Carmel Ramer, Pi Li, Maria Belen Saez de Ibarra, Terry Smith, Nato Thompson, Mick Wilson, Brian Kuan Wood, Tirdad Zolghadr

With the global rise of a politics of shock driven by authoritarian regimes that subvert the rule of law and civil liberties, what paths to resistance, sanctuary, and change can cultural institutions offer? What about activism in curatorial practice? In this book, more than twenty leading curators and thinkers about contemporary art present powerful case studies, historical analyses, and theoretical perspectives that address the dynamics of activism, protest, and advocacy. What unfolds in these pages is a vast range of ideas—a tool kit for cultural producers everywhere to engage audiences and face the fierce political challenges of today and tomorrow.

19.00 EUR

Non-human Photography

Author: Joanna Zylinska
Title: Nonhuman Photography
Publisher: The MIT Press
Subject: Theory & Philosophy
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Today, in the age of CCTV, drones, medical body scans, and satellite images, photography is increasingly decoupled from human agency and human vision. In Nonhuman Photography, Joanna Zylinska offers a new philosophy of photography, going beyond the human-centric view to consider imaging practices from which the human is absent. Zylinska argues further that even those images produced by humans, whether artists or amateurs, entail a nonhuman, mechanical element—that is, they involve the execution of technical and cultural algorithms that shape our image-making devices as well as our viewing practices. At the same time, she notes, photography is increasingly mobilized to document the precariousness of the human habitat and tasked with helping us imagine a better tomorrow. With its conjoined human-nonhuman agency and vision, Zylinska claims, photography functions as both a form of control and a life-shaping force.

Zylinska explores the potential of photography for developing new modes of seeing and imagining, and presents images from her own photographic project, Active Perceptual Systems. She also examines the challenges posed by digitization to established notions of art, culture, and the media. In connecting biological extinction and technical obsolescence, and discussing the parallels between photography and fossilization, she proposes to understand photography as a light-induced process of fossilization across media and across time scales.

30.00 EUR

The Love of Painting

Author: Isabelle Graw
Title: The Love of Painting. Genealogy of a Success Medium
Publisher: Sternberg Press
Subject: Essays & Non-Fiction, Theory & Philosophy, Art History
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Painting seems to have lost its dominant position in the field of the arts. However, looking more closely at exhibited photographs, assemblages, installations, or performances, it is evident how the rhetorics of painting still remain omnipresent. Following the tradition of classical theories of painting based on exchanges with artists, Isabelle Graw’s The Love of Painting considers the art form not as something fixed, but as a visual and discursive material formation with the potential to fascinate owing to its ability to produce the fantasy of liveliness. Thus, painting is not restricted to the limits of its own frame, but possesses a specific potential that is located in its material and physical signs. Its value is grounded in its capacity to both reveal and mystify its conditions of production. Alongside in-depth analyses of the work of artists like Edouard Manet, Jutta Koether, Martin Kippenberger, Jana Euler, and Marcel Broodthaers, the book includes conversations with artists in which Graw’s insights are further discussed and put to the test.

'It’s about time for a book declaring 'the love of painting' to appear, afer the aridity of postmodernism’s announcement of painting’s demise. Isabelle Graw’s argument in favor of this love turns on what she terms 'vitalistic fantasies': the perception of artworks as 'quasi subjects' saturated with the life of their creator. This notion of the work of art as a quasi subject relates directly to the philosopher Stanley Cavell’s consideration that 'the possibility of fraudulence, and the experience of fraudulence, is endemic in the experience of contemporary art.' To understand this we must ask: Why do we relate to works of art in the same way we relate to people? The Love of Painting works on this question—and does so with success.'Rosalind E. Krauss

25.00 EUR

Return to the Postcolony Specters of Colonialism in Contemporary Art

Author: T. J. Demos
Title: Return to the Postcolony. Specters of Colonialism in Contemporary Art
Publisher: Sternberg Press
Subject: Theory and Philosophy
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In the wake of failed states, growing economic and political inequality, and the ongoing US- and NATO-led wars for resources, security, and economic dominance worldwide, contemporary artists are revisiting former European colonies, considering past injustices as they haunt the living yet remain repressed in European consciousness. With great timeliness, projects by Sven Augustijnen, Vincent Meessen, Zarina Bhimji, Renzo Martens, and Pieter Hugo have emerged during the fiftieth anniversary of independence for many African countries, inspiring a kind of 'reverse migration'—a return to the postcolony, which drives an ethico-political as well as aesthetic set of imperatives: to learn to live with ghosts, and to do so more justly.   

T. J. Demos places contemporary art within the context of neoliberal globalization and what scholars have referred to as the 'colonial present.' The analysis is complex and provocative, both for an understanding of the historical material as well as for the contemporary theoretical discourse. Return to the Postcolony is one of the most ambitious, intelligent, and readable texts on contemporary art related to the African context that I have read.
 —Alexander Alberro, author of Conceptual Art and the Politics of Publicity   

19.00 EUR

Proteus and the Radical Imaginary

Author: Kristupas Sabolius 
Title: Proteus and the Radical Imaginary
Publisher: Bunkier Sztuki Gallery, Karkow, the CAC Vilnius
Subject: Theory & Philosophy
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Proteus and the Radical Imaginary is an original and timely re-evaluation of the concept of the imagination in relation to aesthetics and contemporary art. Starting with the humorous story of Nasreddin’s eighteenth camel, an odd surplus that is necessary in order for reality to work (in this case, solving the riddle of a father’s mathematically perplexing testament), Sabolius goes on to discuss the metaphysical, aesthetic, political, phenomenological, and technological dimension of the imagination; providing both a philosophical history of the notion as well as making a unique intervention in contemporary debates. (...) Sabolius’ theoretical discussions are enlivened by analyses of a surprising mix of films, artworks, popular culture, and theatre, including: exhibitions by Raimundas Malašauskas (Photo Finish in Vilnius, and the Lithuania/Cyprus oO/Oo Pavilion at the 55th Venice Biennale), the underwear-stealing gnomes of South Park, Michelangelo Antonioni’s Blow Up, Victor Erice’s The Spirit of the Beehive, and the avant-garde performances of Romeo Castellucci. - Aaron Schuster

Proetus and the Radical Imaginary is the first major translation of Sabolius oeuvre to English. Published in 2016 as part of XII Baltic Triennial.

 

7.00 EUR

Public Space? Lost and Found

Authors: Gediminas Urbonas, Ann Lui, Lucas Freeman  (eds.)
Title: Public Space? Lost and Found
Publisher: The MIT Press
Subject: Architecture, Theory & Philosophy
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Public Space? Lost and Found combines significant recent projects in art and architecture with writings by historians and theorists. Contributors investigate strategies for responding to underrepresented communities and areas of conflict through the work of Marjetica Potrč in Johannesburg and Teddy Cruz on the Mexico-U.S. border, among others. They explore our collective stakes in ecological catastrophe through artistic research such as atelier d'architecture autogeree's hubs for community action and recycling in Colombes, France, and Brian Holmes's theoretical investigation of new forms of aesthetic perception in the age of the Anthropocene. Inspired by artist and MIT professor Antoni Muntadas' early coining of the term “media landscape,” contributors also look ahead, casting a critical eye on the fraught impact of digital media and the internet on public space.

Contributors: atelier d'architecture autogre, Dennis Adams, Bik Van Der Pol, Adrian Blackwell, Ina Blom, Christoph Brunner with Gerald Raunig, Nestor Garcia Canclini, Colby Chamberlain, Beatriz Colomina, Teddy Cruz with Fonna Forman, Jodi Dean, Juan Herreros, Brian Holmes, Andres Jaque, Caroline Jones, Coryn Kempster with Julia Jamrozik, Gyorgy Kepes, Rikke Luther, Matthew Mazzotta, Metahaven, Timothy Morton, Antoni Muntadas, Otto Piene, Marjetica Potrč, Nader Tehrani, Troy Therrien, Gedminas and Nomeda Urbonas, Angela Vettese, Mariel Villere, Mark Wigley, Krzysztof Wodiczko

37.00 EUR

On Writing a Literary History of the Contemporary, or What is, or was, "the Contemporary," and should we keep calling it that?

Author: Margaret-Anne Hutton
Title: On Writing a Literary History of the Contemporary, or What is, or was, "the Contemporary,” and should we keep calling it that?
Publisher: Sternberg Press, Aarhus University, ARoS Art Museum
Subject: Essays & Non-fiction, Theory & Philosophy
Stock: ✔ 

'The contemporary' is an established term in a range of scholarly and disciplinary discourses, but what does it mean? Interweaving sections drawn from an (apparently) hypothetical and oxymoronic project—the writing of a literary history of 'the contemporary'—with a critical analysis of the term(s) 'the contemporary' and 'contemporary' in the work of a range of theorists, Margaret-Anne Hutton sets out to expose the inconsistencies and ambiguities in its terminological usage, and to unpick some of the knots which bind the substantive and adjective. How can '(the) contemporary' function as a critical term, and how might we map its history?

8.00 EUR

Hegel after Occupy

Author: Mikkel Bolt Rasmussen
Title: Hegel after Occupy
Publisher: Sternberg Press, Aarhus University, ARoS Art Museum
Subject: Essays & Non-fiction, Theory & Philosophy
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Hegel after Occupy is a Western Marxist analysis of different attempts to understand the present historical situation and the way theories of postmodernity, globalization, and contemporaneity implicitly or explicitly conceptualize the relationship between the historical present and political action. They all persuasively describe a breakdown of former historical categories but paradoxically end up understanding this breakdown as the end of politics tout court. Analysis and 'position' thus merge, and the analytic diagnosis of a disavowal of the future (and the past) ends up as a disavowal of politics.

8.00 EUR

School: A Recent History of Self-Organized Art Education

Authors: Sam Thorne (ed.)
Title: School: A Recent History of Self-Organized Art Education
Publisher: Sternberg Press
Subject: Essays & Non-fiction, Theory & Philosophy
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Contributions by Bik Van der Pol, Bruce High Quality Foundation University, Tania Bruguera, Chto Delat?, Sean Dockray, Olafur Eliasson, Ryan Gander, Piero Golia, Fritz Haeg, Pablo Helguera, Jakob Jakobsen, Ahmet Oğuut, Yoshua Okon, Open School East, RUPERT (!), Wael Shawky, Tina Sherwell, Bisi Silva, Christine Tohme, Anton Vidokle

Sam Thorne’s School: A Recent History of Self-Organized Art Education is a chronicle of self-organized art schools and artist-run education platforms that have emerged since 2000. Comprising a series of twenty conversations conducted by Thorne with the artists, curators, and educators behind these schools, the book maps a territory at once fertile and contested. Spanning projects in London, Lagos, Los Angeles, Mexico City, Ramallah, Berlin, and Saint Petersburg, among other locations, these critical dialogues respond to spiraling student debt, the MFA system, and the 'pedagogical turn,' while offering proposals for the future of art education.

24.00 EUR

Distributed

Author: David Blamey, Brad Haylock (eds.)
Title: Distributed
Publisher: Open Editions
Subject: Theory & Philosophy
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This volume in the Occasional Table series of critical anthologies focusses attention on the act of distribution as a subject for serious creative consideration and one of great social and economic importance. Contributors from a variety of backgrounds paint a big picture that embraces the actions of the individual along-side the workings of global markets. From the attention-seeking impulse of the poseur to the democratisation of art and knowledge through books, digital networks, pop music and self-organised libraries, and to the question of what can be known and by whom, the urge to disseminate is explored here as an elemental phenomenon of our time.

Texts and contributions by Ahmed Ansari, Stuart Bertolotti-Bailey, Justin Clemens, Alex Coles, Jonathan Lindley, Neil Cummings, Arnaud Desjardin, Markus Miessen, Bille Muraben, Patricia Reed, Adrian Shaughnessy, Freek Lomme, Eva Weinmayr et al.

25.00 EUR

A Slow, Contemporary Violence: Damaged Environments of Technological Culture

Author:  Jussi Parikka
Title:  A Slow, Contemporary Violence: Damaged Environments of Technological Culture (The Contemporary Condition)
Publisher: Sternberg Press
Subject: Essays & Non-fiction, Theory & Philosophy
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The contemporary moment is comprised of many overlapping speeds, rhythms, and periods of time. A central theme of Jussi Parikka’s book concerns slowness instead of acceleration: a different sort of a temporal horizon in order to understand some of the environmental temporalities that media and technological arts are involved in. This is approached through art and design practices that unfold this multiplicity of time, closely entwined with contemporary concerns in aesthetic theory, to understand and engage with the planetary time scales of slow environmental violence. 

8.00 EUR

We Are Here, But Is It Now? (The Submarine Horizons of Contemporaneity)

Author: Raqs Media Collective
Title: The Contemporary Condition: We Are Herem But Is It Now? (The Submarine Horizons of Contemporaneity)
Publisher: Sternberg Press, Aarhus University, ARoS Art Museum 
Subject: Artists' writings, Theory & Philosophy
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It is said that we know more about far-away galaxies than we do about the bottom of the oceans on earth. One could say something similar about our relationship to the future and to the contemporary. The distant future can seem more familiar than the deep present. We know it will come, regardless of whether or not we are around to witness it. Searching for the present is a bit like deep sea diving. How to dive without drowning in the turbulent waters of now? How to find and share sources of illumination in submarine darkness? When to surface and how to ride a strong current? Why stay afloat on the present moment at all? And what to look for while beachcombing the sea-floor of our time? These are some of the questions that Raqs Media Collective address in their account of contemporaneity, guided by a motley collection of figures lost and found in the turbulence of their practice.

8.00 EUR

The Flood of Rights

Author: Thomas Keenan, Suhail Malik, Tirdad Zolghadr (eds.)
Title: The Flood of Rights
Publisher: Sternberg Press
Subject: Essays & Non-Fiction, Theory & Philosophy
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It is difficult to imagine making claims for human rights without using images. For better or worse, images of protest, evidence, and assertion are the lingua franca of struggles for justice today. And they seem to come in a flood, more and more, day and night. But through which channels does the torrent pass? The Flood of Rights examines the pathways through which these images and ideas circulate—routes that do not merely enable, but actually shape human-rights claims and their conceptual background. What are the technologies and languages that structure the global distribution of humanism and universalism, and how do they leave their mark on these ideas themselves? Which narratives and imageries have proven easier to export and import, and whose interests are at stake in the configurations in question? 

Contributions by Amanda Beech, Rony Brauman, David Campbell, Olivia Custer, Rosalyn Deutsche, Thomas Keenan, Eric Kluitenberg, David Levine, Suhail Malik, Sohrab Mohebbi, Sharon Sliwinski, Hito Steyerl, Bernard Stiegler, Tirdad Zolghadr

26.00 EUR

Improper Life

Author: Timothy C. Cambell
Title: Improper Life. Technology and Biopolitics from Heidegger to Agamben
Publisher: Minnesota UP
Subject: Theory & Philosophy
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Has biopolitics actually become thanatopolitics, a field of study obsessed with death? Is there something about the nature of biopolitical thought today that makes it impossible to deploy affirmatively? If this is true, what can life-minded thinkers put forward as the merits of biopolitical reflection? These questions drive Improper Life, Timothy C. Campbell’s dexterous inquiry-as-intervention.

Campbell argues that a "crypto-thanatopolitics" can be teased out of Heidegger’s critique of technology and that some of the leading scholars of biopolitics—including Michel Foucault, Giorgio Agamben, and Peter Sloterdijk—have been substantively influenced by Heidegger’s thought, particularly his reading of proper and improper writing. In fact, Campbell shows how all of these philosophers have pointed toward a tragic, thanatopolitical destination as somehow an inevitable result of technology.

20.00 EUR

Surrogate Humanity

Authors: Neda Atanasoski and Kalindi Vora
Title: Surrogate Humanity. Race, Robots, and the Politics of Technological Futures
Publisher: Duke UP
Subject: Theory & Philosophy
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In Surrogate Humanity Neda Atanasoski and Kalindi Vora trace the ways in which robots, artificial intelligence, and other technologies serve as surrogates for human workers within a labor system entrenched in racial capitalism and patriarchy. Analyzing myriad technologies, from sex robots and military drones to sharing-economy platforms, Atanasoski and Vora show how liberal structures of antiblackness, settler colonialism, and patriarchy are fundamental to human---machine interactions, as well as the very definition of the human. While these new technologies and engineering projects promise a revolutionary new future, they replicate and reinforce racialized and gendered ideas about devalued work, exploitation, dispossession, and capitalist accumulation. Yet, even as engineers design robots to be more perfect versions of the human—more rational killers, more efficient workers, and tireless companions—the potential exists to develop alternative modes of engineering and technological development in ways that refuse the racial and colonial logics that maintain social hierarchies and inequality.

24.00 EUR

Radical Museology

Author: Claire Bishop
Title: Radical Museology
Publisher: Walther Koenig
Subject: Theory & Philosophy
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In the face of austerity cuts to public funding, a handful of museums of contemporary art have devised compelling alternatives to the mantra of ‘bigger is better and richer’.

In Radical Museology, art historian and critic, Claire Bishop presents the collection displays of the Van Abbemuseum in Eindhoven, the Museo Nacional de Reina Sofía in Madrid and MSUM in Ljubljana as outlines of a new understanding of the contemporary in contemporary art.

Rather than denoting presentism, the contemporary comes to signal a dialectical method: scouring the past for the origins of our present historical moment, which in turn is the determining motivation for our interest in the past. It is an anachronic action that seeks to reboot the future through the unexpected appearance of a relevant past.

Accompanying and complimenting Claire Bishop’s text are illustrations by artist Dan Perjovschi.

13.00 EUR

Atlas of Diagrammatic Imagination / Diagraminės vaizduotės atlasas

Authors: Lina Michelkevičė, Vytautas Michelkevičius (eds.)
Title: Atlas of Diagrammatic Imagination: Maps in Research, Art and Education
Publisher: Vilniaus dailės akademijos leidykla
Subject: Theory & Philosophy, Artists' Writings, Essays & Non-fiction
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How does a diagram differ from a text? What are the pros and cons of diagrams when compared to text?  Can a map be a research component, an artwork, and a scientific means of communication, all at the same time?

How do diagrams mediate between different cognitive systems? How can diagrams convey bodily experiences and gestures? How do they facilitate education? These are only few questions that delineate a general research territory where the book authors’ imaginations overlap.

Even though cartographic references play an important role, many of the maps presented and discussed in this atlas go beyond the geographical notion of map, and they often bear no reference to either a location or its representation. They may involve multilayered diagrams, trajectories of a freely moving body or a hand, visual signs of hesitancy, tools of material or visual thinking, charts of tacit knowledge, notations of sensual data, or the models of research hypotheses or findings.

This research is also a response to the times we live in. In the face of ever-increasing information flows and the challenges of big data processing and rendition, a linear text is not always the most suggestive form of communication. Meanwhile in maps, within a single plane, we can operate with multiple layers of knowledge, and use different means of expression in order to discover unexpected links.

Contributions by Arnas Anskaitis, Tomas S. Butkus, Vitalij Červiakov, Christoph Fink, Nikolaus Gansterer, Aldis Gedutis, Giedrė Godienė, Sandra Kazlauskaitė, Vytautas Michelkevičius, Lina Michelkevičė, Astrit Schmidt-Burkhardt

*bilingual (LT/EN)

31.00 EUR


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